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Ed Webb

From journalists to generals, Algeria cracks down on dissent | Middle East Eye - 0 views

  • While the economic crisis related to the fall of oil revenues has caused political and social tensions, the Algerian authorities are showing increasing intolerance towards criticism, already under attack since the start of President Abdelaziz Bouteflika’s fourth term in April 2014.
  • Hassina Oussedik, director of Amnesty International’s chapter in Algeria, says the attacks on freedom of expression have been "constant". "In 2015, not a month has passed without witnessing cases of people being oppressed as they try to express themselves peacefully. The authorities rely on poorly formulated or ambiguous laws to arrest people," she told Middle East Eye. "They use provisions of the penal code that criminalise 'contempt', 'insult' or 'defamation' aimed against representatives of the state and other institutions in order to restrict freedom of expression, including humour, expression on the internet and on the street."
  • But an Algerian police officer, in charge of monitoring public demonstrations, said claims of repression were excessive and defended his activities."Repression? Dictatorship? Censorship? All of this is much exaggerated and is far from the truth," he told MEE. "If we did not do our job of monitoring and surveillance, Islamists and terrorists would feel omnipotent. In the 90s, this led us to chaos! Is it normal to insult the state, the president, the police or the army with impunity?"
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  • A former minister also defends the state’s repressive policy: "Newspapers, with their criticisms and caricatures that spare no one, even the president and the army chief, aren’t they free? But the law will remain strict against those who attack the institutions and the nation; we are not a gang of criminals who must be denounced all the time. We are servants of the state and those who criticise the government are attacking Algeria."
  • In the former minister's view, the majority of social opposition movements, jobless in the south, anti-shale gas activists, subversive artists and independent publishers, are simply “naive people manipulated by forces hostile to Algeria and its government’s patriotic choices".
  • Minister of Communications Hamid Grine, described by the Workers Party leader Louisa Hanoune as the “propaganda minister”.Regularly, the minister threatens journalists, independent media, foreign press correspondents and activists on social media in the name of "ethics". He imposed the closure of two private TV channels, Atlas TV and El Watan El Djazairia TV, and publicly refused to grant accreditation to foreign press correspondents, including a journalist from the London-based daily Asharq Al Awsat, demanding that they "toe the line".
Sherry Lowrance

.:Middle East Online:.Citizen journalism keeps Syria uprising alive - 2 views

  • there is no way the regime can stop information or footage, videos, and images from coming out," said Syrian activist Ausama Monajed
  • Monajed runs The Syrian Revolution News Round-up, a daily briefing on protests, clashes and killings using eyewitness accounts and leaked footage taken by mobile phones of protesters that is authenticated to the best of their ability.
  • Major news outlets have regularly aired amateur, grainy footage of rallies and killings, which activists sometimes have to smuggle across the border to neighbouring countries to disseminate, as part of their newscasts
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  • Shaam News Network, which identifies itself as a "group of patriotic Syrian youth activists... supporting the Syrian people's efforts for democratic and peaceful change," has gained popularity for putting news and footage of the uprising online
  • But Assad's government has also launched a cold war on information and communications technology, with activists turning to satellite phones when Internet access is cut off and mobile phone networks jammed
  • Jasmine Revolution" report on protests and killings and sends it to journalists around the world
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    Mainstream, new media have increasingly had to rely on citizen journalism amid state-imposed media blackout.
Ed Webb

Hit film's kiss gets Arab-Israeli teacher fired - Al-Monitor: the Pulse of the Middle East - 0 views

  • “The mayor faces many problems with the opposition in Baqa al-Gharbiyye,” Muasi said. “Despite being secular himself, he needs the support of this Salafist group to bolster his coalition. And this is done at my expense. He simply sacrificed me as a teacher to serve his own political interests.”
  • Despite having negligible political weight, radical Islamic groups like the Hedaya movement in Baqa al-Gharbiyye are central to the current political struggles within Arab society. Local leaders keep them politically on their side, apparently because they don’t know when and if they might need their support.
  • “In the past three years we have seen at least 20 cases whereby artists or institutions came under attack by groups alleging to be Islam’s bona fide representatives,” Muasi said. “These are groups from Salafist Islam, far removed from the mainstream. Their people are trying to impose their worldview on an entire society and even on other Islamic movements that are more moderate than they are.”
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    Note here that the teacher is being punished at the behest of a tiny group advocating views not shared by most in their community. But the mayor may rely on their political support at some point, so the teacher and his students suffer. The film is excellent, by the way: Omar was part of the Middle East Film Series at Dickinson in fall 2015.
Ed Webb

Safar: A journey of discovery into Arab cinema's past and present | Middle East Eye - 0 views

