Skip to main content

Home/ History Teachers/ Group items tagged size

Rss Feed Group items tagged

Lisa Rosa

Geiss, Rüsenkritik, Narrativismuskritik - 0 views

    • Lisa Rosa
       
      Sinn-Verständnis: zu platt und Verwechslung von gesellschaftlicher Bedeutung und persönlichem Sinn; zugleich die Vorstellung, gesellschaftlicher Sinn sei allgemein und lebenspraktisch, (Rüsen spricht von lebensdienlich!)
    • Lisa Rosa
       
      Es sind genau genommen erkenntnistheoretische Fragen von Gesellschaftswissenschaften, ja Wissenschaft überhaupt. Nur als solche behandelt - nicht fachwissenschaftlich verengt - sind sie nützlich bearbeitbar. Es ist die Arbeit mit dem Paradigma, dass jede Erkenntnis/Wissenschaft perspektivisch ist. Das erkennende Subjekt kann sich noch nicht einmal aus den Natur-Gegenständen seines Erkennens "herausrechenen" - wie viel weniger aus den Kultur-Gegenständen. Die Frage ist nicht, ob, sondern WIE mit diesem als Tatsache aufzufassenden Umstand umgegangen werden kann/muss/sollte. Das ist keine in erster Linie fachspezifische Frage. Sie muss auf einer allgemeinen Ebene geklärt werden und in der Fachwissenschaft konkretisiert. D.h. meine apriori - und es gibt, wie wir wissen immer welche - liegen gar nicht in der fachwissenschaftlichen Problematik, sondern davor.
    • Lisa Rosa
       
      Die Aufteilung in einen "normativ kontaminierten" Bereich (Wahl des Forschungsgegenstands) und einen davon freien, "reinen" Forschungsbereich ist epistemologischer crap.
  • ...20 more annotations...
  • Sinnstiftung
    • Lisa Rosa
       
      Sinnstiftung? Auch Sinn im Rüsenschen Sinne ist nicht gestiftet, sondern vom psychischen System/gesellschaftlichen System gebildet (konstruiert), kann also nicht - wie Stiftung nahelegt - von außen in das System hineingelegt werden.
    • Lisa Rosa
       
      Nipperdeys Kritik war Kritik gesellschaftlich relevanten Fragen an die Geschichte. Eine Auswahl des Gegenstands, ausgehend von Fragen, ist immer. Auch Nipperdey wählt. Und er wählt andere - für ihn sinnmachende! - Gegenstände, mglw, um sich in die "objektive" Geschichte vor den politischen Konflikten der Gegenwart zu retten. (Das ist die Figur des "Archivbegeisterten", der womöglich sein ganzes Leben der Deutung einer einzigen lateinischen Quelle aus dem MA widmet. Das ist persönlicher Sinn! Und er schafft Orientierung, indem er von den für die Gegenwart belangvollen Gegenständen und Fragen wegführt.
    • Lisa Rosa
       
      Die Verkürzung der Apriori - die ja gar nichts mit Normativität zu tun haben müssen! - aufs Normative - und das platte "lebensweltliche" als Verständnis der Frage- und Orientierungsnotwendigkeit aus der Gegenwart - die ja auch nicht auf das sog. "Lebensweltliche", d.h. den Alltag reduziert werden dürfen" - zeigt die Züge einer Strohmann-Argumentation
  • Stiftung von Sinn
    • Lisa Rosa
       
      Fehlverständnis
    • Lisa Rosa
       
      Wenn Geschichtsschreibung keine gesellschaftliche Funktion hat - was ist sie dann? "Reine Erkenntnis"? Och nö, so ein Rückfall. Rüsen hat zuRecht den Nipperdey überdauert. Ausgraben von Mumien ist nicht Geschichtswissenschaft, eher Archäologie ...
  • So man denn unbedingt will, mag man auch hier von Erzählung sprechen,
    • Lisa Rosa
       
      und das tut man heute auch - "Erzählung" ist die Konkretisierung von Vorstellungen unter dem herrschenden (oder nicht herrschenden) Paradigma. Alle Wissenschaft, die Zeit, also historische Prozesse zum Gegenstand hat, muss Ereignisse entlang der Zeit anordnen (unter mindestens 1 Ordnungskriterium)
    • Lisa Rosa
       
      Theorien sind eben nicht die Erzählung selbst - sondern die dahinter liegende theoretische Vorstellung, die den "Inhalt" der Erzählung organisiert.
  • Wenn Marc Blochs These zutrifft, dass im Grunde alle empirischen Wis-senschaften historisch sind, weil sie immer nur Vergangenes analysieren können, dann mag es angehen, auch die Naturwissenschaften in ihren Erkenntnisweisen als ›narrativ‹ zu bezeichnen.45 Aber was leistet dies dann für die Beantwortung der Frage, was historische Erkenntnis in Wissenschaft und Schule genuin ausmacht oder ausmachen sollte?46
    • Lisa Rosa
       
