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Journalist Safety Contacts

This a guest post by Ken Jarecke, a world-renowned photojournalist and founding member of Contact Press Images, an illustrious photo agency based in New York. Please also visit and read his blog, Mostly True. The past few years it's been hard for me to pick up a camera. We all know that the industry, at least the editorial side of it, has been at an all time low. Sure, I've worked to put a good face on it, like in this piece on the New York Times Lens blog, but more often than not, my desire to make wonderful images has been absent. My heart has just not been there.

Photo Tampering Throughout History\n\nPhotography lost its innocence many years ago. In as early as the 1860s, photographs were already being manipulated, only a few decades after Niepce created the first photograph in 1814. With the advent of high-resolution digital cameras, powerful personal computers and sophisticated photo-editing software, the manipulation of digital images is becoming more common. Here, I have collected some examples of tampering throughout history.\n\nTo help contend with the implications of this tampering, we have developed a series of tools for detecting traces of tampering in digital images (contact me at Ma'at Consulting for more information about our services).

Here's a nice service for anyone who wants to learn more about copyright law and how it applies to images. The Picture Archive Council of America has posted a free online video seminar by attorney Nancy Wolff. Watch it here. PACA is also making this presentation available on DVD. It is available by contacting the PACA Executive Director at 23046 Avenida de la Carlota, Suite 600, Laguna Hills, CA 92653, or by email: execdirector@pacaoffice.org. The video is part of the Jane Kinne Copyright Education Program, named in memory of the stock agency pioneer who died last year.

Research Institute Home Conducting Research Photo Study Collection Photo Study Collection Guide to the Photo Study Collection and Database Search the Photo Study Collection Database The Photo Study Collection's two million photographs facilitate supplementary and original pictorial research for the study of fine arts from antiquity to the modern period. The collection's strength lies in the photographic reproduction of western art, architecture, and decorative arts. Patrons can conduct productive research on the history of collecting (provenance, art market, connoisseurship), iconography, conservation, historiography, and the history of reproductions. Approximately half of the photographic holdings in the Photo Study Collection are represented by descriptive, non-pictorial records in the Photo Study Collection Database, which is available online to all users. This research database is a work in progress, mostly comprising these descriptive records. Images will be added to the database periodically. The holdings of the Photo Study Collection are available for research by stack readers and extended readers. Initial appointments with a Reference Librarian are strongly encouraged. For appointments and reference inquiries contact Library Reference.

Photo Annual Awards You Gotta Play to Win. Photo Competition Call For Entries - Deadlines and Web Links The accompanying PDF contains names, organizers, deadlines, eligibility requirements, fees and Web links for over sixty leading photography competitions and grant programs held in the US and internationally. The details listed have been compiled from information currently available and may include deadlines and costs from past years' events. Please be sure to consult individual competition Web sites for up-to-date information before submitting. It may also be advisable to contact competition organizers for further details or to answer specific questions. Many professional organizations have additional listings of competitions for categories such as advertising, graphic design or broadcast media that may also apply to the work of certain photographers. Here are some additional Web links to pages with these listings:

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" * About | * Contact | * Blog Photojournalist Tom Palmaers films aid work in Haiti on a 5DmkII"

Welcome to the Artificial Owl, a site dedicated to provide on a daily basis a selection of the most fascinating abandoned man-made creations. While adding new content to the site, I try to follow as much as possible these simple rules : - Provide the exact location, today pictures, and a summarize story. - Present places and things that still exist, are still visible. - Focus on modern era abandoned creations. - Link to the Authors of the published material. Contact me @ admin@artificialowl.net for any question, request or to include an article. I hope you'll enjoy the site as much as I enjoy creating it.

This article looks at the role, impact and response to the internet, new media and citizen journalism during the 2007 protests.\n\nIt starts by going over the history of burma and the junta and the events leading up to the 2007 protests. This protest was different than previous burmese protests due to the amount of information coming out. Cyberspace was flooded with grainy pictures and videos taken by burmese citizens,\n\nThe internet allowed people in Burma to send information and pictures out to show what was happening bringing a new type of political activism and global advocacy. The burmese protests were influenced greatly by this new media, but the protests still failed and many were killed.\n\nThe article talks about Yochai Benkler who argues the internet has opened possibilities even for those living under brutal regimes. Cheap cost and decentralisation is the main factors that are good about the internet in this situation.\n\nThe burmese media used to be free when under colonial rule. This free expression may have sparked the independence movement, but was then restricted when the army took over and restricted the media. Old media is easy to control by controling the sources (eg newspapers and TV stations). The internet is the new media model. BurmaNet, funded by the Soros foundation was one of the 1st news sites. Others followed, many based in thailand and with contacts to pro-democracy movements\n\nThe government stepped up its efforts to stop this content and prohibited the ownership of computers without approval. It also made its own propaganda websites. The 2007 protests show that even though the gov attempted to control the media the internet is uncontrollable and info will get out. Web 2.0 was also in full swing with citizen journalists uploading photos, video and blogging. The main news outlets were al using grainy amateur footage.\n\nDuring the protests the gov blocked the internet and cell phones sometimes. \n\nMuch of the blogs were outsite the co

On Assignment: Covering Conflicts Safely Guide for reporting in hazardous situations.