  • the film also shows a Cairo unknown to many in the West, and it is filled with scenes depicting prostitution, class divisions, and agnosticism over the political milieu
  • Egypt entered what is referred to by many as “a golden age of cinema” in the 1950s, as Nasser sought to reclaim the country’s narrative from colonial influences following the 1952 coup. Consequently, the works of some of the country’s biggest novelists of that era, including Yusuf Idris, Tawfiq al-Hakim and Mahfouz, were adapted into film.
  • “We want people to come away with a feel for the diversity in Arab cinema, as well as Arabic literature.”
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  • “I try to create a feeling of what it is like to be away from one’s homeland, to show the human element of living in exile. I document these experiences to reflect some of what an entire generation of people living in exile feel.”
  • “Believe me, nobody wants to be a refugee. I am here, but I am not here,” he said, referring to his thoughts being scattered between London and Baghdad.
  • Fahim laments the lack of film archiving across the region - barring efforts from private institutions.
  • “The state of archiving and of restorations and preservations is exceedingly destitute,” he said, adding that rights owners were difficult to locate and that he had to “deal with a lot of bureaucracy to secure the films.” In some Middle East nations, particularly war-ravaged Syria and Iraq, the fate of a swathe of Arab cinematic heritage is “simply unknown”.
  • The festival will close on 18 September with the world premiere of the 1969 film, The Land, directed by Youssef Chahine, one of the leading voices in Arab cinema for over half a century until his death in 2008.
Ed Webb

Lessons from an ex-British MP who stood on a street corner in Beirut | Middle East Eye - 0 views

  • Matthew Parris - South African-British columnist and former Conservative member of the British Parliament - treats us to an account of “What you learn standing on a street corner in Beirut.” The corner in question is located on Rue Qobaiyat in the trendy Mar Mikhael neighbourhood, which Parris incorrectly identifies as Beirut’s “Armenian quarter”. So much for learning things.
  • the role of spontaneous sociocultural analyst
  • To be sure, the trope of the unpredictable and irrationally violent Arab is a mainstay of Orientalist discourse, and visitors to Lebanon from the oh-so-civilised West often can’t resist the temptation to detect in every trivial occurrence a potential throwback to the brutal civil war of 1975-90 - an affair which, it bears mentioning, took place with plenty of outside interference, including from the West itself.
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  • The Orientalist eye, it seems, is keen to imbue the landscape with greater enigmatic significance - and Parris concludes his street-corner musings with the melodramatic lines: “Everywhere the concrete was gashed with black mould. But that’s how concrete does stain, in the rain. Visitors to Beirut must learn to love the stains.”
  • Parris’ foray into the realm of Orientalist lecture would appear to be relatively benign compared to those of contemporaries such as, say, the British travel writer who penned “Boobs, Botox and the Babes of Beirut” - in which we learn that “in Lebanon the women look like Cleopatra” but that plastic surgery fiascos can result in a situation in which “some look as if a drunken Picasso has drawn a face on to a balloon”.
  • Thomas Friedman’s determinations that Israel’s bombing of Lebanese civilians is “logical”, that Palestinians are “gripped by a collective madness”, or that Iraqis need to “suck on this”.
  • the West’s ongoing addiction to Orientalism
  • Nowadays, there are increasing efforts among reductionist Orientalist circles to market Beirut as the resurgent “Paris of the Middle East”, a glamorous hub of hedonism boasting all manner of extravagant money-spending opportunities - yet one that still retains the requisite exotic elements, such as the ever-astounding coexistence of miniskirts and hijabs, Hezbollah and billboard lingerie ads. 
  • the glorification of elite excess and materialism directly serves the interests of a global neoliberal order predicated on obscene socioeconomic inequality
Ed Webb

