Group items tagged

San Juan, E.J. "Antonio Gramsci on Surrealism and the Avant-Garde. " Journal of Aesthetic Education 37.2 (2003): 31-45. Ohio Link. Web. 1 Nov. 2010. This article talks about how Surrealism began. Surrealism has formed and progressed in history from the works of Salvador Dali (one of the core artists within Surrealism) with the hope of building a society based liberty and justice. Surrealism has been said to clarify the questions within this art movement and provide a better understanding of the works done. Though it has been built from the French language, Italian Marxist, Antonio Gramsci, founded the innovative journal and expressed that art is "the historicization and objectification of vision/intuition." Surrealists believe in the possibilities of unrealistic thoughts and illogical behavior that can build up to contemporary ideas in art. The surrealist movement has interpreted an inspiring, yet different interpretation of reality.

This review highlights the "high pitch" of the Surrealist movement in the 1930s and the 1940s. It incorporates multiple Surrealist artists, especially Salvador Dali. The author talks about the Surrealist exhibitions and their unique value that were considered to be "ideological spaces." It states that Dali was well-known artist, but eventually he became obsessed with commercialism. At this time period, society was based on consumerism and media advertisement that Dali got caught up in leading to his downfall.

scholarly. where is your MLA citation?

Dalrymple-Henderson, Linda. "The Fourth Dimension and Non-Euclidean Geometry in Modern Art: Conclusion." Leonardo 17.3 (1984): 205-210. The MIT Press. Web. 3 Nov. 2010. This article first talks about the non-Euclidean geometries in art from 1900-1930. Non-Euclidean geometry has developed a unique change in mathematics, science, and philosophy. It seemed to clarify the affiliation between mathematics and observations in science. This type of geometry was used to depart from literature-related paintings. It focused on animated, multimedia, and specifically four-dimensional (instead of three-dimensional) paintings. Rice Pereira, an American painter, found the elements of hyperspace philosophy. This philosophy included the glowing works of art that can relate to a mystical action or experience one may have encountered. Language or words is considered unreliable in this art, whereas the four dimensional paintings can speak for themselves. The imagination and enthusiasm of surrealist artists has brought hope and new ideas (like four-dimensional paintings) to modern art.