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Grishin, Sasha. "Art Deco 1910-1939." Craft Arts International 74 (2008): 82-84. Academic Search Complete. EBSCO. Web. 1 Nov. 2010.

This article gives a timeline of Art Deco's history starting with its preceeding movement leading up to Art Deco's height. There are examples of the different mediums Art Deco is demonstrated through such as fashion, architecture and artwork. The article mentions collections that have great examples of Art Deco. This article also mentions how Art Deco touched other countries, which proves that Art Deco was an international hit. This article includes several pictures which is a great way to obtain visual images of Art Deco.

Mason, Brook S. "Dazzling DECO." Art & Antiques 27.3 (2004): 108-115. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This article includes a brie history includint where Art Deco got its name, some founding designers and the previous artistic movements that founded Art Deco. There is a focus on the cost of an original Art Deco piece today- it could be anywhere up to 3 million dollars. The prices are so high due to the unique materials the art was made out of. The article mentions specific examples of major Art Deco art including the Chrysler Building. There is also mention of how Art Deco is in effect today as well as examplesof current designers.

Martin, Marilyn. "Art Deco Architecture in South Africa." The Journal of Decorative and Propaganda Arts 20 (1994): 8-37. JSTOR. Web. 16 Nov. 2010.\n\nThis source focuses on a location that is not usually associated with Art Deco: South Africa. There is mention notonly of the designers of the art, but also of the architects who were actually building the structures. Quotes from architechs about the buidings as well as pictures are included. This article does a great job of using descriptions and imagery to describe the buildings. This article was very interesting because it is not common knowledge that Art Deco was popular in South Africa and it was interesting to learn about the history of the movement there.

Vannoy, Dana. "Where Art Deco is In: South Beach!." PSA Journal 72.11 (2006): 19-21. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This article dictates South Beach, the Art Deco Historical District, in great detail. It descibes the weather, the population and the hussle and bussle of the South Beach streets. A brief history of the city is included, which is helpful in understanding Art Deco's roots. This article looks at Art Deco from a movie and photography point of view. It describes the best places and times to truly capture the beauty and originality of Art Deco

Meisler, Stanley. "Art Deco: High Style." Smithsonian 35.8 (2004): 56-61. Academic Search Complete. EBSCO. Web. 1 Nov. 2010.\n\nThis article gives a great overview of Art Deco by including examples and history. This article explains the characteristics of Art Deco as well as briefly describes the movement leading up to it. There are several Art Deco artists named with a short description o their work. This article is a great place to start Art Deco research because it has a large amount of basic information and is therefore a great jumping off point.\n\n

"Surrealism and Surrealist Artists." All Buy Art. All Buy Art, 2006. Web. 10 Nov. 2010 This article is based on the history and background of modern/contemporary art and how surrealism began. Surrealism is one of the main modern art movements in the twentieth century. Expressionism, Futurism, Impressionism, minimalist, Op Art, Post impressionism, Fauvism, and other Abstract art movements have all been a part of shaping Surrealism. It is the combination of all art movements and theories that influences art today. Surrealism is known to clarify images of life as the artist sees it. It does not limit or restrict any immoral interpretations of life, but rather expresses it in an open-minded way. Surrealism expresses all irrational thoughts and makes the art lively and thrilling. It tends to raise disordered thoughts or questions, but it is meant to express fantasies, mysteries, and illusions as a temporary reality.

Thompson, Krista. "The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop." Art Bulletin 91.4 (2009): 481-505. Academic Search Complete. EBSCO. Web. 15 Nov. 2010.\n\nThis article dives into the effect of hip hop and it culture. It shows the influence of hip hop on music videos, clothing, art, and everything else. It focuses the influence of hip hop on black youth.

Tuan, Yi-Fu. "Realism and Fantasy in Art, History, and Geography." Annals of the Association of American Geographers. 80.3 (1990): 435-446. Taylor & Francis, Ltd. on behalf of the Association of American Geographer. Web. 8 Nov. 2010 This article focuses on the significance of fantasy and reality. It is important for everyone to have hopes and dreams in order to eliminate the feeling of being trapped and restricted your whole life. Art can incline the imagination in our crucial society. It expands our interpretations of life as we know it. History gives us facts as well as myths that shape the way we think and learn today. The past provides legends and myths along with cultural traditions. Geography provides us with a universal reality. Geography would be dull without imagination and fantasies. Geography is compared to art and history while focusing on a surreal reality.

Alridge, Derrick P., and James B. Stewart. "Introduction: Hip Hop in History: Past, Present, and Future." Journal of African American History 90.3 (2005): 190-195. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. Hip Hop has evolved into a great thing to this day. There are different branches of hip hop which is disc jockeying, break dancing, graffiti art, and rapping. In the early to mid-70s is when the ideas of hip hop came about. It is a way of speaking to the youth in a language that they can understand and relate to.