Picking up the pieces - 0 views

  • Syrians have shown relentless ingenuity in adapting to every stage of a horrendous conflict, salvaging remnants of dignity, solidarity and vitality amid nightmarish circumstances
  • The decimation of Syria’s male population represents, arguably, the most fundamental shift in the country’s social fabric. As a generation of men has been pared down by death, disability, forced displacement and disappearance, those who remain have largely been sucked into a violent and corrupting system centered around armed factions
  • 80 of the village’s men have been killed and 130 wounded—amounting to a third of the male population aged 18-50. The remaining two-thirds have overwhelmingly been absorbed into the army or militias
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  • “If you want to protect yourself and your family, you join a militia,” remarked a middle-aged man in the Jazmati neighborhood. “The area is infested with crime associated with the National Defense militias. Each group has control over a certain quarter, and they sometimes fight each other over the distribution of spoils. Shop owners must pay these militias protection. One owner refused, and they torched his store.”
  • Another resident of the same area explained that he and his family could scrape by thanks to his two sons’ positioning in the Iran-backed Baqir Brigade—which provides not only monthly salaries, but also opportunities to procure household items through looting.
  • Most who can afford to leave the country do so; others benefit from an exemption afforded to university students, while another subset enjoys a reprieve due to their status as the sole male of their generation in their nuclear family. Others may pay exorbitant bribes to skirt the draft, or confine themselves within their homes to avoid being detected—making them invisible both to the army and to broader society. Some endure multiple such ordeals, only to remain in an indefinite state of limbo due to the contingent and precarious nature of these solutions
  • I returned to my apartment just to retrieve official documents and some hidden pieces of gold. I did so, and then destroyed my own furniture and appliances because I don’t want these people making money at my expense. I was ready to burn down my own apartment, but my wife stopped me—she didn’t want me to cause harm to other apartments in the building.
  • Although virtually every problem that sparked Syria’s 2011 uprising has been exacerbated, society has been beaten down to the point of almost ensuring that no broad-based reformist movement will be able to coalesce for a generation to come
  • the unraveling of Syria’s productive economy, and its replacement by an economy of systematic cannibalization in which impoverished segments of Syrian society increasingly survive by preying upon one another
  • a new term—taafeesh—to describe a practice that goes far beyond stealing furniture to include extremes such as stripping houses, streets and factories of plumbing and electrical wiring
  • “I watched uniformed soldiers using a Syrian army tank to rip out electrical cables from six meters underground,” remarked a fighter with a loyalist Palestinian faction, who was scrambling to retrieve belongings from his apartment before it could be pillaged. “I saw soldiers from elite units looting private hospitals and government offices. This isn’t just looting—it’s sabotage of essential infrastructure.”
  • An industrialist in Aleppo put it simply: “I talk with factory owners and they say they want to reopen their factories, but they can’t find male workers. When they do find them, security services or militiamen come and arrest those workers and extort money from the owners for having hired them in the first place.” With no large scale returns on the horizon for local industries, this economic impasse will take years to resolve.
  • Multiplying forms of predation have accelerated the outflow of Syria’s financial and human capital, leaving behind a country largely populated by an underclass that can aspire to little more than subsistence
  • Syrians also dip into precious resources to pay officials for information, for instance on disappeared relatives or their own status on Syria’s sprawling lists of “wanted” individuals. For those wishing to confirm that they won’t be detained upon crossing the border to Lebanon, the going rate is about 10 dollars—most often paid to an employee in the Department of Migration and Passports.
  • This cannibalistic economy, which encompasses all those who have come to rely on extortion for their own livelihoods, extends to the cohort of lawyers, security officials and civil servants who have positioned themselves as “brokers” in the market for official documents such as birth, marriage and death certificates
  • Today, even the most senior lawyers in our practice are working as document brokers. A well-connected broker makes 30 to 40,000 pounds [60 to 80 dollars] per day; this roughly equals the monthly salary of a university-educated civil servant. As a result, many government employees resign and work as brokers to make more money.And this truly is a business, not a charity: Every broker takes money, even from his own brothers and sisters. Last week a colleague brought me his brother-in-law. I asked him why he needed me, when he could make all the papers himself. He explained that he can’t take money from his own brother-in-law, but I can do so and then give him half.
  • micro-economies in their own right—from the recycling of rubble to the proliferation of taafeesh markets, where people buy second-hand goods stolen from fellow Syrians. Many have no choice but to use these markets in order to replace their own stolen belongings
  • Syria’s predatory wartime economy is slowly but surely turning into a predatory economy of peace
  • As some Syrians put it, Damascus has been particularly effective in reconstructing one thing amidst the immeasurable destruction: the “wall of fear” which characterized the regime before 2011 and which momentarily broke down at the outset of the uprising
  • active surveillance, intimidation and repression are not the only contributors to this leaden atmosphere. A pervasive exhaustion has settled over Syrians ground down and immiserated by war, disillusioned with all those who purport to lead or protect them, and largely reduced to striving for day-to-day subsistence
  • At one level, the war has wrenched open social and economic fractures that existed long before the conflict. The city of Homs stands as perhaps the starkest microcosm of this trend. A Sunni majority city with sizable Christian and Alawi minorities, Homs was the first major urban center to rise up and the first to devolve into bitter sectarian bloodletting
  • While vast swathes of Syria’s Sunni population feel silenced and brutalized, Alawi communities often carry their own narrative of victimhood, which blends legitimate grievances with vindictive impulses vis-à-vis Sunnis whom they regard as having betrayed the country
  • crude divisions based on sect or class fail to describe a complex and fluid landscape. Some fault lines are less dramatic, all but imperceptible except to those who experience them first-hand. Neighbors, colleagues, friends and kin may have come down on opposing sides, despite having every social marker in common. Each part of the country has its own web of tragic events to untangle.
  • Many Islamic State fighters swapped clothes and joined the [Kurdish-led] Syrian Democratic Forces to protect themselves and their families. But they haven’t changed; those people are bad, and will always be bad. There will be vengeance. Not now, while everyone is busy putting their lives together. But eventually, everyone who suffered under ISIS, whose brother was killed by ISIS, will take revenge.
  • A native of a Damascus suburb remarked: “Charities typically want to help those who fled from elsewhere. So, when I go to a charity, I say I’m displaced.”
  • The divide between conservative and more secular Sunnis has calcified, manifesting itself even in differential treatment at checkpoints. “I have an easier time driving around because I don’t wear the hijab,” remarked a woman from the Damascus suburbs. “If you veil, security assumes you’re with the opposition.”
  • While dialogue is sorely needed, some Syrians warn against emphasising dialogue for its own sake—even at the cost of burying the most substantive issues at stake. A businessman from Damascus described his own abortive experience with talks proposing to link disparate elements of Syria’s private sector: “There’s this whole industry around ‘mediation,’ including between sides that don’t actually disagree on anything. Meanwhile, all the problems that caused the uprising have gotten worse.”
  • Just as Syrians are forced to be more self-reliant, they have also come to depend evermore on vital social support structures. Indeed, extreme circumstances have created a paradox: Even as society has splintered in countless ways, the scale of deprivation arguably renders Syrians more closely interdependent than ever before.
  • remittances from relatives who live abroad
  • The country’s middle and upper classes have long extended vital forms of solidarity to their needier compatriots, with Syria’s merchant and religious networks playing a leading role. What is unique, today, is the scale of hardship across the country, which is so vast as to have changed the way that Syrians conceptualize the act of receiving charity. A businessman from central Syria noted the extent to which dependency, which once demanded some degree of discretion, has become a straightforward fact of life. “People used to hide it when they were reliant on charity. Not anymore. Today you might hear workers in a factory wondering, ‘Where is the manager?’ And someone will say that he’s out waiting for his food basket. The whole country is living on handouts.”
  • People still do charity the Islamic way, based on the premise that you must assist those closest to you. If there’s someone you should help—say, a neighbor—but you’re unable, then it’s your responsibility to find someone else who can. These circles remain very much intact, and the entire society lives on this. Seven years of war didn’t destroy that aspect of Syrian culture, and that’s something Syrians are proud of.
  • There will be no nationwide recovery, no serious reform, no meaningful reconciliation for the foreseeable future.
Ed Webb

