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This powerpoint presentation from a library instruction conference talks about uses for the tool Padlet -- which looks like a really interesting way for students to share findings on an online graffiti wall.

June , 2014 StoryDesk is a good presentation app for iPad. Its beautiful interface makes it fast and easy to create presentations that help you break down complex concepts into bite-sized, easily understood bits. In many ways, StoryDesk is a next generation alternative to PowerPoint and Prezi.

Practitioners are regularly confronted with significant events which present them with learning opportunities, and yet many are unable to recognise the learning opportunity these significant events present. The ability to recognise a learning opportunity in the workplace and learn from it, is a higher-order cognitive skill which instructors should be seeking to develop in learners.

I'm sharing this slideshow from a presentation I gave last year on Facilitating Metacognition in Asynchronous Online Discussions because 1) the topic is relevant to our discussion this week, and 2) SlideShare is one of our Mashup options in Blackboard. I tested it this week and it shows up well, so wanted to demonstrate for any faculty interested. The analytics are a nice additional feature. FYI for those experimenting with social media ideas with your learners, I have also embedded SlideShare links into Tweets, and was pleasantly surprised to discover that you can view an entire slideshow in a tweet.

This essay is a landmark in cultural criticism. Among other things, it asks what happens to a work of art when it can be so perfectly reproduced that there are no qualitative differences between the "original" and the copies - as with, say, film stock. The questions of what happens in the virtual reproduction of a classroom are different. But I think there are interesting analogies to be made. I wonder in particular about the loss of what Benjamin calls "aura" - of the ritual dimensions that are present in any really great class. Can those be reproduced? If not, what is lost? And - the question that makes Benjamin more interesting than some of his contemporaries - what might be gained?

By Joel LeMon's own account, he has commandeered all of Allan Paivo's works from the library, but here's a paper in which he explicitly addressed dual-coding to education and updates some of his earlier work.

Curtis and Lawson (2001) looked for "evidence of good quality interactions among students who are not present in the one physical site from data obtained from students' online exchanges" (p. 21). They focused on the "depth of on-task activity" (p. 21) in an asynchronous situation, which they argue is the most common form of online courses, of a small collaborative learning group. They found that "the analysis of participants' postings reveals many of the behaviors associated with collaborative learning in face-to face situations" (p. 29). However, "the students spontaneously demonstrated a need also to use synchronous communication" (p. 24). Some did this via text or email, often when they did not agree with another student and some organized synchronous chat sessions. This shows that "there is a need to incorporate among the asynchronous interactions…opportunities for real-time interactions among students" (p. 29).

This 2002 essay by Wilson and Peterson may be a bit dated, but it is one of the few broadly reflective essays I found on the anthropology of online communities. It is not a "how to" for online teaching, but I think an occasionally more critical, reflective piece can be very useful both for understanding our place in broader social processes related to online learning and in piercing through some of the enthusiastic corporate-talk through which these technologies are presented by our universities. I have included the abstract below. The URL is to the JSTOR site, which you probably need to access through your Emory account. I was not sure how to add a link here that would get you in directly, and that is something I need to follow up on with Leah. Abstract: Information and communication technologies based on the Internet have enabled the emergence of new sorts of communities and communicative practices-phenomena worthy of the attention of anthropological researchers. De- spite early assessments of the revolutionary nature of the Internet and the enormous transformations it would bring about, the changes have been less dramatic and more embedded in existing practices and power relations of everyday life. This review ex- plores researchers' questions, approaches, and insights within anthropology and some relevant related fields, and it seeks to identify promising new directions for study. The general conclusion is that the technologies comprising the Internet, and all the text and media that exist within it, are in themselves cultural products. Anthropology is thus well suited to the further investigation of these new, and not so new, phenomena.

A online teacher has been teaching online for five years. Here, she shares the top 10 best practices she has learned about online teaching.

Thank you, marshall!

Thanks, this is actually very helpful. I am struggling now with how to adapt my assignments and particularly with how much reading i can realistically assign in an online summer class.

A couple of comments here: I apologize if the link doesn't open right away. I got the article through PubMed at WHSLibrary. The article presents an interesting approach to the use of Bloom's taxonomy for grading discussion boards integrating collaborative learning process and higher-order thinking. It also does a good job discussing how to evaluate a rubric.,

Georgia Tech Research on Accessible Distance Education (GRADE) is a research project at the Georgia Tech Center for Assistive Technology and Environmental Access (CATEA). Provides actual modules showing how courses that present challenges due to their nature (engineering, mathematics) or inclusion of rich media can be designed to increase accessibility.

The article discusses the online virtual library, Pop Culture Universe: Icons, Idols, Ideas that provides unique historical perspective of culture and events over the last century in the U.S. As stated, high school students, teachers, and school librarians can access content which is taken from over 400 print reference titles published by the Greenwood Publishing Group. Reportedly, the content presents a comprehensive look at American entertainment through movies, TV shows, music, and awards.

These guidelines focus specifically on hybrid course design and instruction beginning with Fundamental Questions, moving through Best Practices and also covering pitfalls and practices to avoid.

Hey, Ginny, I liked this post. It is bulleted and right to the point. It also brings up something that concerns me for our students, specifically tidbits for what to do (and NOT do) when students are enrolled in multiple hybrid courses. Thanks

This is a very helpful resource, as it is presented for the novice learner and has lots of basic details that I'm trying to make sense of. Thanks for sharing.

M4 Slides for live session

Leah, Thank you for this - it was a lot to absorb in the hour-long session and this will make it easier.

Researchers say that some online students don't like group work. How to deal with dissonance? One idea is to have students list their reasons and then discuss. Another is to show them a video on collaboration and team-building. There are a lot of lousy team-building videos on YouTube. But here's a fun and engaging Ted Talk presentation. Why are kindergarteners better at collaboration than business school students? Tune in.

Here is an recent interesting resource for anyone including music history or historical facts about music or musicians in their class lectures or research: James Briscoe, Vitalizing Music History Teaching (HIllsdale, NY: Pendragon Press, 2010). This is a series of collected essays about specific issues in teaching music history in the 21st century. Although certainly not focused solely on teaching online, it certainly presents a variety of principles, problems, and proposals that current teachers are facing in the music history classroom and I found it very helpful.

If you are considering teaching online or are looking for ideas to freshen-up your current online course, you have come to the right resource. Designing for the online environment presents unique challenges, but it also opens a world of exciting possibilities for engaging students in their learning.