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the Yellow Peril illustrations of the 19th century that shaped racist measures like the Chinese Exclusion Act of 1882. Across these movements, illustrators formalized Chinese influence as fictitious characters—ghosts, apes, Godzilla communists, Uncle Sam-eaters—neglecting the reality of what actually met the eye: exploited workers, opportunity-seeking immigrants, new markets for Western enterprise interests, etc.

Such visual shorthands are useful but also dangerous. They mirror the way America is depicted from the other side. China Daily’s political cartoons fanatically use Uncle Sam or the Statue of Liberty in any opportunity to portray American hypocrisy, in the same fashion as Soviet media did during the Cold War.

Every photo montage or threatening Maoist rendering of Xi promotes a simplified narrative of China and authoritarian horror.

The Chinese government has implemented an extremely comprehensive surveillance regime, especially in colonized areas such as Tibet and Xinjiang. Increased reporting on this topic has given way to a sub-branch of visuals characterizing China as a mass-surveillance state. Imagery of security cameras, facial recognition frames, and dramatically posed or saluting soldiers are among the usual suspects that are superimposed on a red background with the five gold stars of the Chinese flag.

These images also emphasize the technological aspect of surveillance over the human. Global tech runs on human power, from Facebook’s Philippines-based monitoring centers to the estimated 2 million workers who maintain China’s own firewall. It takes people to scrutinize and interpret behavior even if it has been filtered by artificial intelligence, to identify keywords for monitoring online, to decide whether an action crosses a line, and to choose what the punishment will be for crossing it

when the toll of COVID-19 on American lives became too real to ignore, U.S. coverage expanded to show its impacts in hospitals, schools, the workplace, and the home. As a result, we witnessed innovations in how we could tell these stories visually. The attitude went from “look at them” to “this is us.” Editors, photographers, and illustrators were obligated to consider how subjects would be depicted with respect, honesty, and care.

Authoritarianism can be treated as a threat to Chinese life, rather than a Chinese threat to the United States. To take China seriously means taking seriously the pain and deaths of the people in Wuhan alongside anxieties about how Xi’s leadership or surveillance affects the West. The focus must shift to processing life under the circumstances created by authoritarian rule, rather than reproducing the illusions spun by headline culture. It should center the people affected themselves. How might they reflect on China’s issues? How might we portray those views?

"The history of biopiracy runs deep in the Amazon basin," Waughray said, citing early colonialists taking rubber trees from the region to create lucrative plantations in Malaysia.

Brazilian prosecutors launched an investigation into a California-based company earlier this year, accusing it of using genetic components of the tropical acai berry in its nutritional supplements without paying for them. Pharmaceutical companies have also used the yellow-and-green Kambo frog to create anti-inflammatory drugs without distributing benefits to local residents, Brazil's environmental enforcement agency said in 2011.

Internationally, the Nagoya Protocol, which came into force in 2014, governs how companies and researchers should equitably share benefits from genetic material, said Valerie Normand, an official from the U.N. Convention on Biological Diversity.

Critics, however, worry the project could actually make it easier for companies to steal genetic material. "This will become a one-stop shop for digital biopiracy," said Jim Thomas from the Montreal-based ETC Group, a technology watchdog. Companies may use the database of genetic codes to go prospecting to find information they need, and then slightly alter it or find another way to avoid paying royalties, he said.

The relative weakness of African media outlets means that the complexities and nuances of what is happening away from power is rarely described, let alone analyzed

Al Jazeera English has carved a global niche for deepening reporting from places outside centers of power, and Africa Is a Country publishes critical takes on key issues. But digital archives are notoriously transient and even the most visible websites can disappear with the flick of a switch.

When the official record of a community’s history tells them that their ancestors did nothing when faced with near certain death, they tend to believe it and act like its true

A 2019 article estimated that at the Kenyan Coast—the most urbanized and settled region of the fledgling country—the Spanish flu killed 25.3 of every 1,000 people, less than the international average but one of the most deadly recorded outbreaks in the territory.

Accurate information about the 1918 flu is difficult enough to come by in most countries, but in colonies like Kenya, the archival record is especially complicated. Much of what exists is the perspective of colonial officers constructing a racist political state. So the archives talk about how black people resisted many of the efforts at quarantine, portraying them as irrational when in fact barring movement was one way the British created pools of forced labor.

Ethnic cantonment was the cornerstone of colonial oppression in Kenya, and severe punishments for leaving designated ethnic areas were a crucial part of turning free black men and women into prison labor.

European colonizers brought with them rinderpest, commonly known as cattle plague, which destroyed much of the indigenous cattle population, and jiggers, a small flea-like pest that burrows into feet, crippling the infected person and sometimes leading to gangrene. Bruce Berman and John Lonsdale, two historians specializing in Kenya’s colonial era, estimate that the Maasai community, one of the most militant groups resisting the British in East Africa, may have lost up to 40 percent of its population. The pandemics and outbreaks in that first decade of the 20th century decimated populations and made it impossible to mount any coordinated military resistance.

the record describes ignorant Africans disregarding the interventions of noble Europeans. Resistance to quarantine and enforced cantonment is framed as a rejection of public health initiatives, not part of a broader resistance to the restrictions on freedom of movement placed on the African population

The consequences of these incomplete archives still reverberate anywhere governments are drawing lessons from colonial public health practices. The violence in countries like India, Kenya, South Africa, Uganda, and other settler colonies echoes the violence of the colonial state in part because the successor independence governments read the violent colonial interventions as logical and necessary. The archive presents violent policing response as a natural and necessary part of a public health crisis response, and the successor governments don’t question that.

The illusion that some violence is necessary to achieve public health goals because the “native” is inherently resistant to logic is inherited from colonizers and sustained because the archive is rarely critically interrogated.

variolation, a precursor to modern-day vaccination in which healthy people were exposed to the blood of infected people to develop resistance to it, was recorded in Kenya, South Sudan, Nigeria, and other parts of the continent. Community health systems existed and were often strong, but the colonizing forces had no interest in them, as they were keen to promote the idea of superior European health systems

This is the task for journalists covering Africa and Covid-19: Hold space for communities that those in power would rather not hear. It is a tremendous challenge. Very few African countries have media markets that can pay for quality, independent investigative and documentary journalism. Many are dependent on Western donor governments to sustain their public health coverage, and this tips the scale in favor of stories that make those organizations look good. Other outlets operate as PR vehicles for their home governments and by extension for the countries that are their strong allies. Few foreign outlets are interested in true partnership with African journalists, and for the few critical journalists the erosion of press freedom across the continent is devouring whatever space they have to work.