Turkey's media landscape shaken up by major foreign players | Middle East Eye - 0 views

  • At a time when press freedoms are regularly described as under threat and investment in the shaky Turkish economy is no sure bet, foreign media companies could be expected to avoid the country. Instead the opposite is true. A swathe of often state-backed foreign media outlets have begun expanding their output in Turkey, with Chinese, German, Russian and Azeri companies establishing radio stations, websites, online portals and even a news channel in recent years. 
  • Alper Gormus, a prominent Turkish media critic, said that the Turkish public depended on outlets such as Russia's Sputnik Turkiye, the UK's BBC Turkce or Deutsche Well Turkce because trust in government-controlled media was extremely low.
  • “The conditions are very similar to post-coup Turkey in the 1980s in the sense that the majority of the media is supporting the government,"
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  • "Ironically, government supporters themselves don’t read pro-government newspapers. Best-selling newspapers lost their circulation after they were seized by government-friendly businesspeople."
  • Ismail Caglar, an analyst at Ankara-based conservative think tank SETA, says Turkey’s rising profile in the region attracts foreign interest. Foreign companies make media investments in Turkey to propagate their point of view and take part in domestic political debates, he said
  • A report by US government-funded think tank the Rand Corporation said last year that Sputnik Turkiye and other Russian media outlets were trying to undermine NATO by fomenting mutual suspicion between Turkey and its Western allies, enlisting Ankara’s support and impeding its opposition to Russian actions in the Middle East.
  • Sputnik Turkiye published an article on 2 December 2015 with the headline “Russia: Erdogan and His Family Directly Involved in ISIS’s Illegal Oil Shipment in Syria”. Turkey later banned Sputnik Turkiye’s website and revoked its bureau chief’s work permit and visa, but Sputnik Turkiye radio continued to broadcast. Following the rapprochement between two countries in 2016, Sputnik Turkiye’s website began to freely operate again. Its Twitter account has roughly 600,000 followers.
  • "As Turks look for fresh perspectives and alternate sources of information in a tightly controlled media environment, Sputnik Turkiye draws readers in through its shockingly open coverage on domestic issues,"
  • Other outlets, such as Germany's Deutsche Welle Turkce, have also taken a generally critical line. Prominent journalist Nevsin Mengu, whose newscasts on YouTube are watched by thousands of Turks, has recently joined its ranks.
  • BBC Turkce, which has been broadcasting since 1939, is known for an editorial style perceived to be critical of the current Turkish government. 
  • “There is this sense that stories edging on activist journalism have been regularly published because they think it will generate traffic,” 
  • BBC Turkce has more than 3 million followers on Twitter.
  • Caglar, the SETA analyst who is also preparing a report on the subject, criticised BBC Turkce for being opaque about its staffing and operational information. “They didn’t even want to acknowledge with how many people they have in their staff.”
  • Ali Duran Topuz, the editor-in-chief of independent news portal Gazete Duvar, told MEE that the current media structure in Turkey made it easier for foreign-owned outlets to operate. “It could be also financially profitable for the investors. Fox, for example, is mildly criticising the government and it posts profit. Because of large numbers of unemployed journalists, the labour cost is also very low,"
Ed Webb