Bell, Michael S. "Surrealism: An Alternative Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists." Leonardo 17. 4 (1984): 247-252. The MIT Press. Web. 8 Nov. 2010 This article talks about how automatism (a form of ideas/conceptions) has been the main focus of surrealism and all the people in history involved with it since the 1940s. Many artists have chosen to stick to the latest and most common trends and end up writing their own philosophical views for others to focus on while observing the artistic movement. The words of surrealist artists can prove their true appreciation of their own work, but can be misunderstood with writings and literature pertaining to the artists'' work. It has been understood that surrealist work has been divided into three divisions: automatists, families of artistic content, and the fact that little research has been done to provide new facts about Surrealism. A new form of surrealist art that is discussed in this article is called veristic. Veristic is a form of representational art pertaining to images "beyond illusion." Miran Ahn has studied the dream-conception of Surrealism. She relates the unrealistic images of surreal art to contemporary paintings. She believes that some think surrealism is not worthy as a movement in art because of its imaginary images. Ahn believes that traditional contemporary art can be damaging to surrealism because it is seen as a insensible cliché.

Clifford,James. "On Ethnographic Surrealism". 1981. JSTORE Internet Database, Web. 16 Nov. 2010. James Clifford runs down the history of surrealism in thos article. he gives descriptions on the influences of the artistic movement as well as the history that is taking place around it.he discusses where the movement is taking place between the wars. he also talks about some of the most influental artists of the period. Overall i would say that this is a very scholarly article that provides alot of background information that would be beneficial to writing a paper on the topic.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.

San Juan, E.J. "Antonio Gramsci on Surrealism and the Avant-Garde. " Journal of Aesthetic Education 37.2 (2003): 31-45. Ohio Link. Web. 1 Nov. 2010. This article talks about how Surrealism began. Surrealism has formed and progressed in history from the works of Salvador Dali (one of the core artists within Surrealism) with the hope of building a society based liberty and justice. Surrealism has been said to clarify the questions within this art movement and provide a better understanding of the works done. Though it has been built from the French language, Italian Marxist, Antonio Gramsci, founded the innovative journal and expressed that art is "the historicization and objectification of vision/intuition." Surrealists believe in the possibilities of unrealistic thoughts and illogical behavior that can build up to contemporary ideas in art. The surrealist movement has interpreted an inspiring, yet different interpretation of reality.

Krick, Jessa. "Gabrielle "Coco" Chanel (1883-1971) and the House of Chanel". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Web. 15 Nov. 2010.
This article rather than being a biography about her life this is mainly about the revolution of her clothing line. How she first got started and her early successes. Then it goes on to describe how she became the style icon of of her time. Also it outlines how she had to close the doors to her store when France went into World War II. Then it talks about how she made her come back after the war was over. The last part of the article talks about how even through her her death her legened as a designer lives on.

Byrne, L. "Picasso, Guernica, History." Art Book 14.3 (2007): OhioLINK: Electronic Journal Center. Web. 1 November 2010. Byrne reviews a work by Fransisco Calvo Serraller and Jorge Semprun on Picasso's Guernica. The painting was painted for the Spanish Pavilion at the International Exhibition in Paris in 1937. Guernica is a summary of the wars of the past one hundred years (Byrne 13). Serraller's thinks that the painting is one of the greatest paintings of all time because it was created out of "historical tradition" genius which he believed only Picasso and a select few were capable of.

Mundy, Jennifer. "SURREALISM AND PAINTING: DESCRIBING THE IMAGINARY." Art History 10.4 (1987): 492. Academic Search Complete. EBSCO. Web. 18 Nov. 2010. Mundy describes some popular features of surrealist painting. She talks in detail about how the painters of the period were influnced and how the painted their works. Breton's manifesto is also described in her writing. The article is long, detailed, and descriptive. It is a good source to use because it discusses what it means to be surreal in surrealist wirting and paintings.

Cowling, Elizabeth. "`PROUDLY WE CLAIM HIM AS ONE OF US': BRETON, PICASSO, AND THE SURREALIST MOVEMENT." Art History 8.1 (1985): 82-104. Academic Search Complete. EBSCO. Web. 18 Nov. 2010. This article talks about Berton's Manifesto and how he tried to improve and expand the movement. One way he tried to do this was by claiming Pablo Picasso as a Surrealist painter. The writing is very detailed and descriptive about the two artists and their ties with Surrealism. It is a long article but it provides quality information. This is a good article because it addresses the parameters of the Surrealist Movement.

"Introduction to the Artistic Style of Surrealism." ArtHistory.net. Web 9 Nov. 2010. This article discusses how Surrealism has progressed and captured Modern imagination and Art. Surrealism started from the work and culture of Salvador Dali. Other surrealists, such as Andre Breton, wanted to explore further through literature, poetry, and the human mind. Breton described wrote a novel and described Surrealism as "those two seemingly contradictory states, dream and reality, into a sort of absolute reality, of surreality." One of the main reason why Surrealism grew and has effected contemporary art is because it has captured attention in numerous countries such as Europe, the United States, South America, and Mexico. It brought a sense of excitement for artists because it broadened the typical view of life as we know it. It allowed artists to create works in which they only dreamed about. Another surrealist artist, Kahlo, was very passionate about her work. An example of her work was an image of herself in a hospital bed as a victim with glaring objects hovering over her. She wanted to show viewers the sad nature of hopelessness. Kahlo was a large influence for the Surrealist movement.

Waldburg, Patrick. Surrealism. New York: Thames and Hudson Inc. 1997. Print Waldberg breaks down in his book where surrealism emerged from and who were the great artists of the movement. in his book he discusses the most famous book of the era. the book includes a copy of the surrealist manifesto which is key to understanding the movement. it also has brief bios of artists and a timelime on the history of the movement in the back of the book. i believe this is a good source because the author was a member of the movement himself and was said to be good friends with some of its most influential artists.