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Michel Roland-Guill

Digital Natives, Digital Immigrants - 0 views

  • Our students have changed radically. Today’s students are no longer the people our educational system was designed to teach.  
  • A really big discontinuity has taken place.  One might even call it a "singularity"
  • Today’s students - K through college - represent the first generations to grow up with this new technology.
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  • today's students think and process information fundamentally differently from their predecessors.
  • it is very likely that our students’ brains have physically changed - and are different from ours - as a result of how they grew up.  But whether or not this is literally true, we can say with certainty that their thinking patterns have changed.
  • our Digital Immigrant instructors, who speak an outdated language (that of the pre-digital age), are struggling to teach a population that speaks an entirely new language.  
  • Digital Natives are used to receiving information really fast.  They like to parallel process and multi-task.  They prefer their graphics before their text rather than the opposite. They prefer random access (like hypertext). They function best when networked.  They thrive on instant gratification and frequent rewards.  They prefer games to "serious" work. 
  • They have little patience for lectures, step-by-step logic, and "tell-test" instruction. 
  • Often from the Natives' point of view their Digital Immigrant instructors make their education not worth paying attention to compared to everything else they experience - and then they blame them for not paying attention! 
  • Smart adult immigrants accept that they don’t know about their new world and take advantage of their kids to help them learn and integrate.  Not-so-smart (or not-so-flexible) immigrants spend most of their time grousing about how good things were in the "old country."
  • As educators, we need to be thinking about how to teach both Legacy and Future content in the language of the Digital Natives.  The first involves a major translation and change of methodology; the second involves all that PLUS new content and thinking.  It's not actually clear to me which is harder - "learning new stuff" or "learning new ways to do old stuff."  I suspect it's the latter.  
  • My own preference for teaching Digital Natives is to invent computer games to do the job, even for the most serious content. 
Michel Roland-Guill

Internet Archive's Peter Brantley Urges Librarians to More Actively Reshape the Digital... - 1 views

  • The Internet Archive’s Peter Brantley made a cogent and precise presentation at the American Library Association conference this week that urged the librarian community to do a better job of shaping the multitude of conversations that ultimately affect how and what libraries can do with digital content.
  • books in many ways are an afterthought for them
Michel Roland-Guill

Dueling Surveys Say 75% of Americans Like Paper Books And 70% Like eBooks - The Digital... - 0 views

  • About 82 percent of Power Buyers (consumers who acquire e-books on a weekly basis) say they prefer e-books over print and nearly 70 percent of Non-Power Buyers say they now prefer e- over print.
  • If three-quarters of an undefined survey group likes paper but a majority of the actual customer base likes digital, what are the chances that most of that 75% don’t buy very many books in the first place?
Michel Roland-Guill

38% of College Students Can't Go 10 Minutes Without Tech [STATS] - 1 views

  • 500 American college students. Seventy-three percent of them said they would not be able to study without some form of technology, and 38% said that they could not even go more than 10 minutes without checking their laptop, smartphone, tablet or ereader.
  • 70% of the students said they use keyboards rather than paper to take notes and 65% said they use digital devices to create presentations.
  • A 2010 study by OnCampus Research found that 74% of college students surveyed still preferred to use a printed textbook. But the CourseSmart survey suggests that further etextbook adoption might be on the way.Nearly half of the 98% of students in the survey who owned a digital device said they regularly read etextbooks. Sixty-three percent had read an etextbook on their device at least once, and the majority of the survey group agreed that etextbooks are easier to carry, simpler to search, cheaper and better than traditional textbooks for reading on-the-go.
Michel Roland-Guill

The future is digital book discovery, not distracting gimmicks | The Passive Voice | A ... - 0 views

  • Kelly paints a future where access to content is free and immediate, discovery of it is personalised and social, consumption of it is fragmented, and everything is interlinked.
  • eBook sales are down 13%, audiobooks are up 38%, colouring books are up 1,100% (!), and – according to most analysts – sales of regular books are back in the black. This wasn’t the world we expected. Your stuff may be easier to acquire (thanks to the cloud and Amazon Prime) and consume (thanks to smartphones, a reading category that’s grown by 7% this year), but the core product – the book – is no more shareable or fluid than it was when Wired Magazine first hit the shelves in 1993.
Michel Roland-Guill

