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"With the help of a three-year grant from the US Department of Education and the National Endowment for the Humanities, an eleven-member task force, representing a variety of languages, levels of instruction, program models, and geographic regions, undertook the task of defining content standards - what students should know and be able to do - in foreign language education. The final document, Standards for Foreign Language Learning: Preparing for the 21st Century, first published in 1996, represents an unprecedented consensus among educators, business leaders, government, and the community on the definition and role of foreign language instruction in American education. This visionary document has been used by teachers, administrators, and curriculum developers at both state and local levels to begin to improve foreign language education in our nation's schools. The 3rd Edition Standards for Foreign Language Learning in the 21st Century, revised including Arabic standards, is now available."

The Goals of this Website The primary goal of the Educational Uses of Digital Storytelling website is to serve as a useful resource for educators and students who are interested in how digital storytelling can be integrated into a variety of educational activities. The site was originally created in 2004 and faculty members and graduate students in the Instructional Technology Program at the University of Houston College of Education continue to maintain the site and add new content. 

"The U.S. Individuals with Disabilities Education Act defines the concept of the Least Restrictive Environment as the opportunity for a student with a disability to be "provided with supplementary aids and services necessary to achieve educational goals if placed in a setting with non-disabled peers." (Daniel R.r. v. State Bd. of Educ., 874 F.2d 1036, 1050, 5th Cir.1989) This concept of providing students with "supplementary aids and services necessary to achieve educational goals" could be applied to all students. By leveraging the capabilities of mobile devices, teachers can support their students in creating a personalized learning environment with the least number of barriers. "

A couple of weeks ago, Samer Rabadi, Edutopia's Community Manager, started this discussion on the Community Bulletin Board: "What Does It Mean to Be a Connected Educator?" He observed that, for many of us, becoming connected educators has transformed our lives. I would certainly agree with that!

Storytelling is an age-old art form. With Web 2.0 and the tools already available on most computers, students can use text, music, sound effects, videos, and more to create a multimedia presentation that links them to the world beyond the classroom. Storytelling has the potential to unleash creativity, engage, and motivate. Applicable across the curriculum, digital storytelling teaches students to work collaboratively and use new technologies, skills they will be required to have in the workforce of the future. This book offers an overview of digital storytelling as well as its variations, including e-portfolios, digital photo essays, and scrapblogs. The many recommendations, overviews, and explanations of digital storytelling tools, along with lists of additional digital storytelling resources, will help educators to apply this exciting technology in their classrooms. Educators will also discover the ways digital storytelling can be used for their own professional development. Digital Storytelling Guide for Educators provides detailed directions to preparation, production, and presentation, and rounds out with a discussion on creating rubrics and evaluating student work. Readers will come away with an understanding of digital stories and the tools needed to create them.

"What is it? Here's an article by BIE, updated from its original appearance in the September 2010 issue of Educational Leadership magazine from ASCD. Good for general audiences as well as educators, it explains the essential elements that make rigorous PBL different from "doing projects." Why do we like it? This article was written because some teachers say they "do projects" already (so why learn more about PBL) and some educators and members of the general public may have negative stereotypes of PBL as merely a "fun" or "hands-on" activity. How can you use it? Share this article with anyone, from teachers to parents to administrators, to explain PBL and provide a common framework for projects. The 8 Essential Elements are the basis of BIE's Project Design Rubric and PBL 101 Workshop."

How can language educators effectively transition students from language "learning" to language "acquisition"? This is a question to focus on as all language educators try to create classroom experiences that meet the American Council on the Teaching of Foreign Languages' (ACTFL) guidelines. ACTFL is calling for a shift in all language classes. Students and teachers need to use the second language (L2) at least 90% of the time. This amount of target language (TL) use will only create success for students if the teacher uses Comprehensible Input (CI). L2, TL and CI are three must-know acronyms for language educators today. Language "acquisition" is a key concept to our journey towards using research-based methods to update our language teaching practices.

"Education is catastrophically deficient in trust. Pro-accountability education reformers presume that, absent carrots and sticks, classrooms would be overrun with lazy and incapable teachers. Traditional instructors presume that, absent carrots and sticks, classrooms would be overrun with lazy and incapable students. Both viewpoints emerge from a noble desire to make classrooms high-performance spaces, but in actuality they suppress excellence."

"John Mergendoller is Executive Director of the Buck Institute for Education, where he leads a talented team focused on building the capacity of districts, schools and teachers to do high quality Project Based learning. He has taught in both elementary and high schools, and received his Ph.D. in Education and Psychology from the University of Michigan."

