Group items tagged

"A complete version of the work and all supplemental materials, including a copy of the permission as stated above, in an appropriate standard electronic format is deposited (and thus published) in at least one online repository using suitable technical standards (such as the Open Archive definitions) that is supported and maintained by an academic institution, scholarly society, government agency, or other well-established organization that seeks to enable open access, unrestricted distribution, inter operability, and long-term archiving. "

"The primary function of the RoMEO project was to ascertain all the rights issues relating to the process of self-archiving and to consider ways of addressing them. The following table maps the self-archiving process and the rights questions we identified. "

"...This is a BBC situation comedy from the 1980s, written by Anthony Jay and Jonathan Lynn. The comedy derives from the characters and situation, the situation being the public and private life of a British politician....."

"Kaj Sand-Jensen, un professore danese di ecologia, ha scritto un articolo intitolato "How to write consistently boring scientific literature" dove enuncia un decalogo di regole per scrivere articoli scientifici veramente noiosi. In maniera ironica e divertente mostra come una scrittura spersonalizzata possa servire alla fin fine a mascherare un contenuto modesto. Nella conclusione, osserva che ci sono movimenti di scienziati e anche editori che tendono a recuperare il valore di una scrittura più personale e viva. Sostiene inoltre che, sebbene l'articolo scientifico così come lo conosciamo rimarrà il veicolo principale della comunicazione scientifica, è auspicabile che gli scienziati si impegnino maggiormente in una comunicazione più ampia e speculativa, che possa eventualmente anche contemplare humour e poesia. Una comunicazione in grado di far circolare maggiormente le idee fra campi diversi e di attrarre più facilmente i giovani allo studio delle scienze. È un paradosso, ma è vero che la letteratura scientifica predominante, bulimica, ridondante, assolutamente grigia, selezionata con un processo di peer review sempre più affrettato e sommario, costituisce non l'unica ma una notevole causa di scarsa innovazione dando la preferenza ai maggiori e più consolidati filoni di ricerca. Lascio qui sotto l'opportunità di leggere il paper di Kaj Sand-Jensen, ne vale la pena. View this document on Scribd - [1] More about Fisica e filosofia "Ricordo delle discussioni con Bohr che si prolungarono per molte ore fino a notte piena e che ci condussero quasi ad uno stato di disperazione; e quando al termine della discussione me ne andavo solo a fare una passeggiata nel parco vicino continuavo sempre a ripropormi il problema: è possibile che la natura sia così assurda come ci appariva negli esperimenti atomici?" Werner Heisenberg in Fisica e Filosofia, Il Saggiatore, 1961, p. 55) * Share this: * Stampa * Email * Facebook *

Symphony by Norman Dello Joio on texts by Ecclesiastes, seen in the context of the atomic threat. CBS Symphony orchestra conducted by Alberto Antonini. Presented by Edward R. Murrow. Narrators: Rev. Laurence J. McGinley, Rabbi Theodore L. Adams, Dr. Oswald Hoffmann, Senator John F. Kennedy.

"Overview This Flash-based tool was created by Michael Brewer and the Office for Information Technology Policy. It provides information on determining whether or not a particular reproduction or other use of a copyrighted work is covered by Section 108 of the U.S. Copyright Code, the Library & Archives exemption. While the interactivity of this tool is not available to those using screen readers, such as JAWS, the following text provides all the information provided by this tool. For the fulltext of Section 108 of the U.S. Copyright Code, go to: http://www.copyright.gov/title17/92chap1.html#108. Please provide any feedback or address any questions on this tool to Michael Brewer, or to Carrie Russell at the Office for Information Technology Policy."

Web standards are sustained by conversation, and Blue Beanie Day is a chance to start some.

"Crossing the Boundaries of Ning * Posted by Badan Barman on August 22, 2010 at 2:28am in Best Practices and Lessons Learned * View Discussions I am a Library and Information Science Professional from India. I developed a Network "LIS Links : A Virtual Community of Indian LIS Professionals" (http://lislinks.com/) over Ning. I dont know whether I will be able to survive with all of you or not. But here, I would like to share something about my site. There nothing special to its design, since I am dealing with information, I gave much emphasis to content rather than the look. But I think I have included some thing special in my network. I request you all to have a look. Here are my specific points ..."

"Your Last 3 Options If you chose a new Ning plan: We're thrilled you'll be sticking around! As you may have noticed, we're rapidly releasing new features, so stay tuned to Creators for what's coming next. If you aren't able to continue, we've put together this page to explain your three options. John McDonald VP, Advocacy"

"We do not want to be belligerent about it. It is just that we do not want to project the impression that we want everybody to stop using the technology, or that this technology is too expensive."

Of course, MovieMaker is NOT Open Source, but that's precisely the point...

on downloading MovieMaker (2003)

Everybody is talking about "illegal copying" (most often in propagandist terms like "stealing" or "piracy"), but nobody of the opposite: Taking a work in public domain and slapping your copyright-notice over it; something which very much borders on plagiarism. And of course asserting to have a copyright on something which you are not entitled to is also a violation of copyright. The very funny thing is, there is a repository of thousands of books whose copyright is violated this way. It's books.google.com. Nowhere else, such a mass of works wrongly tagged "copyrighted material" can be found.

Thanks to Miguel Guhlin for posting about this.

Alternate text is not meant to be used as a tool tip, or more specifically, to provide additional information about an image. The title attribute, on the other hand, is meant to provide additional information about an element. That information is displayed as a tooltip by most graphical browsers, though manufacturers are free to render title text in other ways. Thanks to Alexis Antonelli http://uxconsultant.com/ for the reference

Official misuses are bad enough, but the unofficial uses worry me more. Any surveillance and control system must itself be secured. An infrastructure conducive to surveillance and control invites surveillance and control, both by the people you expect and by the people you don't. (...) But that's not the most serious misuse of a telecommunications surveillance infrastructure. In Greece, between June 2004 and March 2005, someone wiretapped more than 100 cell phones belonging to members of the Greek government -- the prime minister and the ministers of defense, foreign affairs and justice. Ericsson built this wiretapping capability into Vodafone's products, and enabled it only for governments that requested it. Greece wasn't one of those governments, but someone still unknown -- a rival political party? organized crime? -- figured out how to surreptitiously turn the feature on

Die Sonntagszeitung malt heute schwarz: Schweizer Strafermittler und das Departement für Umwelt, Verkehr und Kommunikation (Uvek) prüfen den Einsatz von Spionagesoftware zum Abhören von Internettelefonaten. Telecomfirmen und Internetanbieter sollen die als Trojaner bezeichneten Programme auf die PCs von Verdächtigen transportieren, um bei VoIP-Gesprächen mitlauschen zu können.

A landmark study by the Institute of European Media Law (EML) found that a levy on internet usage legalising non-commercial online exchanges of creative works conforms with German and European copyright law, even though it requires changes in both. The German and European factions of the Green Party who had commissioned the study will make the "culture flat-rate," as the model is being called in Germany, an issue in their policies. The global debate on a new social contract between creatives and society is getting more pronounced by the day. Two models are emerging: a free-market approach based on private blanket licences and voluntary subscriptions, and a legal licence approach based on exceptions in copyright law and mandatory levies, that now has been proven legally feasible and appropriate by the EML study.