Scan This Book! - New York Times - 0 views

  • So what happens when all the books in the world become a single liquid fabric of interconnected words and ideas? Four things: First, works on the margins of popularity will find a small audience larger than the near-zero audience they usually have now. Far out in the "long tail" of the distribution curve — that extended place of low-to-no sales where most of the books in the world live — digital interlinking will lift the readership of almost any title, no matter how esoteric. Second, the universal library will deepen our grasp of history, as every original document in the course of civilization is scanned and cross-linked. Third, the universal library of all books will cultivate a new sense of authority. If you can truly incorporate all texts — past and present, multilingual — on a particular subject, then you can have a clearer sense of what we as a civilization, a species, do know and don't know. The white spaces of our collective ignorance are highlighted, while the golden peaks of our knowledge are drawn with completeness. This degree of authority is only rarely achieved in scholarship today, but it will become routine.
  • once digitized, books can be unraveled into single pages or be reduced further, into snippets of a page. These snippets will be remixed into reordered books and virtual bookshelves.
  • Once snippets, articles and pages of books become ubiquitous, shuffle-able and transferable, users will earn prestige and perhaps income for curating an excellent collection.
Michel Roland-Guill

Never Mind E-Books: Why Print Books Are Here to Stay - WSJ.com - 0 views

  • The initial e-book explosion is starting to look like an aberration. The technology's early adopters, a small but enthusiastic bunch, made the move to e-books quickly and in a concentrated period.
  • the shift from e-readers to tablets may also be dampening e-book purchases
  • The fact that an e-book can't be sold or given away after it's read also reduces the perceived value of the product.
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  • Screen reading seems particularly well-suited to the kind of light entertainments that have traditionally been sold in supermarkets and airports as mass-market paperbacks.
  • Readers of weightier fare, including literary fiction and narrative nonfiction, have been less inclined to go digital. They seem to prefer the heft and durability, the tactile pleasures, of what we still call "real books"—the kind you can set on a shelf.
Michel Roland-Guill

Will Gutenberg laugh last? | ROUGH TYPE - 2 views

  • the heaviest buyers of e-books are now buying more, not fewer, printed books
  • Clay Shirky
  • Not once in that half century has anyone successfully invented anything that feels like the digital version of a book. Books online, whether in a Kindle or Google Books, are always (cue McLuhan) the old medium populating the new.
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  • The mainstay of book publishing is the extended narrative, either fictional or factual and almost always shaped by a single authorial consciousness and expressed in a single authorial voice. It is, in other words, a work of art.
  • Count me as a member of the set who prefers my non-fiction in eBook format
  • If this is right, then the twilight of the printed book will proceed on a schedule disconnected to the growth or stagnation of e-books — what the internet portends is not the end of the paper container of the book, but rather the way paper organized our assumptions about writing altogether.
  • Clay Shirky
  • the book, a creation of human beings, turned out not only to be a terrific container for distributing speech and then writing; it also, through an intertwined, mutually reinforcing, and unique combination of the mode of reading it encouraged (deep, attentive, immersive) and the modes of expression it inspired (deep, thoughtful, eloquent, emotionally resonant, experimental), actually heightened the potential of human expression, experience, and life.
  • Already the presses have stopped for phone books and encyclopedias, are stopping for textbooks and newspapers, and will increasingly stop for books of all kinds. And I think as that happens, the experience of reading books will be displaced by other experiences.
  • I don’t believe in ‘narrative obsolescence’ — on the contrary, I think that stories, unlike books, are a fundamental unit of human thought, which is to say that in most cultures we know of, there were no books, but there were stories.
  • forms of aesthetic expression co-evolve with their modes of production, and often don’t survive large-scale reconfiguration of those modes.
  • I have several reasons for thinking that the current round of destruction is clearing the decks for something better, but the main one is that historically, media that increase the amount of arguing people do has been a long-term positive for society, even at the cost of short-term destruction of familiar patterns, and the disorientation of the people comfortable with those patterns. I think we’ll get extended narrative online — I just doubt the format of most of those narratives will look enough like a book to merit the name.
  • Where nihilism enters the picture is when you say, sneeringly, that although “half a millenium of rehearsed reverence have taught us to regard [the book] as a semantic unit, [it] may in fact be a production unit: the book is what you get when writers have access to printing presses, just as the album is what you get when musicians have access to LP-pressing machines.” People’s love of books in general and serious novels and poetry in particular is not just a numb act of “rehearsed reverence” (a phrase that is incredibly insulting and demeaning) to an accidental production unit.
  • Reducing aesthetic choices to “rehearsed reverence” is a form of nihilism.
  • Some things — emphasis on “things” — are actually worthy of respect.
Michel Roland-Guill

