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"We need to understand different cultures and perspectives as part of how we do business and relate," says Mr Campbell. "So there's actually a public good in all of this."

The hunt for evidence against Japan in its "scientific hunt" for whales became highly contentious when the crew of the environmental crusader ship Sea Shepherd was accused of piracy and violence after activists threw bottles of "acid" and boarded a Japanese whaling ship.

Tokyo wants to ensure Mr Rudd's first trip to Japan as Prime Minister is positive and concentrates on climate change and potential joint regional aid projects rather than whaling and the perceived snub in his failure to include Japan on last month's 17-day world trip, which included four days in China.

In December, Australia issued a demarche, or formal diplomatic protest, on behalf of numerous nations over Japan's plans to cull about 900 minke whales and 50 fin whales.

It is estimated that Australia's "evidence gathering" to form a case against Japanese whalers in an international court, which included the voyage of the Oceanic Viking and aerial surveillance, cost taxpayers more than $1 million. The Rudd Government has been "considering" the evidence for three months and has still not made a decision.

pro-Chinese to the point of being anti-Japanese.

"agree to disagree on whaling".

The Prime Minister and the Foreign Minister have signalled they want an end to the diplomatic row with Japan although they still vigorously oppose whaling.

Opposition foreign affairs spokesman Andrew Robb said yesterday Mr Rudd had to calm relations between Australian and Japan. Mr Robb said Mr Rudd's perceived "China bias" had caused concerns in Indonesia, Japan and India.

Mr Robb said the Prime Minister had sent a "gun boat" after Japanese whaling ships without picking up the phone to Prime Minister Yasuo Fukuda.

Loach's

The role of political actors, and the nation state in particular, in the film industry is enormous.

the film appears as the product of an individual visionary. This view of filmmaking is about as realistic as the standard Hollywood happy ending. The reality is that films are rarely, if ever, the personal, unadulterated vision of a director. They are influenced or, depending on your point of view, compromised from the start by those who bankroll the films.

In some respects, the most surprising thing about these kerfuffles is not that they have happened, but that they don't happen more often. While most of us think of film festivals as cultural events, the truth is that they are also deeply political events.

what gets far less attention is the extensive role played by political actors in the filmmaking process.

most films would not be made were it not for generous state subsidies.

And in spite of nice-sounding claims about facilitating cultural dialogue, nation states don't fund films because they love a good story. They do so because film can be a highly effective means of spreading influence. Since they're footing the bill, it's understandable that they want a say in the content of the film and how it is positioned.

films and film festivals are the continuation of politics by other means. It shouldn't be imagined that this applies only to authoritarian states such as China or political organisations with clear political objectives. Nearly every Australian film is made with some public money, and so filmmakers are subject to similar, if far more sophisticated and subtle, forms of state influence.

China has miscalculated the extent of its reach and, in the process, provided both the Kadeer documentary and the film festival an avalanche of publicity. And Ken Loach, in remarkably poor political judgment, has effectively silenced himself by withdrawing his film.

The controversy brought a wave of local and international publicity. MIFF has been a fixture in the news pages and on the radio. The overseas coverage included mentions in The New Yorker, a live interview with CNN and coverage on the BBC. The attention, Mr Moore hopes, might have a flow-on effect, a reminder to people that this is an important festival. The festival had already become the subject of news stories when director Ken Loach withdrew his feature film, Looking for Eric, because of MIFF sponsorship by the Israeli Government.

"It's a very, very concerted and pointed attack," Mr Moore said. "Everyone's watching this - it's totally global." The email provides instructions for loading tickets into "shopping carts" from the festival's website, and Chinese are being urged to teach others how to "purchase" MIFF tickets online.

the documentary The 10 Conditions of Love, about Ms Kadeer

Ms Kadeer will take part in the screening of the documentary next Saturday.She will also meet members of Australia’s 2000-strong Uighur community.

Her involvement in the festival led to seven Chinese-language films — from China, Hong Kong and Taiwan — being withdrawn.

‘‘This latest attack is just extraordinary,’’ the festival director said. ‘‘What’s happened is that this has become a question of Chinese nationalism where it has almost become people’s official duty to register a protest.’’