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The Cognitive Revolution article takes into account the various psychological theories applied in the field towards language. One particular theory called into question by Miller is behaviorism. Having been a Behaviorist himself, Miller examines his previous biases about language in relation to Chomsky's theories of grammar. Miller finds that in adopting Chomsky's view of grammar, we bring the mind and cognitive process back into our understanding of language. In relation to grammar, Miller states "The grammatical rules that govern phrases and sentences are not behavior. They are mentalistic hypotheses about the cognitive processes responsible for the verbal behaviors we observe." This article is really helpful in providing teachers information about where some of our language theories come from and how they have shifted in practice after behaviorism. I think the most important point here is to not make the same mistakes with behaviorism as done in the past. The assumptions of behaviorism applied in the teaching can have some devastating consequences in student writing. Since teachers have the potential to exploit the cognitive processes using stimulus and response, it's possible that teachers may or may not be aware of the consequences if they happen to instill negative writing habits and attitudes in students using the assumptions implied in behaviorist theory. Having the definition of grammar rules Miller states, it provides teachers a working definition and inquiry to better understand how we form grammar rules, and what strategies students are using to apply grammar and form rules of their own.

As an avid Video game enthusiast, I've always been curious about what exactly makes them so rewarding to play. Some would say story but that can't possibly account for the success of games like Call of Duty and games like Bioshock are not critically acclaimed solely for their gameplay. This video from a web series called Extra Credits (think TED talks meets gaming) touches on the theory of Gamification. The concept is best summarized in the video where they state "Gamification is simply the idea of taking the principles of play, the things we've learned in three decades of making videogames and using them to make real world activities more engaging." If this theory could be refined and applied to learning, both in and outside the classroom, I feel we would see an almost revolutionary shift in student engagement and enthusiasm.

The author of this article uses the critical perspectives of Mikhail Bakhtin's theory of language and Lev Vygotsky's theory of language learning to examine the polyphonic texture of writing workshops, the dialogic classroom, the teacher's role as writer and authority figure, and the student's search for voice and role. So, she decides to participate in and observe (two students in particular) an introductory composition class in order to explain the polyphonic texture of workshops. In the end, she concludes stating that "we must resist reductive descriptions of our students' development as writers. (…) each writing workshop will compose a different "polyphony" of disparate elements which each student will appropriate and reshape in different configurations" (171). Unfortunately, you will have to log in as a member to view this article. It can also be found in Chico State's e-library.

I first encountered this article when taking 470 course, and this week I have looked it through thoroughly, as it seems to me that it contains some significant information concerning the nature of bilingual writing. Losey affirms that written codeswitching is significant for bilingual students as it provides opportunity for them to fully express themselves. According to the author, the writing identity of a bilingual is constructed by the constant correlation of the two language worlds; therefore, it is not only natural but also necessary for him / her to codeswitch in order to express his / her individuality. This idea correlates with the article "Heritage Language Literacy: Theory and Practice" by Chevalier, where the author considers that bilinguals do not possess the whole range of written registers because they codeswitch in the situation when monolinguals change their writing style. However, Losey does not see codeswitching as disadvantage like Chevalier does. His point of view is closer to another article "Writing back and forth: the interplay of form and situation in heritage learners' composition" that I reviewed during the previous week. The author of that article explains that the productive writing in bilingual schools implies shifts between two cultures and languages in order to create a new non-standard way of expressing one's thoughts. Losey goes even further. He does not only considers codeswitching possible in the classroom settings ("an unsurpassed opportunity for bilinguals", "a successful strategy for enhancing communication, promoting natural literacy acquisition in both languages, valuing students' cultural and linguistic backgrounds", though "its use in the classroom runs counter to linguistic and cultural norms and must be guided by an informed and sensitive instructor"), but, after analyzing writing patterns of the 47 personal letters exchanged between young individuals, he also determines the form and functions of the written codeswitching

This article describes the results of the four OLE (Optimal Learning Environment) approaches to teaching writing used at four different bilingual special education California schools. These approaches include: (1) interactive journal writing: teacher leads dialogue with the students by providing written responses to their daily journal entries. The teacher's responses serve as a model for writing as well; (2) Writers' Workshop - "students go through planning, drafting, editing, revising, final drafting, and publishing each time they produce a written product", i.e. their own class book; (3) expository writing as a process; (4) combination of brainstorm writing, model webbing or mapping the story they have just read, non-interactive journals. The authors emphasize the importance of engaging the learners into the informal creative writing process to increase the intrinsic motivation. They state that often in classes with bilingual students there is a high amount of pressure to speed the students' transition from writing in L1 to writing in L2, which triggers the students' anxiety and reluctance to write. The results of the 10-week experiment in different educational settings showed that OLE program activities significantly decrease stress and increase writing productivity. According to the article, OLE is based on "sociocultural learning theory", and makes use of task-based interactive creative activities. Students are supposed to collaborate while working at their writing (= communities of practice). Writing is considered as a continuous ever-changeable life process. It always implies dialogue (with the teacher, classmates or oneself - in case of non-interactive journals). Response The idea of interactive creative writing is beneficial both for heritage learners, and ESL learners, who often do not feel at ease while writing in L2. Having experienced difficulties in writing in the past, they tend to produce limited quantities of clichéd patterns that lack spo

I like how in your article it state what kind of studies they did. They did Interactive journal writing; Writer's Workshop; OLE; and a combination of journal writing, brainstorming and planning, and spelling practiced for individual group. I think that just using one method from here might help a lot but if a teacher use two or three methods here, then the L2 would improve even more. But i don't know...it's a good article.

I found this video actually looking for an informative video about students liking writing ---- goes to show that most students "hate" writing for multiple reasons. Many of the reasons in the control of educators. Teachers have the power to change the negative connotation students interpret writing to be - just an assignment, no further significance to, no interest to write ---- students should enjoy writing <<< school stems from learning through writing and reading ---- students want to write on things that interest them not pedagogical theories and research assignments. Students like to learn through their own eyes - students enjoy different genres of writing. Teachers have the power to enable their students in finding their interest in the writing realm. However, students should know the general rules and process of writing whether it be a narrative or research assignment, etc. Also, (as a teacher comments within the movie) - students don't always take blogs or social-media oriented writing forums with interest since self-representation is then transmitted into a educational institution. The video also covers the public's views on possible preventing of "writing hatred." This video also reflects the concept in the Casanava article in our class packet - teachers need to work on getting students immersed in writing through allowing their personal knowledge be combined with the values and lessons deemed by the institution they are writing for.

Author Jane E. Hindman uses her "personal" writing, through her identity as an alcoholic, a feminist, and a professor of rhetoric, to illustrate how to make writing matter, and to argue for personal writing (which she also refers to as "embodied rhetoric") as a means to "illuminate the theory and practice of teaching composition" (92). She examines how the process of personal writing can evolve into academic writing, that the two are not mutually exclusive. For those who were fascinated by the Lave and Wenger account of Nondrinking Alcoholics as a form of apprenticeship, this may be an interesting read, as she explores the concepts of personal identity and social discourse practices through her experiences with Alcoholics Anonymous.