      Soll etwa die "Leistungfähigkeit für die Schule" begründen, ob Bloch zuzustimmen ist?
    • Lisa Rosa
       
      Schade, zu schnell verworfen! Denn Dantos weiter Erzählbegriff könnte tatsächlich dazu führen, dass endlich verstanden wird, dass alle Wissenschaften eine historische Dimension enthalten/brauchen. Historisches Denken ist nicht bloß ein Denken in dem Fach Geschichte der Menschheit. Es ist die permanente historische Einbettung aller Gegenstände von Wissenschaft.
    • Lisa Rosa
       
      Hier wird offenbar dem Narrativismus-Prinzip Subjektivismus unterstellt. Strohmann
  • Vielmehr wird ein solcher Unterricht narrative Sinnentwürfe der Vergangenheit62 und Gegenwart konsequent zu seinem Objekt machen.
    • Lisa Rosa
       
      Das ist eine gute Idee!
  • kritische Analyse von in Gesellschaft und Öffentlichkeit vorliegenden »Sinnstiftungsofferten« im historischen Lernen eine ungleich größere Rolle spielen muss als die Generierung von Sinn auf direk-ter Quellenbasis.63
  • Dabei spielt der Gedanke eines »Konzept-wechsels« eine wesentliche Rolle:
    • Lisa Rosa
       
      Genau
  • Der damit verbundene Erkenntnisfortschritt vollzieht sich recht analog zum naturwissen-schaftlichen Lernen, wo es auf das fachlich angemessenere Verständnis eines vor-wissenschaftlichen Konzepts ankommt.72
Aaron Shaw

Enlightenment The Age of - 10 views

  • To understand the natural world and humankind's place in it solely on the basis of reason and without turning to religious belief was the goal of the wide-ranging intellectual movement called the Enlightenment. The movement claimed the allegiance of a majority of thinkers during the 17th and 18th centuries, a period that Thomas Paine called the Age of Reason. At its heart it became a conflict between religion and the inquiring mind that wanted to know and understand through reason based on evidence and proof.
  • Political developments were far livelier in central Europe. In Prussia Frederick the Great, building on the military and bureaucratic organization of his predecessors, introduced greater freedom of religion while expanding the economic functions of the state.
  • France and Britain squared off in the 1740s and again in the Seven Years' War (1756-1763)
  • ...2 more annotations...
  • More than in art, neoclassicism in literature came closer to voicing the eighteenth century's fascination with reason and scientific law.
  • All are but parts of one stupendous whole,           Whose body nature is, and God the soul ...           All nature is but art, unknown to thee;           All chance, direction, which thou cannot see.           All discord, harmony not understood;           All partial evil, universal good           And, spite of pride, in erring reason's spite,           One truth is clear: Whatever is, is right.
Michelle DeSilva

Globalization101 :: What Is Globalization?: Globalization101.org - A Student's Guide to... - 0 views

  • Globalization101.org is dedicated to providing students with information and interdisciplinary learning opportunities on this complex phenomenon. Our goal is to challenge you to think about many of the controversies surrounding globalization and to promote an understanding of the trade-offs and dilemmas facing policy-makers.
  •  
    Globalization101.org is dedicated to providing students with information and interdisciplinary learning opportunities on this complex phenomenon. Our goal is to challenge you to think about many of the controversies surrounding globalization and to promote an understanding of the trade-offs and dilemmas facing policy-makers.
Deven Black

A Teacher's Guide to the Holocaust - 13 views

  •  
    A Teacher's Guide to the Holocaust offers an overview of the people and events of the Holocaust. Extensive teacher resources are included."> This is a cached version of http://fcit.usf.edu/holocaust/default.htm. Diigo.com has no relation to the site.x


    TimelinePeople Arts
    Activities<img s
Mr Maher

Historical Database Map of Washington DC - 4 views

  •  
    This is where the age of hyperdata is going. This map allows users to scroll through the city and zoom in on building. Clicking on a building will give detailed data of the builder, size and history. Civil War buffs can look for Mary Surratt's boarding house or the "F" street mess of southern senators. Or the Watergate hotel - the list goes on and on.
  •  
    This is where the age of hyperdata is going. This map allows users to scroll through the city and zoom in on building. Clicking on a building will give detailed data of the builder, size and history. Civil War buffs can look for Mary Surratt's boarding house or the "F" street mess of southern senators. Or the Watergate hotel - the list goes on and on.
Ed Webb

Modern art was CIA 'weapon' - World, News - The Independent - 6 views

  • The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
  • in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
  • The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
  • ...7 more annotations...
  • Initially, more open attempts were made to support the new American art. In 1947 the State Department organised and paid for a touring international exhibition entitled "Advancing American Art", with the aim of rebutting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his Hottentot remark and one bitter congressman to declare: "I am just a dumb American who pays taxes for this kind of trash." The tour had to be cancelled.
  • This philistinism, combined with Joseph McCarthy's hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.
  • If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.
  • Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another
  • As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows. The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
  • "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
  • Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA. But look where this art ended up: in the marble halls of banks, in airports, in city halls, boardrooms and great galleries. For the Cold Warriors who promoted them, these paintings were a logo, a signature for their culture and system which they wanted to display everywhere that counted. They succeeded.
Michael Sheehan

Learning Never Stops: Comparison Maps, Questions, and Headlines - 15 views

  •  
    Compare the sizes of nations, states, and bodies of water plus a social media site to find and share news articles.
HistoryGrl14 .

