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Ed Webb

Mind - Research Upends Traditional Thinking on Study Habits - NYTimes.com - 1 views

www.nytimes.com/...07mind.html

learning cognition neuroscience education testing psychology

shared by Ed Webb on 06 Sep 10 - No Cached
  • instead of sticking to one study location, simply alternating the room where a person studies improves retention. So does studying distinct but related skills or concepts in one sitting, rather than focusing intensely on a single thing. “We have known these principles for some time, and it’s intriguing that schools don’t pick them up, or that people don’t learn them by trial and error,” said Robert A. Bjork, a psychologist at the University of California, Los Angeles. “Instead, we walk around with all sorts of unexamined beliefs about what works that are mistaken.”
  • The brain makes subtle associations between what it is studying and the background sensations it has at the time, the authors say, regardless of whether those perceptions are conscious. It colors the terms of the Versailles Treaty with the wasted fluorescent glow of the dorm study room, say; or the elements of the Marshall Plan with the jade-curtain shade of the willow tree in the backyard. Forcing the brain to make multiple associations with the same material may, in effect, give that information more neural scaffolding.
  • Cognitive scientists do not deny that honest-to-goodness cramming can lead to a better grade on a given exam. But hurriedly jam-packing a brain is akin to speed-packing a cheap suitcase, as most students quickly learn — it holds its new load for a while, then most everything falls out. “With many students, it’s not like they can’t remember the material” when they move to a more advanced class, said Henry L. Roediger III, a psychologist at Washington University in St. Louis. “It’s like they’ve never seen it before.”
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  • An hour of study tonight, an hour on the weekend, another session a week from now: such so-called spacing improves later recall, without requiring students to put in more overall study effort or pay more attention, dozens of studies have found.
  • “The idea is that forgetting is the friend of learning,” said Dr. Kornell. “When you forget something, it allows you to relearn, and do so effectively, the next time you see it.”
  • cognitive scientists see testing itself — or practice tests and quizzes — as a powerful tool of learning, rather than merely assessment. The process of retrieving an idea is not like pulling a book from a shelf; it seems to fundamentally alter the way the information is subsequently stored, making it far more accessible in the future.
  • “Testing not only measures knowledge but changes it,” he says — and, happily, in the direction of more certainty, not less.
  • “Testing has such bad connotation; people think of standardized testing or teaching to the test,” Dr. Roediger said. “Maybe we need to call it something else, but this is one of the most powerful learning tools we have.”
  • The harder it is to remember something, the harder it is to later forget. This effect, which researchers call “desirable difficulty,”
Ed Webb

Start Calling it Digital Liberal Arts | The Transducer - 0 views

transducer.ontoligent.com/?p=1013

education DH LiberalArts liberal_arts opinion

shared by Ed Webb on 22 Feb 13 - No Cached
  • No longer an inno­cent place for the play­ful encounter between tech­nol­ogy and inter­pre­ta­tion, DH is now being inter­ro­gated for evi­dence of par­tic­i­pa­tion in an exclu­sivist techno­sci­en­tific imag­i­nary, and there are many will­ing to save the field by the­o­riz­ing what has remained for too long under­the­o­rized
  • This is in con­trast to the dig­i­tal human­i­ties, and indeed dig­i­tal schol­ar­ship as a whole, which has its heart in the edi­tion and the archive
  • DLA is inclu­sive of the entire arts and sci­ences spec­trum
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  • DLA is explic­itly res­i­den­tial and dia­log­i­cal
  • Not so much a replace­ment as a sup­ple­ment to dig­i­tal human­i­ties, DLA broad­ens the scope and relo­cates the cen­ter of grav­ity of what I have referred to as the dig­i­tal human­i­ties sit­u­a­tion, the recur­ring, play­ful encounter of human­ists with tech­nol­ogy.  Instead of focus­ing on what may bet­ter be described as the com­pu­ta­tional human­i­ties (a use­ful term recently pro­posed by Lev Manovich), the dig­i­tal lib­eral arts seeks to locate dig­i­tal media squarely within the frame of the lib­eral arts, broadly con­ceived as a cur­ricu­lum, not a dis­ci­pline or even set of dis­ci­plines, and as a dis­tinc­tive mode of edu­ca­tional expe­ri­ence, not a set of received the­o­ret­i­cal con­cerns. It is a fram­ing par­tic­u­larly suited to lib­eral arts col­leges — America’s great con­tri­bu­tion to higher learn­ing — but also to uni­ver­si­ties, such as UVa, whose souls are in the lib­eral arts as well.
  • the idea of Coursera-style MOOCs being part of the DLA is a non-starter, although dis­trib­uted and medi­ated forms of edu­ca­tion can, and I think must, become part of the lib­eral arts experience
  • DLA is as con­cerned with ped­a­gogy as it is with research
  • focus­ing on the real use of dig­i­tal col­lec­tions (for exam­ple) as much as on their cre­ation and publication
Ed Webb