Beirut's draq queen scene is starting to flourish, inspired by Ru Paul - The Washington... - 0 views

  • Beirut’s drag-queen scene
  • The Middle East is known for its conservatism, but with its febrile nightlife and more liberal mores, Beirut has long been hailed as a relative haven for the region’s LGBTQ community, though not without challenges.
  • Performers usually turn up in their street clothes, transform into a whole new character, then shed their costumes again before slipping back outside. Anissa, though, will be making an entrance tonight. A car to the venue has been organized, and she wants to enjoy the reactions of her fellow passengers. 
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  • Many here who became drag performers grew up watching Bassem Feghali, a comedian who gained popularity in the early 2000s by impersonating female singers. In 2015, Evita Kedavra, a Palestinian Armenian drag queen, took the stage, and one by one, the circle grew. 
  • With dozens having taken the plunge since last year’s Grand Ball, the artists credit one celebrity above all: RuPaul and his wildly successful talent show “RuPaul’s Drag Race.” “That made a huge difference,” said Narcissa, another drag queen, of the Emmy-winning U.S. television series. “Suddenly everyone was watching it, and you just thought, ‘Wow, I could do that, too.’ Those artists taught us a lot.”
  • a scene that blends an homage to American drag culture with something distinctively, and irreverently, Lebanese. Anissa Krana and Narcissa exude Hollywood glamour, all tumbling curls and dresses with jewels. Performers like Kawkab Zuhal set kohl liner on dramatic lashes for acts lip-syncing to Arabic music or telling sharp jokes about Lebanon’s crumbling political system. 
  • The Grand Ball earlier this month was to be at one of the biggest, with some 30 contestants competing in front of an exuberant, tightly packed crowd
  • In October, to almost everyone’s surprise, “RuPaul’s Drag Race” star Sasha Velour strode through one of Beirut’s most famous civil war landmarks, a brutalist-style cinema still riddled with bullets known as the Egg
  • “My drag is what I couldn’t be when I was young,” said one performer, who spoke on the condition of anonymity out of fear for his safety. He said he had started trying on his mother’s heels and makeup in secret, years before coming out as gay. When his parents found out, they barred him from their house and his friends turned on him. He lives with other drag queens now. “They’re like my family,” he said. “We help each other with food, with makeup, money — everything.”
  • Although the Lebanese state is more tolerant of homosexuality than other Arab governments, the penal code can still be invoked to make arrests
  • “We don’t have stable laws here,” said Narcissa. “One minute, the state is looking one way; the next, it’s staring right at us.”
  • Only a small number of venues are recognized as “safe spaces” for the drag and broader LGBTQ community, and owners must have strong ties to local authorities to ensure the police won’t turn up and harass attendees
Ed Webb

Spoiler alert: Saudi television network bans Turkish soap operas | Middle East Eye - 0 views

  • A Saudi-owned television network has announced it will pull hugely popular Turkish dramas from its schedules, in what experts inside Turkey say is an attempt by Saudi Arabia's crown prince to pacify clerics already outraged by his push to modernise the kingdom.
  • the Arab world’s largest private broadcaster, MBC, was ordered to stop broadcasting often racy Turkish television shows. The MBC Group is Dubai-based and controlled by Saudi investors
  • growing tensions between Turkey and the Saudi Arabia-United Arab Emirates axis in the row over Qatar's support for, among other things, the Muslim Brotherhood
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  • there has been pressure for a long time now to block Turkish programmes that often take up prime time slots from both Lebanese and Egyptian producers and filmmakers
  • Before the recent - and most likely politically motivated if not sponsored - spate of Turkish Ottoman history-based dramas, Turkish television programming was still a major hit in the Arab world
  • To many Middle Eastern viewers, drawn-out Turkish soap operas combining love affairs, drama and mystery more than just being quality television productions represented hope that it was possible to harmoniously merge east and west without sacrificing local identity
  • depiction of a lifestyle choice that is not an option in the Gulf
  • “Producers and TV/film firms have their costs covered before they commence filming via the deals they make with domestic broadcasters,” he said.“Other than that Turkish television has never been more popular. It has a market in eastern Europe, Africa and even Latin America.”
  • “There are so many dimensions to this ban. Another one is that Bin Salman has also launched a big drive on restoring historical places in the kingdom. But with their own Saudi interpretation," Hayek said."And then you have these Turkish historical-based programmes being beamed into peoples’ homes who are very keen to learn about their past and heritage. They can’t be happy about that”.
Ed Webb

Egypt TV host Mohamed al-Ghiety jailed for interviewing gay man - BBC News - 0 views

