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The term multiculturalism generally refers to the acceptance of various cultural divisions for the sake of diversity that applies to the demographic make-up of a specific place, usually at the scale of an organization such as a school, business, neighborhood, city or nation.

Australia The response to multiculturalism in Australia has been extremely varied, with a recent wave of criticism against it in the past decade. An anti-immigration party, the One Nation Party, was formed by Pauline Hanson in the late 1990s. The party enjoyed significant electoral success for a while, most notably in its home state of Queensland, but is now electorally marginalized. One Nation called for the abolition of multiculturalism on the grounds that it represented "a threat to the very basis of the Australian culture, identity and shared values", arguing that there was "no reason why migrant cultures should be maintained at the expense of our shared, national culture."[83] A Federal Government proposal in 2006 to introduce a compulsory citizenship test, which would assess English skills and knowledge of Australian values, sparked renewed debate over the future of multiculturalism in Australia. Andrew Robb, then Parliamentary Secretary for Immigration and Multicultural Affairs, told a conference in November 2006 that some Australians worried the term "multicultural" had been transformed by interest groups into a philosophy that put "allegiances to original culture ahead of national loyalty, a philosophy which fosters separate development, a federation of ethnic cultures, not one community". He added: "A community of separate cultures fosters a rights mentality, rather than a responsibilities mentality. It is divisive. It works against quick and effective integration."[84] The Australian citizenship test commenced in October 2007 for all new citizens between the ages of 18 and 60.[85] In January 2007 the Howard Government removed the word "multicultural" from the name of t

The response to multiculturalism in Australia has been extremely varied, with a recent wave of criticism against it in the past decade. An anti-immigration party, the One Nation Party , was formed by Pauline Hanson in the late 1990s. The party enjoyed significant electoral success for a while, most notably in its home state of Queensland , but is now electorally marginalized. One Nation called for the abolition of multiculturalism on the grounds that it represented "a threat to the very basis of the Australian culture, identity and shared values", arguing that there was "no reason why migrant cultures should be maintained at the expense of our shared, national culture." [83] A Federal Government proposal in 2006 to introduce a compulsory citizenship test, which would assess English skills and knowledge of Australian values, sparked renewed debate over the future of multiculturalism in Australia. Andrew Robb , then Parliamentary Secretary for Immigration and Multicultural Affairs, told a conference in November 2006 that some Australians worried the term "multicultural" had been transformed by interest groups into a philosophy that put "allegiances to original culture ahead of national loyalty, a philosophy which fosters separate development, a federation of ethnic cultures, not one community". He added: "A community of separate cultures fosters a rights mentality, rather than a responsibilities mentality. It is divisive. It works against quick and effective integration." [84] The Australian citizenship test commenced in October 2007 for all new citizens between the ages of 18 and 60. [85] In January 2007 the Howard Government removed the word "multicultural" from the name of t he Department of Immigration and Multicultural Affairs, changing its name to the Department of Immigration and Citizenship.

We need to be prepared for whatever surprises this capricious new virus delivers next... constant random mutation is the survival mechanism of the microbial world

WORLD Health Organization chief Margaret Chan today urged governments to prepare for a likely second wave of swine flu cases, cautioning they will face tough decisions on how to dispense vaccines.

the Seoul city government has launched a project to attract more foreign tourists seeking cosmetic surgery -- capitalising on the popularity of the "Korean Wave" of pop culture in Asia in recent years.

Cosmetic surgery is commonplace in South Korea. A Kyung Hee University survey in 2007 found that 47.3 percent of adults had experienced it.

The success of these and other Japanese works in Korea is raising concerns that Japanese pop culture could once again dominate Korea.

Experts say the Korean entertainment industry's dependence on Japanese pop culture will increase because the Japanese novel and manga markets are popular around the world. According to the Korean Publishing Research Institute, as of 2006 the size of the Korean novel market was no more than W203 billion, while that of Japanese market stood at W724.3 billion. The gap for the manga markets was even greater, with the Japanese market (W4 trillion) some 40 times bigger than the Korean market (W124.2 billion).

Bae Won-keun, a researcher at the KPRI, says it is a shame that Korean entertainment companies scramble to snap up Japanese stories for quick returns rather than working to strengthen their creative power. "The entertainment industry should make more effort to cultivate young writers with fresh ideas," he adds.

The screening of the documentary The 10 Conditions of Love, about exiled Uighur leader Rebiya Kadeer, has been the cause of controversy ever since the Chinese Government demanded that the film be withdrawn.

MIFF refused to withdraw The 10 Conditions of Love. In response, films from mainland China, Hong Kong and Taiwan were pulled from the festival, and the MIFF website was hacked.

including a short from leading director Jia Zhangke and a film produced by Wong Kar-wai’s Jet Tone company.

If you have had any exposure to adolescent or teenage girls over the past decade, then you are all too familiar with the phenomenon known as Hello Kitty, the mouthless cartoon cat that decorates the paraphernalia (usually done in garish pink) that has made Tokyo-based parent Sanrio Co. Ltd. an 83-billion-yen-a-year company (about $795 million).

Why would Japanese cartoon characters appeal to American youth? Why stuff that is, to put it mildly and to use an American expression, cheesy?

What allows some products or concepts to travel around the world, while others can't get out of the house?