Letting Us Rip: Our New Right to Fair Use of DVDs - ProfHacker - The Chronicle of Highe... - 0 views

chronicle.com/...25797

video rip copyright tools fair_use

shared by Ed Webb on 28 Jul 10 - Cached
  • Motion pictures on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System [CSS] when circumvention is accomplished solely in order to accomplish the incorporation of short portions of motion pictures into new works for the purpose of criticism or comment, and where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary to fulfill the purpose of the use in the following instances: (i) Educational uses by college and university professors and by college and university film and media studies students; (ii) Documentary filmmaking; (iii) Noncommercial videos. [Note: the term "motion picture" does not solely mean feature films—for the Library of Congress, it refers to "audiovisual works consisting of a series of related images which, when shown in succession, impart an impression of motion, together with accompanying sounds, if any." Hence, the term includes television, animation, and pretty much any moving image to be found on DVD.]
  • the longer explanation from the Library of Congress specifies that circumventing CSS on a DVD is only justified when non-circumventing methods, such as videotaping the screen while playing the DVD or using screen-capture tools through a computer, are unacceptable due to inadequate audio or visual quality. But nevertheless, this ruling greatly expands who can use ripping software to clip DVDs for academic and transformative use, including a range of derivative works like remix videos and documentaries.
  • Now, no matter your discipline, you (or your technological partners) can do what I've been doing for the past three years: assemble a personal (or departmental) library of clips to access for class lectures. Now we can expand the use of those clips to embed in conference presentations, public lectures, digital publications, companion websites or DVDs to include with print publications, or other innovative uses that had otherwise been stifled by legal restrictions. For me, having a hard drive full of video clips on hand enables a mode of improvisation not available with DVDs—if discussion shifts to talking about an example of a film or television show that I've ripped a clip for another course, I can instantly play it in class even without planning in advance by bringing the DVD. Think of the conference presentations you've seen where a presenter fumbles over cuing and swapping DVDs—with a little bit of planning, clips can be directly embedded into a slideshow to avoid awkwardly wasting time.
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  • Fair Use isn't a NEW right under the exemptions, but a REAFFIRMED and RESTORED right
  • .wav, .mpeg, .mp3, .avi are all formats and codecs with owners.
Ed Webb

The Wired Campus - Do Students Cheat More in Online Classes? Maybe not. - The Chronicle... - 0 views

chronicle.com/...8073

distance education plagiarism survey chronicle edu_trends

shared by Ed Webb on 16 Sep 09 - Cached
  • You can’t make any sweeping generalizations based on the results
  • older students tend to cheat less frequently than younger students
  • If you are interested in this topic, look for the interesting edited book called Student Plagiarism in an Online World: http://www.igi-global.com/reference/details.asp?ID=7031&v=tableOfContentsI wrote a chapter called, "Expect Originality! Using Taxonomies to Structure Assignments that Support Original Work." In it I discuss the complexities of plagiarism in the context of a digital culture of sharing and suggest that it is rarely black and white. I propose a continuum with intentional academic dishonesty on one end and original work on the other, with gradations in between. Based on my own research and teaching experience, I believe the instructional design and style of teaching can either make it easy-- or very difficult-- to cheat.
Ed Webb

Social Media is Killing the LMS Star - A Bootleg of Bryan Alexander's Lost Presentation... - 0 views