  • An Egyptian TV presenter has been sentenced to one year of hard labour for interviewing a gay man last year.A court in Giza also fined Mohamed al-Ghiety 3,000 Egyptian pounds ($167; £130) for "promoting homosexuality" on his privately owned LTC TV channel.
  • Homosexuality is not explicitly criminalised in Egypt, however, the authorities have been increasingly cracking down on the LGBT community.
  • lawyer Samir Sabry, who is well known in Egypt for taking celebrities to court, filed a lawsuit against Ghiety for his interview which took place in August 2018
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  • Egypt's top media body, the Supreme Council for Media Regulation, immediately took the channel off air for two weeks, citing "professional violations".
  • In addition to the jail term and fine, the misdemeanours court also ordered Ghiety to be put under surveillance for one year after serving his sentence
  • Egypt's media council banned homosexuals from appearing on any media outlet after a rainbow flag was raised at a concert in Cairo in 2017, in a rare public show of support for the LGBT community in the conservative, mainly Muslim country.
  • The authorities rely on a 1961 prostitution law that criminalises "habitual debauchery" to charge people who they suspect of engaging in consensual homosexual conduct.
  • Mr Sabry was also the lawyer who filed a case against Egyptian actress Rania Youssef on charges of "inciting debauchery" over a see-through outfit she wore at an awards ceremony last year. He later dropped the case after Ms Youssef apologised.
Ed Webb

Israelis praying at Petra shrine sparks outrage in Jordan - 0 views

  • The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 
  • Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.
  • an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities
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  • These events have come to light in the wake of a public build-up of suspicion and hostility toward Israel over the nebulous, US-sponsored peace plan dubbed the “deal of the century,” which most Jordanians view as a threat to their country. Jordanians have also been critical of the agreement signed in 2016 for Israel to provide Jordan with natural gas over a 10-year period. Lawmakers, led by the Islamist bloc Al-Islah, have been pressuring the government to cancel the deal.
  • “The small Muslim shrine on top of the high peak at Jabal an-Nabi Harun was constructed in 1330 by the Mamluk Sultan Al-Nasir Muhammad.” She added, “There is a tomb inside the shrine, but there is no evidence whatsoever that it actually belongs to Aaron. Such shrines to prophets and virtuous men were built at many places by the Ayyubids, Mamluks and Ottomans to enforce the Muslim identity of the state and to vent political discontent by the local populations.
  • in July the Royal Film Commission in Jordan had approved the shooting in Petra of “Jaber,” a controversial, fictional film whose storyline has Jews settling in the city after the Exodus from Egypt. Jordanians railed that the “Zionist script” fabricates an Israeli claim to the ancient city. Under public pressure, a number of Jordanian actors withdrew from the project, and on Aug. 3, the director, the Jordanian-born US national Mohydeen Izzat Quandour, announced the cancellation of the shooting.
  • Daoud Kuttab (who also writes for Al-Monitor) wrote, “The reality is that the current leaders in Tel Aviv and Washington have done little to calm jittery Jordanians and Palestinians, who are concerned about the growth of [a] messianic Jewish ideology that tries to connect biblical history with modern day politics.
  • “Religious sites should be respected, and freedom of worship and visit should not be interfered in, but the problem that faces political leaders and government officials is how to deal with the genuine worry that what appears to be a crazy notion by a few zealous individuals could one day become a political reality.” 
  • the deep-seated unease felt by a majority of Jordanians about Israeli intentions toward the kingdom in light of increasing tensions between Jordan and Israel over the Haram al-Sharif and the demise of the two-state solution
Ed Webb

Egypt just banned 'mahraganat' music: Listen to five of the most popular tracks | Middl... - 0 views

  • Egypt’s musician’s union has banned the popular street music mahraganat after one song was deemed too "immoral" for the Arab world's most populous country. 
  • mahraganat singers would no longer be allowed to work in Egypt, and would be denied licences to perform anywhere in the country
  • Mahraganat, Arabic for "festivals", is a style of electronic folk music that originally started out in some of Egypt’s most impoverished districts and quickly gained prominence, with artists amassing millions of views on YouTube and SoundCloud.  The style of music, which can be described as "electro shaabi" (popular working-class music) is typically played in taxis, tuktuks and more recently, weddings. 
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  • The ban came after a Valentine’s Day concert held in Cairo Stadium, where popular mahraganat artists Hassan Shakoush and Omar Kamal perfomed the song "The Neighbour's Daughter", whose lyrics notably include: “If you break up with me... I will drink alcohol and smoke weed”. Alcohol and marijuana are considered taboos in Egyptian society. 
  • mahraganat has commonly been used by young, burgeoning artists to highlight social issues. The style of music is considered to be "lower class" or vulgar by more traditional or conservative listeners, due to its use of explicit language and favoured topics, some of which include drugs and violence. 
Ed Webb