It is now late October. Have any of your students already missed more than a month of school? Are any on track to? Can you even know? Educators understand the importance of school attendance -- as we often say, "You can't teach an empty desk." And schools have mechanisms in place to track it, including average daily attendance (ADA) and truancy. But neither of those measures addresses chronic absenteeism. Chronic absenteeism is typically defined as missing 10 percent or more of a school year -- approximately 18 days a year, or just two days every month. And across the nation, 5 to 7.5 million students are chronically absent.

Regular readers here will understand with the enthusiasm with which I greet the publication of Tony Wagner's new book, Creating Innovators: The Making of Young People Who Will Change the World. I've been a fan of Wagner's writing since the Global Achievement Gap was published in 2008, a book which has influenced this blog's educational vision perhaps more than any other single title. "Creating Innovators" has been a theme both of my educational leadership and my blogging since 2009, when the Board of St. Gregory adopted it as a core component of our mission and our slogan/tag line.

"Making learning interactive has always been difficult for educators. Students rarely want to collaborate and get involved in discussions, because most of them are afraid of making mistakes and saying something wrong. Luckily for all of us, the emergence of technology used in classrooms has made educators able of making the learning process interactive. Blending the traditional textbooks with innovative web tools that inspire collaboration will be the wisest thing you've ever done for your students. The goal of project-based learning is to enable your students to put the things they have learned into practice and develop valuable skills through the project development. They will learn how to make priorities, manage sources, and summarize new concepts. The final goal is to enable them to understand a certain concept more easily."

You need a portfolio for two reasons: to reflect well and look good. Reflection Selecting work to go into a portfolio is a metacognitive process that requires you to compare what you have actually accomplished with the desired end. I would like students to do this more frequently than the end of each grading period, and I plan to make portfolio updating at least a biweekly process. To this end, I've created a whole page within my newly revamped site template for this reflective process (hint: this should also be a gold mine for Assessment of Student Work "time lapse artifacts" for me to show my fitness as an educator). I want students to see their progress in stages.

You need a portfolio for two reasons: to reflect well and look good. Reflection Selecting work to go into a portfolio is a metacognitive process that requires you to compare what you have actually accomplished with the desired end. I would like students to do this more frequently than the end of each grading period, and I plan to make portfolio updating at least a biweekly process. To this end, I've created a whole page within my newly revamped site template for this reflective process (hint: this should also be a gold mine for Assessment of Student Work "time lapse artifacts" for me to show my fitness as an educator). I want students to see their progress in stages.

Great new post by +Elana Leoni via +Edutopia !

We do not need to teach creativity, but rather inspire its daily practice. Somewhere along the way, we simply forgot to honor this innate gift and how to access its power. Our role as educators is to encourage learning experiences that increase the ability to recognize and listen to our inner voice.

Teachers are used to hearing about new ideas in education -- changes in instruction, technology and curriculum that are going to fix what's broken. The trouble is, these changes are so difficult to trust. Many changes are based on ideas that have gained traction through very limited and poorly researched beginnings. One district might see success with a "program," and soon superintendents and principals are sent scrambling to duplicate that approach in their own district, without a full understanding of both data and circumstance. On the flipside, other changes are based entirely on "data," products of number-crunching from funded studies that keep telling us what we already know -- technology makes new things possible, socioeconomic status matters, and literacy skills are everything. Changes here produce clinical, lifeless curricula that mean well but lack the ambition to reach for students' imagination.

An excellent archived webinar at Buck Institute for Education (BIE.org) on DQ's presenter by John Larmer.

Many educators refer to the connections made via Twitter as their PLN or Professional Learning Network. I have recently decided my PLN is now my PPLN - Powerful Personal Learning Network. When you connect with the right people your learning network can become the most powerful part of your learning 24/7/365.

A key new position statement from ACTFL

Mission We surface authentic voices around the world through group process and participatory media creation. Our programs support people in sharing and bearing witness to stories that lead to learning, action, and positive change. What We Do For nearly twenty years, the Center has been supporting people in sharing meaningful stories from their lives. Our unique workshops assist participants in producing short, first-person narratives that can be presented in a variety of traditional and social media formats. We provide non-threatening production environments in which the process of creation is valued as much as the stories created. Through partnerships with a range of organizations, institutions, and funders, we offer story making and story distribution services that prioritize the power of individual voices. Whether you're interested in storytelling for professional development, as a reflective practice, as a pedagogical strategy, or as a vehicle for education, community mobilization, or advocacy, we are recognized globally as experts in all things digital storytelling.