openedconference.org/...1037

lms education Web2.0 socialmedia NITLE bryanalexander

shared by Ed Webb on 19 Aug 09 - Cached
  • Note that this isn’t just a technological alternate history. It also describes a different set of social and cultural practices.
  • CMSes lumber along like radio, still playing into the air as they continue to gradually shift ever farther away on the margins. In comparison, Web 2.0 is like movies and tv combined, plus printed books and magazines. That’s where the sheer scale, creative ferment, and wife-ranging influence reside. This is the necessary background for discussing how to integrate learning and the digital world.
  • These virtual classes are like musical practice rooms, small chambers where one may try out the instrument in silent isolation. It is not connectivism but disconnectivism.
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  • CMSes shift from being merely retrograde to being actively regressive if we consider the broader, subtler changes in the digital teaching landscape. Web 2.0 has rapidly grown an enormous amount of content through what Yochai Benkler calls “peer-based commons production.” One effect of this has been to grow a large area for informal learning, which students (and staff) access without our benign interference. Students (and staff) also contribute to this peering world; more on this later. For now, we can observe that as teachers we grapple with this mechanism of change through many means, but the CMS in its silo’d isolation is not a useful tool.
  • those curious about teaching with social media have easy access to a growing, accessible community of experienced staff by means of those very media. A meta-community of Web 2.0 academic practitioners is now too vast to catalogue. Academics in every discipline blog about their work. Wikis record their efforts and thoughts, as do podcasts. The reverse is true of the CMS, the very architecture of which forbids such peer-to-peer information sharing. For example, the Resource Center for Cyberculture Studies (RCCS) has for many years maintained a descriptive listing of courses about digital culture across the disciplines. During the 1990s that number grew with each semester. But after the explosive growth of CMSes that number dwindled. Not the number of classes taught, but the number of classes which could even be described. According to the RCCS’ founder, David Silver (University of San Francisco), this is due to the isolation of class content in CMS containers.
  • unless we consider the CMS environment to be a sort of corporate intranet simulation, the CMS set of community skills is unusual, rarely applicable to post-graduation examples. In other words, while a CMS might help privacy concerns, it is at best a partial, not sufficient solution, and can even be inappropriate for already online students.
  • That experiential, teachable moment of selecting one’s copyright stance is eliminated by the CMS.
  • Another argument in favor of CMSes over Web 2.0 concerns the latter’s open nature. It is too open, goes the thought, constituting a “Wild West” experience of unfettered information flow and unpleasant forms of access. Campuses should run CMSes to create shielded environments, iPhone-style walled gardens that protect the learning process from the Lovecraftian chaos without.
  • social sifting, information literacy, using the wisdom of crowds, and others. Such strategies are widely discussed, easily accessed, and continually revised and honed.
  • at present, radio CMS is the Clear Channel of online learning.
  • For now, the CMS landsape is a multi-institutional dark Web, an invisible, unsearchable, un-mash-up-able archipelago of hidden learning content.
  • Can the practice of using a CMS prepare either teacher or student to think critically about this new shape for information literacy? Moreover, can we use the traditional CMS to share thoughts and practices about this topic?
  • The internet of things refers to a vastly more challenging concept, the association of digital information with the physical world. It covers such diverse instances as RFID chips attached to books or shipping pallets, connecting a product’s scanned UPC code to a Web-based database, assigning unique digital identifiers to physical locations, and the broader enterprise of augmented reality. It includes problems as varied as building search that covers both the World Wide Web and one’s mobile device, revising copyright to include digital content associated with private locations, and trying to salvage what’s left of privacy. How does this connect with our topic? Consider a recent article by Tim O’Reilly and John Battle, where they argue that the internet of things is actually growing knowledge about itself. The combination of people, networks, and objects is building descriptions about objects, largely in folksonomic form. That is, people are tagging the world, and sharing those tags. It’s worth quoting a passage in full: “It’s also possible to give structure to what appears to be unstructured data by teaching an application how to recognize the connection between the two. For example, You R Here, an iPhone app, neatly combines these two approaches. You use your iPhone camera to take a photo of a map that contains details not found on generic mapping applications such as Google maps – say a trailhead map in a park, or another hiking map. Use the phone’s GPS to set your current location on the map. Walk a distance away, and set a second point. Now your iPhone can track your position on that custom map image as easily as it can on Google maps.” (http://www.web2summit.com/web2009/public/schedule/detail/10194) What world is better placed to connect academia productively with such projects, the open social Web or the CMS?
  • imagine the CMS function of every class much like class email, a necessary feature, but not by any means the broadest technological element. Similarly the e-reserves function is of immense practical value. There may be no better way to share copyrighted academic materials with a class, at this point. These logistical functions could well play on.
Ed Webb

Forvo: the pronunciation guide. All the words in the world pronounced by native speakers - 0 views

forvo.com

language pronunciation reference audio resources languages web2.0 tools

shared by Ed Webb on 14 Apr 09 - Cached
  • Forvo is the largest pronunciation guide in the world. Ever wondered how a word is pronounced? Ask for that word or name, and another user will pronounce it for you. You can also help others recording your pronunciations in your own language.
Ed Webb