Qatar's Gulf Allies Have Had Enough of Doha's Broken Promises - 0 views

  • Citizens of the Gulf Cooperation Council (GCC) states woke up on Monday morning to what is the most severe crisis in the regional block’s 38 year history to date. In a closely coordinated series of statements, Saudi Arabia, Bahrain and the UAE, along with Egypt, announced the severing of ties with the peninsular state of Qatar.
  • In what may be the most debilitating move, Qatar’s border with Saudi Arabia—which is its only land border —has been shut and all flights over Saudi and UAE airspace has been closed off to Qatar bound flights and Qatar Airways. Qatari citizens have been given two weeks to leave Saudi Arabia, Bahrain and the UAE and all travel by these countries citizens to Qatar is now prohibited.
  • It is likely that this time the Gulf States will demand the complete shuttering of the Al Jazeera TV Network before any mediation can take place. Additionally, the plug will have to be pulled on networks funded by Qatar such as Al Araby Al Jadeed (The New Arab), originally set up to compete with Al Jazeera and headed by former Arab Israeli politician Azmi Bishara.
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  • Other Qatar backed networks that were accused of incitement on official Gulf TV channels include Al Quds Al Arabi (Arab Jerusalem) newspaper which was founded in London in 1989, online Arabic news portal Arabi 21, the London based website Middle East Eye, the Arabic version of Huffington Post which is headed by former Al Jazeera boss Waddah Khanfar and Al Khaleej Al Jadeed (the New Gulf).
  • will also demand the expulsion of all Muslim Brotherhood leaders and their Hamas affiliate figures from Qatar, along with Azmi Bishara and Islamist writer Yasser Al-Za'atra. Other demands will include the sacking of Al Arab newspaper editor Abdullah Al Athba
  • It seems though the initial pressure has already somewhat worked on Qatar. Last week Doha deported Saudi activist Mohammed Al-Otaibi who arrived in Qatar in March, while a number of Hamas officials have left Qatar at the country’s request.
  • Qatar imports over 90 percent of its food, and by one estimate about 40 percent of that comes from the its only land border, which is now closed. Within hours photos started circulating on social media of Qatari supermarket aisles that have been emptied by panicked shoppers. Furthermore Gulf media has hinted at an escalation of the dispute with Qatari commercial and trade ties being severed next.
Ed Webb

Close encounters of the Arab kind - BBC News - 0 views

  • Rarely has mainstream sci-fi attempted to grapple with the complexities of the Arab world. As Lebanese Canadian sci-fi writer Amal el-Mohtar explained, the mainstream sci-fi she grew up with was "very, very white... except for the aliens, of course." Though it might at times have featured characters from ethnic minorities, rarely did it seek to positively engage with other cultures beyond exoticisation or fear-mongering.
  • It might come as a surprise that one of the first sci-fi novels written was not, in fact, Shelley's Frankenstein or HG Wells' The Time Machine, but the work of 13th Century Baghdad-based writer and physician, Zakariya al-Qazwini.
  • Awaj bin Anfaq is the story of a curious alien who arrives on planet Earth to observe human behaviour and finds himself perplexed by the oddities of this apparently sophisticated species. Neither is Mr Qazwini's work a regional anomaly. There are numerous examples of early Islamic sci-fi or fantasy fiction from the Arab world, not least of course, the fabulous Arabian Nights, replete with flying carpets, mystical jinn and even a little intergalactic travel.
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  • Arabic sci-fi is an opportunity to respond to the damaging stereotyping of the "Arab Other" in mainstream sci-fi, as well as a space to explore the complex challenges facing Middle East today."The problems of contemporary Islamic society - the problem of gender, the problems with authoritarianism - all of these are explored very thoroughly in Arab sci-fi. But most importantly of all, it is Arabs reflecting on themselves,"
Ed Webb

Egypt protests: How cartoon of Sisi the cat burglar became face of a movement | Middle ... - 0 views

  • “I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.
  • “If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"
  • On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.
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  • Activists and protesters have added their own slogans to the cartoon, as well as printing it out, cutting it up, and turning it into masks, banners and posters. It has popped up at protests in New York, Washington, Berlin, Paris and Oslo - and even in the back alleys of Cairo.
  • Egypt has seen an outbreak of protests against Sisi since 20 September, when protesters took to the streets of Cairo and other cities, calling for him to step down.
  • the most public show of opposition to the president since a crackdown on dissent after the 2013 military coup that brought Sisi to power. Hundreds of protesters were killed by security forces in Rabaa Square, with tens of thousands more arrested and imprisoned
  • A new wave of repression has followed this month's protests, with more than 2,200 people arrested, according to local activists. Last Friday Egyptian security forces locked down the centre of Cairo and other cities to deter crowds from taking to the streets.
  • Activists say Ganzeer's image not only plugged into the rising anger on the streets; drawing Sisi as a burglar fundamentally stripped the president down from a so-called statesman to an ordinary, petty thug who had literally stolen the presidency and now the coffers of the state.
  • Ganzeer’s Twitter account was among those briefly suspended earlier this week.
  • Middle East Eye asked Twitter why it had suspended the accounts of Egyptian activists and whether it was investigating the closures.
  • Ganzeer says his Twitter account was reactivated a couple of hours after he filed his appeal, but he told MEE he believed he had faced a coordinated online attack since publishing the image of Sisi. “Since I released the image, I have had to spend a lot of time just blocking [trolls]. It has been coordinated with a number of suspicious handles and accounts that clearly began in September.”
  • "Some back home are complaining that people are ignoring the deaths and detentions and crackdowns and his attempt to stay in power and now talking about corruption. "But if you ask me, I think this wave of protest is about exposing Sisi as a liar from the inside - and you could say it's a key to opening up all the other lies."
Ed Webb

