Skip to main content

Home/ International Comm & Culture 2009/ Group items tagged Drama

Rss Feed Group items tagged

anonymous

Mini promo movies hit China - 0 views

  •  
    Korea films, China hit, Korean Wave, Hanliu, Korean movies and dramas
  •  
    Interesting promos, relating to this weeks reading 'Korean Media Flows', the spread of global consumerism and tourism.
Rika Ninomiya

GRACE TRAVEL :: View topic - DFT-1 Winter Sonata Drama Tour in Seoul - 0 views

  • Winter Sonata Drama Tour in Seoul
  •  
    This obviously is not an article but I remember my aunt was saying she is going on this kind of tour so I thought I'll share it with everyone in class :)
jung moon

Digital Chosunilbo (English Edition) : Daily News in English About Korea - 0 views

  • The success of these and other Japanese works in Korea is raising concerns that Japanese pop culture could once again dominate Korea.
  • Experts say the Korean entertainment industry's dependence on Japanese pop culture will increase because the Japanese novel and manga markets are popular around the world. According to the Korean Publishing Research Institute, as of 2006 the size of the Korean novel market was no more than W203 billion, while that of Japanese market stood at W724.3 billion. The gap for the manga markets was even greater, with the Japanese market (W4 trillion) some 40 times bigger than the Korean market (W124.2 billion).
  • Bae Won-keun, a researcher at the KPRI, says it is a shame that Korean entertainment companies scramble to snap up Japanese stories for quick returns rather than working to strengthen their creative power. "The entertainment industry should make more effort to cultivate young writers with fresh ideas," he adds.
glen donnar

Politics comes before lights and camera - Opinion - theage.com.au - 0 views

  • THE Melbourne International Film Festival has it all: dramas involving officials from foreign governments, larger than life characters sticking to matters of principles whatever the consequences and the struggles for liberation.
  • documentary about Rebiya Kadeer
  • subsequently three Chinese films were withdrawn.
  • ...9 more annotations...
  • Loach's
  • The role of political actors, and the nation state in particular, in the film industry is enormous.
  • the film appears as the product of an individual visionary. This view of filmmaking is about as realistic as the standard Hollywood happy ending. The reality is that films are rarely, if ever, the personal, unadulterated vision of a director. They are influenced or, depending on your point of view, compromised from the start by those who bankroll the films.
  • In some respects, the most surprising thing about these kerfuffles is not that they have happened, but that they don't happen more often. While most of us think of film festivals as cultural events, the truth is that they are also deeply political events.
  • what gets far less attention is the extensive role played by political actors in the filmmaking process.
  • most films would not be made were it not for generous state subsidies.
  • And in spite of nice-sounding claims about facilitating cultural dialogue, nation states don't fund films because they love a good story. They do so because film can be a highly effective means of spreading influence. Since they're footing the bill, it's understandable that they want a say in the content of the film and how it is positioned.
  • films and film festivals are the continuation of politics by other means. It shouldn't be imagined that this applies only to authoritarian states such as China or political organisations with clear political objectives. Nearly every Australian film is made with some public money, and so filmmakers are subject to similar, if far more sophisticated and subtle, forms of state influence.
  • China has miscalculated the extent of its reach and, in the process, provided both the Kadeer documentary and the film festival an avalanche of publicity. And Ken Loach, in remarkably poor political judgment, has effectively silenced himself by withdrawing his film.
Wye Keen Wong

Chinese film directors' withdrawal from Melbourne festival supported at home_English_Xi... - 0 views

  • Jia Zhangke and Zhao Liang, had withdrawn their films from the festival in protest at the inclusion of a documentary about Rebiya Kadeer, leader of the World Uygur Congress (WUC), which the Chinese believed to be behind the deadly July 5 riot in Urumqi, capital of northwest China's Xinjiang Uygur Autonomous Region
    • xinning ji
       
      It is the hot topic during these days, not only in Australia but also in China. This Xinhua News is governed by Chinese government. Basically, it serves for government.
    • Wye Keen Wong
       
      Article in today's AGE on apge 3 about Rebiya Kadeer who is in Melbourne to attend the film's opening
  • had attracted more than 4,000 comments. Almost all of the postings were in support of the two directors.
  • Only a couple said Jia was trying to earn publicity, but they were immediately criticized by others, defending Jia as a talented director who had always been low-key .
    • xinning ji
       
      It is a kind of strategy the press used in PR. It is trying to convince the publics what is the right decision Jia made. Also the word "only" it used is trying to say that nearly all Chinese support Jia, and no one has disagreed.
  • ...2 more annotations...
  •    Jia said in a letter to festival organizers that the Urumqi riot had caused many deaths and many people believed the WUC headed by Rebiya Kadeer had unavoidable responsibility for the violence
    • xinning ji
       
      I would like to believe it is the truth. What Jia did was not imposed by the government, because I watched this riot on TV, and it made every Chinese upset and hurt. It was terrible to see the violence, in which innocent people were killed and beat on the street, many shops and restaurants were robbery, and cars were burned. What they did was not going in an appropriate way to ask the government for the independence. they really made social disorder and ruthless
  •  "However, the Melbourne film festival organizers have turned it into a political drama by inviting Rebiya Kadeer, a political liar," he said.
    • Wye Keen Wong
       
      Is a separation beween art and politics ever possible?
Rika Ninomiya

China eyes Asian and Western media funds | The Australian - 1 views

  • CHINA Investment Corporation, the $US200billion ($243bn) state-run sovereign wealth fund, is planning to invest in several Western and Asian media funds.
  • The investments could give the Chinese government a direct stake in a rich variety of media content -- from South Korean television dramas and Japanese game shows to Hollywood blockbusters and globally franchised animation series.
jung moon

China's youth look to Seoul for inspiration - 0 views

  • oday, in China, South Korean missionaries are bringing Christianity with an Asian face. South Korean movies and dramas about urban professionals in Seoul, though not overtly political, present images of modern lives centering on individual happiness and sophisticated consumerism.
xinning ji

American Thinker Blog: South Korean drama hits America - 0 views

  • South Korea's television soap operas are finding big audiences overseas, including here in the Bay Area, as well as other major American cities with large Asian populations.
  • South Korean studios invested heavily in state—of—the—art production facilities, embodying the latest digital technology. Today, many Japanese films are shot in Korea, to take advantage of lower costs and better facilities there. And studio tours for tourists have become a big business.
1 - 8 of 8
Showing 20 items per page