The Internet Intellectual - 0 views

www.tnr.com/...the-internet-intellectual

book review internet technophilia

shared by Ed Webb on 17 Oct 11 - No Cached
  • Even Thomas Friedman would be aghast at some of Jarvis’s cheesy sound-bites
  • What does that actually mean?
  • In Jarvis’s universe, all the good things are technologically determined and all the bad things are socially determined
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  • Jarvis never broaches such subtleties. His is a simple world:
  • why not consider the possibility that the incumbents may be using the same tools, Jarvis’s revered technologies, to tell us what to think, and far more effectively than before? Internet shelf space may be infinite, but human attention is not. Cheap self-publishing marginally improves one’s chances of being heard, but nothing about this new decentralized public sphere suggests that old power structures—provided they are smart and willing to survive—will not be able to use it to their benefit
  • Jarvis 1.0 was all about celebrating Google, but Jarvis 2.0 has new friends in Facebook and Twitter. (An Internet intellectual always keeps up.) Jarvis 1.0 wrote that “Google’s moral of universal empowerment is the sometimes-forgotten ideal of democracy,” and argued that the company “provides the infrastructure for a culture of choice,” while its “algorithms and its business model work because Google trusts us.” Jarvis 2.0 claims that “by sharing publicly, we people challenge Google’s machines and reclaim our authority on the internet from algorithms.”
  • Jarvis has another reference point, another sacred telos: the equally grand and equally inexorable march of the Internet, which in his view is a technology that generates its own norms, its own laws, its own people. (He likes to speak of “us, people of the Net.”) For the Technology Man, the Internet is the glue that holds our globalized world together and the divine numen that fills it with meaning. If you thought that ethnocentrism was bad, brace yourself for Internet-centrism
  • Why worry about the growing dominance of such digitalism? The reason should be obvious. As Internet-driven explanations crowd out everything else, our entire vocabulary is being re-defined. Collaboration is re-interpreted through the prism of Wikipedia; communication, through the prism of social networking; democratic participation, through the prism of crowd-sourcing; cosmopolitanism, through the prism of reading the blogs of exotic “others”; political upheaval, through the prism of the so-called Twitter revolutions. Even the persecution of dissidents is now seen as an extension of online censorship (rather than the other way around). A recent headline on the blog of the Harvard-based Herdictproject—it tracks Internet censorship worldwide—announces that, in Mexico and Morocco, “Online Censorship Goes Offline.” Were activists and dissidents never harassed before Twitter and Facebook?
  • Most Internet intellectuals simply choose a random point in the distant past—the honor almost invariably goes to the invention of the printing press—and proceed to draw a straight line from Gutenberg to Zuckerberg, as if the Counter-Reformation, the Thirty Years’ War, the Reign of Terror, two world wars—and everything else—never happened.
  • even their iPad is of interest to them only as a “platform”—another buzzword of the incurious—and not as an artifact that is assembled in dubious conditions somewhere in East Asian workshops so as to produce cultic devotion in its more fortunate owners. This lack of elementary intellectual curiosity is the defining feature of the Internet intellectual. History, after all, is about details, but no Internet intellectual wants to be accused of thinking small. And so they think big—sloppily, ignorantly, pretentiously, and without the slightest appreciation of the difference between critical thought and market propaganda.
  • Ed Webb on 17 Oct 11
     
    In which Evgeny rips Jeff a new one
Ed Webb

Videoconferencing Alternatives: How Low-Bandwidth Teaching Will Save Us All | IDDblog: ... - 0 views

www.iddblog.org/idth-teaching-will-save-us-all

education tools technology internet pedagogy

shared by Ed Webb on 24 Mar 20 - Cached
  • The Green Zone: Underappreciated Workhorses Starting with the green zone in the lower left, we have readings with text and images. These types of assignments may not seem exciting, but sharing readings with students in a consistent and organized way provides your online course with a very practical, solid foundation. Email and discussion boards also belong in this quadrant.  Online instructors have been using these three tools—file sharing (for readings and such), email, and discussion boards—for decades. And while that might make them sound boring, you can create some fantastic instructional experiences with just these three tools. 
  • The Blue Zone: Practical Immediacy Moving over to the lower right, we have low-bandwidth tools that can add immediacy to student interactions. If you’ve used Microsoft Office 365 or Google Drive, you’re probably already familiar with some of the features and benefits of collaborative document editors. These tools allow multiple people to edit and comment on the same document, spreadsheet, or presentation slides. Depending on how you structure your assignments, students could collaborate over an extended period of time, or they could go online at the exact same time and write and edit each other’s work simultaneously.  When it comes to group chat/messaging, there are lots of free apps that can be useful in an educational setting. Slack and GroupMe are two popular examples. These mobile-friendly apps allow students to post text-based messages and images without requiring anyone in the group (including you!) to share their phone numbers. These tools allow students to communicate quickly and easily without scheduling an entire day around a formal video conference.
  • Screencasting adds a human element to online courses because your voice creates a sense of presence that plain text can’t. 
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  • Students are more likely to watch a series of shorter videos than a single, longer video, which is why I recommend instructors try to divide long screencasts into five-to-ten minute segments (whenever possible)
  • asynchronous discussion with audio and video. If you’re not familiar with this concept, I’m referring to discussion tools that allow students to respond with audio and video instead of just text. One tool that’s been a leader for a long time in this multimedia discussion space is VoiceThread. While VoiceThread’s defining feature is its user-friendly approach to audio-based commenting, it can also be used to create narrated presentations with PowerPoints slides, images, and video. If you find yourself overwhelmed by the interface of a traditional screencasting tool, VoiceThread is worth exploring as a simpler way of recording online lectures and fostering discussions that go beyond plain text
  • tools that require both high bandwidth and high immediacy, and the best examples of this are videoconferencing tools like Zoom or Skype.  Videoconferencing is a great way to engage with students when they truly need to see and hear each other in real time. It can also be useful for online office hours, since it’s easier to feel connected and avoid misunderstandings when you have the benefit of tone of voice, facial expressions, and body language.  Unfortunately, videoconferencing is one of the most inflexible and bandwidth-intensive activities we can ask our students to do. Before you rely on it too heavily, look at the other quadrants and ask yourself if there’s any other way to accomplish your learning objectives without it. 
  • None of this is to say that videoconferencing is inherently bad or that it has no place in an online course. It’s simply a reminder that seemingly small (and sometimes unconscious) choices about the technologies we use can have a big impact on how inclusive and effective our teaching is.
Ed Webb