Egyptian Chronicles: #WeWillSpeak : Egyptian Tweeps speak up about Twitter Middle East ... - 0 views

  • Hundreds of Egyptian tweeps began on Monday a new campaign on Twitter against Twitter MENA policies after a wide suspension of opposition and activists’ accounts in the popular social media network. The Egyptian tweeps launched  #WeWillSpeak” and #هنتكلم hashtags to reach out for Twitter in the United States.
  • several opposition and political activists' accounts were either permanently or temporarily suspended allegedly for violating Twitter policies
  • Twitter MENA is paying attention only to the bad language of the tweeps including activists opposing the government only in that crackdown.
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  • right-wing Arab fascists and ISIS accounts as well as spammers are left untouched
  • There are Pro-regime supporters who got several accounts and are involved in actions like harassment, trolling and spamming as well as spreading hate and racism on the same level of right-wing figures in the West. They are left untouched I reported dozens of accounts spreading lies, hatred and racism against Syrians and Sudanese people but there were not closed down.
  • Needless to say, the fact that Twitter MENA is currently in Dubai made many Tweeps not only in Egypt but in other countries wonder if the Emirati government has got some kind of deal with Twitter to target dissident voice in the Arab world.
  • Already there are calls to force Twitter to transfer its Twitter MENA Headquarter form the United Arab Emirates to Tunisia as the cradle of the Arab Spring enjoys more freedom of speech.
  • Twitter has been the alternative forum for people to let their voices heard especially when mainstream media fails to do its job. Unfortunately, it has been hacked internationally and not only in the Middle East by political and social powers that are actually against freedom of speech in the first place. Yet some people believe it is worth to fight for including those Egyptian tweeps.
Ed Webb

Why this TV series causes high drama between Cairo, Ankara - 0 views

  • Turkish series, including shows about Ottoman sagas, have enticed audiences in the Middle East and beyond for the last decade. Particularly “The Magnificent Century,” a hundred-episode series of love and intrigue at the Palace of Suleiman the Magnificent, created a strong audience in the first half of the 2010
  • “Kingdoms of Fire” ("Mamlakaat al-Nar") tackles the struggle between the Mamluks and the Ottomans over the control of the Middle East, particularly in Syria and Egypt. Produced by the Emirati production company Genomedia, it is shown both on Saudi channel MBC and Netflix. However, it is not being streamed in Turkey.
  • The historical drama revolves around two central figures: Sultan Selim I, the Ottoman ruler (r. 1512-1520) known as Selim the Grim, who is played by young Syrian actor Mahmoud Nasr. Toman Bay, the Mamluk sultan, is played by Khaled Nabawy, an Egyptian actor known for his leads in historical drama ever since his discovery by award-winning director Youssef Chahine in 1994.
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  • The series revolves around how Selim I, who is trying to extend the empire he forcefully took from his father, is faced with the opposition of the people of Cairo led by the fighter-turned-leader Toman Bay as he fights to conquer Egypt.
  • The $40 million series caused still another tension in Turkey’s strained relations with Egypt, due to Ankara's support of the banned Muslim Brotherhood and late President Mohammed Morsi. Ankara’s ties are also tense with Saudi Arabia — whose channel broadcasts the series — over the murder of dissident journalist Jamal Khashoggi at the Saudi Consulate in Istanbul. Moreover, the launch of the series is also believed to be strategically timed, to precede another Turkish production on the Ottoman Empire and the life and times of Osman, who gave the empire his name.
  • ome challenged his description of the Ottomans as “occupiers” and the Mamluks as the locals, whereas the Mamluks were also an occupying force in Egypt. Faisal bin Fahad bin Jasim Al Thani, chairman of one of Qatar’s biggest conglomerates, tweeted that this sentence was “ignorance” coupled with hate. “Toman Bay and the Mamluks are Turks [not Egyptians], and the Ottomans are also Turks. So, if you consider the Ottomans to be an occupier, you need to concede that the Mamluks were, too,” he tweeted.
  • In recent years, there have been requests in Egypt to remove the name of this violent sultan from streets and squares in the country. The first attempt was in February 2018 when the Egyptian authorities decided to remove Selim’s name from a street in the Zeitoun neighborhood in the east of Cairo.
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