Vers une culture numérique lettrée ? | skhole.fr - 0 views

  • « Ce qui importe ce n’est pas de lire, mais de relire » J-L Borgès
  • Comme l’a bien montré Alexandre Serres[1], cette logique adaptative, à fondement comportementaliste et à visée principalement économique, est manifeste dans un grand nombre de textes internationaux, notamment politiques, qui posent la nécessité d’enseigner cette « maîtrise » ou « culture de l’information » (Information Literacy) aux jeunes générations. Ainsi par exemple, en France, la « Loi d’orientation et de programme pour l’avenir de l’école » de 2005 intègre désormais au « socle commun » de connaissances et de compétences la « maîtrise des techniques usuelles de l’information et de la communication »[2].
  • Dans des études qu’il a menées sur les pratiques de lecture numérique, Alain Giffard[12] qualifie de « pré-lecture » l’acte de lire le plus couramment pratiqué lorsque l’on navigue sur le Web : la lecture y ressemble à une sorte de scannage, fait de repérage et de sélection, au mieux d’un pré-montage ; et il distingue cette forme de lecture numérique de la « lecture d’étude », classique, livresque et lettrée, telle qu’elle s’est constituée historiquement depuis le Moyen-Âge autour de l’objet-livre. Or, cette pré-lecture a précisément les caractéristiques du mode d’attention très réactif et volatil entrainé par la surexposition aux médias : elle se révèle réactive/instable, multidirectionnelle/superficielle. Ainsi Alain Giffard montre que le risque est grand que la « pré-lecture » numérique devienne la « lecture de référence » des prochaines générations de collégiens, qui font partie de ce que l’on appelle les « digital natives », ce qui pourrait rendre quasiment impossible l’enseignement et la pratique de la lecture lettrée : « Technique par défaut, risque de confusion entre pré-lecture et lecture, entre lecture d'information et lecture d'étude, entre les différentes attentions, place de la simulation, contexte d'autoformation, arrivée de la génération des "natifs du numérique" dont certains prennent la lecture numérique comme référence: tous ces éléments peuvent se combiner. Le risque est grand alors de ce que certains chercheurs anglais appellent "reading without literacy", une lecture sans savoir lire qui est la forme la plus menaçante d' " illettrisme électronique ". »
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  • On peut soutenir en effet que cette pré-lecture n’est pas une « véritable » lecture, parce que lire – de manière soutenue, profonde ou attentive - c’est toujours déjà relire, et (re)lire c’est en un sens toujours déjà écrire.
Michel Roland-Guill

Rough Type: Nicholas Carr's Blog: The remains of the book - 0 views

  • The sense of self-containment is what makes a good book so satisfying to its readers, and the requirement of self-containment is what spurs the writer to the highest levels of literary achievement.
  • The web is an assembly not of things but of shards, of snippets, of bits and pieces.
  • To move the words of a book onto the screen of a networked computer is to engineer a collision between two contradictory technological, and aesthetic, forces. Something's got to give. Either the web gains edges, or the book loses them.
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  • What people do more of is shift their focus and attention away from the words of the book and toward the web of snippets wrapped around the book - dictionary definitions, Wikipedia entries, character descriptions from Shelfari, and so forth.
  • He is, in a very real sense, treating a work of art as though it were an auto repair manual. Which is, of course, what the web wants a work of art to be: not a place of repose, but a jumping-off point.
  • Up until now, there's been a fairly common assumption that a divide would emerge in the presentation of different kinds of electronic books. Reference works would get the full web treatment, tricked out with multimedia and hypermedia, while fiction and literary nonfiction would be shielded from the web's manifest destiny. They'd go digital without losing their print nature; they'd retain their edges.
  • Updike observed that "the book revolution, which, from the Renaissance on, taught men and women to cherish and cultivate their individuality, threatens to end in a sparkling cloud of snippets."
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