The Ed-Tech Imaginary - 0 views

hackeducation.com/...imaginary

education technology futures sciencefiction sci-fi opinion analysis edtech

shared by Ed Webb on 22 Jun 20 - Cached
  • We can say "Black lives matter," but we must also demonstrate through our actions that Black lives matter, and that means we must radically alter many of our institutions and practices, recognizing their inhumanity and carcerality. And that includes, no doubt, ed-tech. How much of ed-tech is, to use Ruha Benjamin's phrase, "the new Jim Code"? How much of ed-tech is designed by those who imagine students as cheats or criminals, as deficient or negligent?
  • "Reimagining" is a verb that education reformers are quite fond of. And "reimagining" seems too often to mean simply defunding, privatizing, union-busting, dismantling, outsourcing.
  • if Betsy DeVos is out there "reimagining," then we best be resisting
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  • think we can view the promotion of ed-tech as a similar sort of process — the stories designed to convince us that the future of teaching and learning will be a technological wonder. The "jobs of the future that don't exist yet." The push for everyone to "learn to code."
  • The Matrix is, after all, a dystopia. So why would Matrix-style learning be desirable? Maybe that's the wrong question. Perhaps it's not so much that it's desirable, but it's just how our imaginations have been constructed, constricted even. We can't imagine any other ideal but speed and efficiency.
  • The first science fiction novel, published over 200 years ago, was in fact an ed-tech story: Mary Shelley's Frankenstein. While the book is commonly interpreted as a tale of bad science, it is also the story of bad education — something we tend to forget if we only know the story through the 1931 film version
  • Teaching machines and robot teachers were part of the Sixties' cultural imaginary — perhaps that's the problem with so many Boomer ed-reform leaders today. But that imaginary — certainly in the case of The Jetsons — was, upon close inspection, not always particularly radical or transformative. The students at Little Dipper Elementary still sat in desks in rows. The teacher still stood at the front of the class, punishing students who weren't paying attention.
  • we must also decolonize the ed-tech imaginary
  • Zuckerberg gave everyone at Facebook a copy of the Ernest Cline novel Ready Player One, for example, to get them excited about building technology for the future — a book that is really just a string of nostalgic references to Eighties white boy culture. And I always think about that New York Times interview with Sal Khan, where he said that "The science fiction books I like tend to relate to what we're doing at Khan Academy, like Orson Scott Card's 'Ender's Game' series." You mean, online math lectures are like a novel that justifies imperialism and genocide?! Wow.
  • This ed-tech imaginary is segregated. There are no Black students at the push-button school. There are no Black people in The Jetsons — no Black people living the American dream of the mid-twenty-first century
  • Part of the argument I make in my book is that much of education technology has been profoundly shaped by Skinner, even though I'd say that most practitioners today would say that they reject his theories; that cognitive science has supplanted behaviorism; and that after Ayn Rand and Noam Chomsky trashed Beyond Freedom and Dignity, no one paid attention to Skinner any more — which is odd considering there are whole academic programs devoted to "behavioral design," bestselling books devoted to the "nudge," and so on.
  • so much of the ed-tech imaginary is wrapped up in narratives about the Hero, the Weapon, the Machine, the Behavior, the Action, the Disruption. And it's so striking because education should be a practice of care, not conquest
Ed Webb

