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Blair Peterson

Copyright, Plagiarism, and Digital Literacy (by Sue Lyon-Jones) - Teaching Village - 0 views

  • The work that results from your use of the copyrighted materials needs to be transformative, i.e. substantially different from the original, and offer added value; it can’t  just be a copy, or a slightly modified version of it with a few words changed or the odd sentence or paragraph moved around;  and
  • 2) The copyrighted work can’t be used in a way that is likely to deprive the original author of income, or any potential income they might earn from the copyrighted works (such as book sales, or income from online advertisements if they run a web-based business).
  • Personally, I would always check with the person who created any work that I proposed to use that they were happy for me to use it, to avoid encountering problems further down the line.
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  • Quoting entire posts or large blocks of texts that other people have written within your posts is generally frowned upon and may annoy the person you are referencing sufficiently for them to ask you to remove them! You should quote the minimum amount needed to get your point across, and let your visitors decide whether they want to visit the author’s site and read the rest of the article.
Blair Peterson

Views: Myths About Fair Use - Inside Higher Ed - 0 views

  • that people should weigh in deciding whether their use will add more to the culture than it will cost the rightsholder: the nature of the copyrighted material, the nature of the use, the amount, and the market effect.
  • Is your use transformative? (In other words, did you add real value and did you employ this material for a different purpose from the one that the owner created it for?)
  • Is the amount appropriate to satisfy that new purpose?
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  • But even people who want to give their work away may need to quote copyrighted material. They can’t give other people’s work away. We’ll never not need fair use, because copyright ownership rights are so widely seen as valuable, and because all culture builds on existing culture — as every academic who wrote a lit review section in a journal article knows.
Blair Peterson

Level 0 - Introduction - YouTube Help - 0 views

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    YouTube Copyright Workshop
Blair Peterson

RIP!: A remix manifesto - 2 views

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    Great documentary on mash ups and copyright. This is for older kids. Notice that Brazil's Minister of Culture, Gilberto Gil is featured.
Blair Peterson

International Music Score Library Project Raises Copyright Concerns - NYTimes.com - 0 views

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    Free Trove of Music Scores on Web Hits Sensitive Copyright Note By DANIEL J. WAKIN Published: February 22, 2011 It was only a matter of time. What are the implications of this for musicians and music educators?
smenegh Meneghini

Fair Use for Media Literacy Education - 1 views

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    Great site on fair use with video examples, teaching resources and documents. The video on this page explains the philosophy of using fair use as a liberating guideline for educational use of copyrighted material.
smenegh Meneghini

Remix culture: Fair Use is your friend - 0 views

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    From Youtube "Using copyrighted material in your video"
Blair Peterson

Project Information Literacy: Smart Talks - 0 views

  • But something like the concept of plagiarism has not changed.
  • But I don’t think that youth today are somehow more prone to plagiarism than their parents and grandparents, no, just as I don’t think they are somehow “dumber” or less interested in reading or many of the other myths about youth in a digital era.
  • Few of the handouts we analyzed—18%—defined plagiarism, discussed it as a form of academic fraud, and/or explained ways of avoiding it.
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  • an academic crime they have told us they really do not fully understand.
  • It’s not the core topic of most courses; it’s not fun; and it sounds school-marmish to bring it up. I prefer not to bring it up in my own teaching, so I quite understand the reluctance of teachers in your sample to do so.
  • It’s wrong to take the work of someone else and pass it off as your own, whether in the academic context or otherwise.
  • One area where some confusion seeps in has to with remixing content.
  • The remixing of content, with proper attribution and in keeping with the fair use principle under copyright, is something that we ought to encourage and to celebrate. We do need to help students understand the line between riffing off and ripping off the work of others.
  • These are skills that we should find ways to teach. I think they are best taught in the context of active projects where students have their hands dirty with materials, whether digital or not.
  • ibrarians should help our students figure out how to manage the rivers of digital information that they encounter every day…right now librarians are focused on the pools.
  • I think we need to be in the business of using these new rivers of information, adding to them, sharing what we know, and coding – developing, in the sense of writing computer code – new ones that work even better.
  • First, I want students to learn more about creativity and what they can and should do with information, whether or not it is held in copyright by someone else. How can they use and re-use they extraordinary wealth of information that they are blessed to have access too? Second, I hope that they will learn the skills to manage the vast amount of information they are confronted with. That includes knowing where to look, how to be efficient, how to stay on top of great sources.
  • And third, I think it’s crucial that they continue to learn to think independently for themselves.
Blair Peterson

Everything Is a Remix - 0 views

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    This is a great series on remix. It puts things in perspective by looking at history.
Blair Peterson

Free Digital Versions - 0 views

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    Free online comic book from Duke.
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