AAM-The Renaissance Connection: Lesson Plans: Humanism in the Renaissance - 8 views

  •  
    became more popular during the Renaissance, ordinary people grew to be the same size as saints in paintings and saints began to look more like ordinary people. For example, halos became fainter and eventually disappeared during the Renaissance.
Mary Higgins

Worldmapper: The world as you've never seen it before - 34 views

  •  
    The site re-sizes land areas to reflect different characteristics, e.g., population, wealth, birth rates, religion, etc. Helps students visualize.
Kristen McDaniel

Bringing History to Life - High School Notes (usnews.com) - 13 views

  • The students' documentary was part of National History Day, a program that more than 600,000 middle and high school students participate in each year.
  • They're going to archives, going to museums, doing real historical research. In the process of all this, they learn history, they learn about their nation's past. They learn important skills they can apply in their careers and in college.
  • We have empirical data that proves without a doubt that kids who participate in History Day outperform their peers who don't.
  • ...4 more annotations...
  • In middle and high school, that's where the loss of instruction time comes.
  • has to be an engaged study of the past.
  • [National History Day] is not just for gifted and talented students; this is a program that does extremely well with kids in the lower quartile.
  • riginal research, you have an opportunity to form your own opinion on a topic. You're looking at original material. They do have to read secondary material so that they can have context. Have you talked to any teachers about how they're discussing the killing of Osama bin Laden with students? What should teachers be saying to their students? What's the importance of recent history in history class? I haven't had the chance to talk to any teachers since [last] Sunday. But I can tell you that what I hope they're doing is helping young people put this in perspective. I hope they're helping students understand the history of terror and understand why 9/11 happened in the first place. You have to understand the history of the Middle East and the history of the United States' role there, so you can draw some meaning and understanding. Using the word understanding doesn't mean condoning; it just means you need to understand why it may have happened. See how your school stacks up in our rankings of Best High Schools. Have something of interest to share? Send your news to us at highschoolnotes@usnews.com. More High School Notes posts Reader Comments Add Comment Start the discussion! Be the first to comment on this story. var RecaptchaOptions = { theme : 'clean' }; Add Your Thoughts Title Comment 3000 characters left About You Name Email State - state - AL AK AZ AR CA CO CT DE DC FL GA HI ID IL IN IA KS KY LA ME MD MA MI MN MS MO MT NE NV NH NJ NM NY NC ND OH OK OR PA RI SC SD TN TX UT VT VA WA WV WI WY International Please enter the two words below into the text field underneath the image. Recaptcha.widget = Recaptcha.$("recaptcha_widget_div"); Recaptcha.challenge_callback(); Your comment will be posted immediately, unless it is spam or contains profanity. For more information, please see our
  •  
    Outlining the importance of National History Day.
David Hilton

Historum - History Forums - Powered by vBulletin - 0 views

  •  
    An excellent find! Contains over 3000 members who discuss different aspects of history. You're going to get a few loonies in a group of people that size but it seems well-organised and efficiently run. Looks like there's a few battles of ideas going on there too, which is cool.
David Hilton

The Staffordshire Hoard - 0 views

  •  
    Discovery of largest Saxon treasure hoard...may require rethink of 'Dark Ages'.
  •  
    How amazing is this find! Three times the size of Sutton Hoo. And found by an unemployed bloke with a metal detector. Isn't it about time we stopped using the Gibbonesque term 'Dark Ages'? I think there's increasing evidence that the 'Dark' and 'Middle' Ages (it's defined in terms of ancient & modern - how rude!) were not the backstep that most people have assumed. Feel free to disagree! (Sorry for the continuing bonhomie, I'm still on holidays).
Christopher Potter

BBC - Dimensions - Index - 11 views

  •  
    This is a really cool resource. Kids need help putting size into perspective all the time. Heck, I need help with this a lot too! Thanks for sharing!
Deven Black

The true size of Africa on Twitpic - 13 views

  •  
    People don't realize how large Africa is. This graphic makes it very clear.
Daniel Ballantyne

Gulf Coast oil spill map - 10 views

  •  
    great site that gives some perspective on the sheer size of the gulf spill
Mary Higgins

Silk Road Seattle Virtual Art Exhibit - 8 views

  • This exhibit was organized as part of Silk Road Seattle, a collaborative public education project exploring cultural interaction across Eurasia from the first century BCE to the sixteenth century CE.
1 - 17 of 17
Showing 20 items per page