William Davies · How many words does it take to make a mistake? Education, Ed... - 0 views

www.lrb.co.uk/...does-it-take-to-make-a-mistake

education tools technology edtech opinion analysis humanities UK Britain higher-ed surveillance politics STEM

shared by Ed Webb on 21 Feb 22 - Cached
  • The problem waiting round the corner for universities is essays generated by AI, which will leave a textual pattern-spotter like Turnitin in the dust. (Earlier this year, I came across one essay that felt deeply odd in some not quite human way, but I had no tangible evidence that anything untoward had occurred, so that was that.)
  • To accuse someone of plagiarism is to make a moral charge regarding intentions. But establishing intent isn’t straightforward. More often than not, the hearings bleed into discussions of issues that could be gathered under the heading of student ‘wellbeing’, which all universities have been struggling to come to terms with in recent years.
  • I have heard plenty of dubious excuses for acts of plagiarism during these hearings. But there is one recurring explanation which, it seems to me, deserves more thoughtful consideration: ‘I took too many notes.’ It isn’t just students who are familiar with information overload, one of whose effects is to morph authorship into a desperate form of curatorial management, organising chunks of text on a screen. The discerning scholarly self on which the humanities depend was conceived as the product of transitions between spaces – library, lecture hall, seminar room, study – linked together by work with pen and paper. When all this is replaced by the interface with screen and keyboard, and everything dissolves into a unitary flow of ‘content’, the identity of the author – as distinct from the texts they have read – becomes harder to delineate.
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  • This generation, the first not to have known life before the internet, has acquired a battery of skills in navigating digital environments, but it isn’t clear how well those skills line up with the ones traditionally accredited by universities.
  • From the perspective of students raised in a digital culture, the anti-plagiarism taboo no doubt seems to be just one more academic hang-up, a weird injunction to take perfectly adequate information, break it into pieces and refashion it. Students who pay for essays know what they are doing; others seem conscientious yet intimidated by secondary texts: presumably they won’t be able to improve on them, so why bother trying? For some years now, it’s been noticeable how many students arrive at university feeling that every interaction is a test they might fail. They are anxious. Writing seems fraught with risk, a highly complicated task that can be executed correctly or not.
  • Many students may like the flexibility recorded lectures give them, but the conversion of lectures into yet more digital ‘content’ further destabilises traditional conceptions of learning and writing
  • the evaluation forms which are now such a standard feature of campus life suggest that many students set a lot of store by the enthusiasm and care that are features of a good live lecture
  • the drift of universities towards a platform model, which makes it possible for students to pick up learning materials as and when it suits them. Until now, academics have resisted the push for ‘lecture capture’. It causes in-person attendance at lectures to fall dramatically, and it makes many lecturers feel like mediocre television presenters. Unions fear that extracting and storing teaching for posterity threatens lecturers’ job security and weakens the power of strikes. Thanks to Covid, this may already have happened.
  • In the utopia sold by the EdTech industry (the companies that provide platforms and software for online learning), pupils are guided and assessed continuously. When one task is completed correctly, the next begins, as in a computer game; meanwhile the platform providers are scraping and analysing data from the actions of millions of children. In this behaviourist set-up, teachers become more like coaches: they assist and motivate individual ‘learners’, but are no longer so important to the provision of education. And since it is no longer the sole responsibility of teachers or schools to deliver the curriculum, it becomes more centralised – the latest front in a forty-year battle to wrest control from the hands of teachers and local authorities.
  • an injunction against creative interpretation and writing, a deprivation that working-class children will feel at least as deeply as anyone else.
  • There may be very good reasons for delivering online teaching in segments, punctuated by tasks and feedback, but as Yandell observes, other ways of reading and writing are marginalised in the process. Without wishing to romanticise the lonely reader (or, for that matter, the lonely writer), something is lost when alternating periods of passivity and activity are compressed into interactivity, until eventually education becomes a continuous cybernetic loop of information and feedback. How many keystrokes or mouse-clicks before a student is told they’ve gone wrong? How many words does it take to make a mistake?
