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While Tunisians are often told that theirs is the only revolution that remains from the "Arab Spring," they know full well that its goals have not been achieved.

Béji Caïd Essebsi has always rejected a democratic process within the party he founded in 2012--the party that carried him to the highest office. At the end of the party's congress held in Sousse on 9 and 10 January, the party appointed Caïd Essebsi's son to succeed him as party leader

Béji Caïd Essebsi has always rejected a democratic process within the party he founded in 2012--the party that carried him to the highest office. At the end of the party's congress held in Sousse on 9 and 10 January, the party appointed Caïd Essebsi's son to succeed him as party leader,

One man in the audience explained that post-revolutionary art can help solidify Tunisia’s new identity. “Since 1956, people in charge of art and media have been from the secular elite community. We need Ennahdha to provide an alternative.” The audience member also complained about what he considers a lack of Tunisians’ basic knowledge about their own history. “Tunisians know more about Egyptian history than their own [history]. We need new [cultural] programming,” he asserted. The audience member concluded his speech by saying, “We need to stop secular extremism in Tunisia.”

contentious topic

a rare public glimpse of how Israel and its American allies harness Israel’s influential tech sector and tech diaspora to run cover for the Jewish state as it endures scrutiny over the humanitarian impact of its invasion of Gaza.

reveal the degree to which, in the tech-oriented hasbara world, the lines between government, the private sector, and the nonprofit world are blurry at best. And the tactics that these wealthy individuals, advocates, and groups use -- hounding Israel critics on social media; firing pro-Palestine employees and canceling speaking engagements; smearing Palestinian journalists; and attempting to ship military-grade equipment to the IDF -- are often heavy-handed and controversial.

Members of the hasbara-oriented tech world WhatsApp group have eagerly taken up the call to shape public opinion as part of a bid to win what’s been described as the “second battlefield” and “the information war.”

the mere existence of Western meddling does not automatically make Assad a subaltern anti-imperial hero at the helm of a “frontline resisting state,” as Ghorayeb has sought to paint him. Nor does it offer any legitimate grounds for nickel-and-diming civilian casualty counts, blaming the victims of his regime, or hyping the Muslim Threat Factor to delegitimize the internal opposition

The long history of sacrifice and courage by the Lebanese and Syrian people in support of the Palestinian struggle — and in defiance of self-interested autocrats — crystallizes an important fact that should not have to be repeated: Palestine will never be free as long as the Arab world lives under the control of dictators.

In his address to the Syrian People’s Assembly on June 3, the dictator tried to hammer the theme home by using the term “terrorists” or “terrorism” a whopping 43 times. That is a full ten times more than George W. Bush during his speech to Congress in the immediate aftermath of 9/11

Playing on the NRA's open contempt of Australia's strict firearms laws, he created a group called Gun Rights Australia which claimed it was pushing for a repeal of the legislation. My job was to use this as a front to endear myself to NRA officials and climb as high as I could within the organisation, recording conversations with them on subjects such as how they respond to a massacre, how they pressure members of the US Congress, and how they manipulate the media.

Over three years, I travelled from Australia to the US numerous times to build connections with the pro-gun community. Some encounters were amusing, others utterly bizarre.

A Cambridge University student facing the death penalty in South Sudan is being "arbitrarily detained in a modern-day hellhole", his lawyer says.PhD student Peter Biar Ajak, 35, a critic of his country's regime, has been detained without charge since his arrest at Juba Airport in July.

Shortly before his arrest, Mr Ajak had tweeted about South Sudan's "so-called leaders". Human rights group Amnesty International is campaigning on his behalf and his plight was highlighted this week in the United States Congress.

Mr Genser said his client had called for the country's current leaders to step down so that younger people could take over and achieve peace."This has become a real problem for the government in South Sudan, which then decides to target him for arrest and arbitrary detention because he was being a very effective critic," he said.

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

Al Manthari has paid the price for America’s shoot-first-ask-no-questions-later system of remote warfare. The irreparable damage to his body left Al Manthari unable to walk or work, robbing him of dignity and causing his daughters — ages 8 and 14 at the time of the strike — to drop out of school to help care for him. The psychological impact of the strike has been profound, leaving Al Manthari traumatized and in need of treatment. And the financial impact has been ruinous.

While the U.S. has millions of dollars in funds earmarked for civilian victims of U.S. attacks, the military ignored pleas on Al Manthari’s behalf, leaving the 56-year-old to rely on a GoFundMe campaign earlier this year to save his life

Since at least World War I, the U.S. military has been paying compensation for harm to civilians. During the Vietnam War, solatia payments, as they are called, were a means for the military to make reparations for civilian injuries or deaths without having to admit guilt. In 1968, for example, the going rate for adult lives was $33. Children merited half that.