  • This vision of language as code may already have been a significant feature of the curriculum, but it appears to have been exacerbated by the switch to online teaching. In a journal article from August 2020, ‘Learning under Lockdown: English Teaching in the Time of Covid-19’, John Yandell notes that online classes create wholly closed worlds, where context and intertextuality disappear in favour of constant instruction. In these online environments, readingis informed not by prior reading experiences but by the toolkit that the teacher has provided, and ... is presented as occurring along a tramline of linear development. Different readings are reducible to better or worse readings: the more closely the student’s reading approximates to the already finalised teacher’s reading, the better it is. That, it would appear, is what reading with precision looks like.
  • Constant interaction across an interface may be a good basis for forms of learning that involve information-processing and problem-solving, where there is a right and a wrong answer. The cognitive skills that can be trained in this way are the ones computers themselves excel at: pattern recognition and computation. The worry, for anyone who cares about the humanities in particular, is about the oversimplifications required to conduct other forms of education in these ways.
  • Blanket surveillance replaces the need for formal assessment.
  • Confirming Adorno’s worst fears of the ‘primacy of practical reason’, reading is no longer dissociable from the execution of tasks. And, crucially, the ‘goals’ to be achieved through the ability to read, the ‘potential’ and ‘participation’ to be realised, are economic in nature.
  • since 2019, with the Treasury increasingly unhappy about the amount of student debt still sitting on the government’s balance sheet and the government resorting to ‘culture war’ at every opportunity, there has been an effort to single out degree programmes that represent ‘poor value for money’, measured in terms of graduate earnings. (For reasons best known to itself, the usually independent Institute for Fiscal Studies has been leading the way in finding correlations between degree programmes and future earnings.) Many of these programmes are in the arts and humanities, and are now habitually referred to by Tory politicians and their supporters in the media as ‘low-value degrees’.
  • studying the humanities may become a luxury reserved for those who can fall back on the cultural and financial advantages of their class position. (This effect has already been noticed among young people going into acting, where the results are more visible to the public than they are in academia or heritage organisations.)
  • given the changing class composition of the UK over the past thirty years, it’s not clear that contemporary elites have any more sympathy for the humanities than the Conservative Party does. A friend of mine recently attended an open day at a well-known London private school, and noticed that while there was a long queue to speak to the maths and science teachers, nobody was waiting to speak to the English teacher. When she asked what was going on, she was told: ‘I’m afraid parents here are very ambitious.’ Parents at such schools, where fees have tripled in real terms since the early 1980s, tend to work in financial and business services themselves, and spend their own days profitably manipulating and analysing numbers on screens. When it comes to the transmission of elite status from one generation to the next, Shakespeare or Plato no longer has the same cachet as economics or physics.
  • Leaving aside the strategic political use of terms such as ‘woke’ and ‘cancel culture’, it would be hard to deny that we live in an age of heightened anxiety over the words we use, in particular the labels we apply to people. This has benefits: it can help to bring discriminatory practices to light, potentially leading to institutional reform. It can also lead to fruitless, distracting public arguments, such as the one that rumbled on for weeks over Angela Rayner’s description of Conservatives as ‘scum’. More and more, words are dredged up, edited or rearranged for the purpose of harming someone. Isolated words have acquired a weightiness in contemporary politics and public argument, while on digital media snippets of text circulate without context, as if the meaning of a single sentence were perfectly contained within it, walled off from the surrounding text. The exemplary textual form in this regard is the newspaper headline or corporate slogan: a carefully curated series of words, designed to cut through the blizzard of competing information.
  • Visit any actual school or university today (as opposed to the imaginary ones described in the Daily Mail or the speeches of Conservative ministers) and you will find highly disciplined, hierarchical institutions, focused on metrics, performance evaluations, ‘behaviour’ and quantifiable ‘learning outcomes’.
  • If young people today worry about using the ‘wrong’ words, it isn’t because of the persistence of the leftist cultural power of forty years ago, but – on the contrary – because of the barrage of initiatives and technologies dedicated to reversing that power. The ideology of measurable literacy, combined with a digital net that has captured social and educational life, leaves young people ill at ease with the language they use and fearful of what might happen should they trip up.
  • It has become clear, as we witness the advance of Panopto, Class Dojo and the rest of the EdTech industry, that one of the great things about an old-fashioned classroom is the facilitation of unrecorded, unaudited speech, and of uninterrupted reading and writing.
Ed Webb

ChatGPT Is Nothing Like a Human, Says Linguist Emily Bender - 0 views

nymag.com/...e-chatbots-emily-m-bender.html

AI ethics linguistics consciousness LLMs opinion

shared by Ed Webb on 13 Mar 23 - Cached
  • Please do not conflate word form and meaning. Mind your own credulity.
  • We’ve learned to make “machines that can mindlessly generate text,” Bender told me when we met this winter. “But we haven’t learned how to stop imagining the mind behind it.”
  • A handful of companies control what PricewaterhouseCoopers called a “$15.7 trillion game changer of an industry.” Those companies employ or finance the work of a huge chunk of the academics who understand how to make LLMs. This leaves few people with the expertise and authority to say, “Wait, why are these companies blurring the distinction between what is human and what’s a language model? Is this what we want?”
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  • “We call on the field to recognize that applications that aim to believably mimic humans bring risk of extreme harms,” she co-wrote in 2021. “Work on synthetic human behavior is a bright line in ethical Al development, where downstream effects need to be understood and modeled in order to block foreseeable harm to society and different social groups.”
  • chatbots that we easily confuse with humans are not just cute or unnerving. They sit on a bright line. Obscuring that line and blurring — bullshitting — what’s human and what’s not has the power to unravel society
  • She began learning from, then amplifying, Black women’s voices critiquing AI, including those of Joy Buolamwini (she founded the Algorithmic Justice League while at MIT) and Meredith Broussard (the author of Artificial Unintelligence: How Computers Misunderstand the World). She also started publicly challenging the term artificial intelligence, a sure way, as a middle-aged woman in a male field, to get yourself branded as a scold. The idea of intelligence has a white-supremacist history. And besides, “intelligent” according to what definition? The three-stratum definition? Howard Gardner’s theory of multiple intelligences? The Stanford-Binet Intelligence Scale? Bender remains particularly fond of an alternative name for AI proposed by a former member of the Italian Parliament: “Systematic Approaches to Learning Algorithms and Machine Inferences.” Then people would be out here asking, “Is this SALAMI intelligent? Can this SALAMI write a novel? Does this SALAMI deserve human rights?”
  • Tech-makers assuming their reality accurately represents the world create many different kinds of problems. The training data for ChatGPT is believed to include most or all of Wikipedia, pages linked from Reddit, a billion words grabbed off the internet. (It can’t include, say, e-book copies of everything in the Stanford library, as books are protected by copyright law.) The humans who wrote all those words online overrepresent white people. They overrepresent men. They overrepresent wealth. What’s more, we all know what’s out there on the internet: vast swamps of racism, sexism, homophobia, Islamophobia, neo-Nazism.
  • One fired Google employee told me succeeding in tech depends on “keeping your mouth shut to everything that’s disturbing.” Otherwise, you’re a problem. “Almost every senior woman in computer science has that rep. Now when I hear, ‘Oh, she’s a problem,’ I’m like, Oh, so you’re saying she’s a senior woman?”
  • “We haven’t learned to stop imagining the mind behind it.”
  • In March 2021, Bender published “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” with three co-authors. After the paper came out, two of the co-authors, both women, lost their jobs as co-leads of Google’s Ethical AI team.
  • “On the Dangers of Stochastic Parrots” is not a write-up of original research. It’s a synthesis of LLM critiques that Bender and others have made: of the biases encoded in the models; the near impossibility of studying what’s in the training data, given the fact they can contain billions of words; the costs to the climate; the problems with building technology that freezes language in time and thus locks in the problems of the past. Google initially approved the paper, a requirement for publications by staff. Then it rescinded approval and told the Google co-authors to take their names off it. Several did, but Google AI ethicist Timnit Gebru refused. Her colleague (and Bender’s former student) Margaret Mitchell changed her name on the paper to Shmargaret Shmitchell, a move intended, she said, to “index an event and a group of authors who got erased.” Gebru lost her job in December 2020, Mitchell in February 2021. Both women believe this was retaliation and brought their stories to the press. The stochastic-parrot paper went viral, at least by academic standards. The phrase stochastic parrot entered the tech lexicon.
  • Tech execs loved it. Programmers related to it. OpenAI CEO Sam Altman was in many ways the perfect audience: a self-identified hyperrationalist so acculturated to the tech bubble that he seemed to have lost perspective on the world beyond. “I think the nuclear mutually assured destruction rollout was bad for a bunch of reasons,” he said on AngelList Confidential in November. He’s also a believer in the so-called singularity, the tech fantasy that, at some point soon, the distinction between human and machine will collapse. “We are a few years in,” Altman wrote of the cyborg merge in 2017. “It’s probably going to happen sooner than most people think. Hardware is improving at an exponential rate … and the number of smart people working on AI is increasing exponentially as well. Double exponential functions get away from you fast.” On December 4, four days after ChatGPT was released, Altman tweeted, “i am a stochastic parrot, and so r u.”
  • “This is one of the moves that turn up ridiculously frequently. People saying, ‘Well, people are just stochastic parrots,’” she said. “People want to believe so badly that these language models are actually intelligent that they’re willing to take themselves as a point of reference and devalue that to match what the language model can do.”
  • The membrane between academia and industry is permeable almost everywhere; the membrane is practically nonexistent at Stanford, a school so entangled with tech that it can be hard to tell where the university ends and the businesses begin.
  • “No wonder that men who live day in and day out with machines to which they believe themselves to have become slaves begin to believe that men are machines.”
  • what’s tenure for, after all?
  • LLMs are tools made by specific people — people who stand to accumulate huge amounts of money and power, people enamored with the idea of the singularity. The project threatens to blow up what is human in a species sense. But it’s not about humility. It’s not about all of us. It’s not about becoming a humble creation among the world’s others. It’s about some of us — let’s be honest — becoming a superspecies. This is the darkness that awaits when we lose a firm boundary around the idea that humans, all of us, are equally worthy as is.
  • The AI dream is “governed by the perfectibility thesis, and that’s where we see a fascist form of the human.”
  • “Why are you trying to trick people into thinking that it really feels sad that you lost your phone?”
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