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No human being is wealthy or powerful enough to transplant a nation from one habitation to another. An idea alone can achieve that and this idea of a State may have the requisite power to do so. The Jews have dreamt this kingly dream all through the long nights of their history. "Next year in Jerusalem" is our old phrase. It is now a question of showing that the dream can be converted into a living reality.

Although I speak of reason, I am fully aware that reason alone will not suffice. Old prisoners do not willingly leave their cells. We shall see whether the youth whom we need are at our command--the youth, who irresistibly draw on the old, carry them forward on strong arms, and transform rational motives into enthusiasm.

While genocide recognition is often a raison d’être for the Armenian diaspora – most of whom are the descendants of those who fled the 1915 massacres – many of the Armenians who stayed behind see it as a burden. “The recent bill in the U.S. was passed to upset Turkey. It had nothing to do with us,” Nor Zartonk’s Mıhçı said. “When the diaspora pushes for the recognition of the genocide in foreign parliaments, we suffer the backlash here,” said Sesil, the beautician. “Each time this debate is brought onto the international agenda, we fear for our children.”

A recent report from the Hrant Dink Foundation, an organization set up following Dink’s death to promote inter-cultural dialogue and tolerance, found that in 2018, Armenians were the second most common target of hate speech in Turkey, after Jews.

“There is no question the genocide happened. My grandfather lost his entire family. He told me this story every day, like a tale,” Sesil said. “But why is America putting this on the agenda right now? It happened 100 years ago.”

the return home of some 45,000 Palestinian workers to the West Bank for this week’s Passover holiday is likely to create bottlenecks in both Israel and the Palestinian territory after the Israeli government decided that they would not be allowed to return because of health concerns.The decision threatens to create a labor shortage in Israel, increase economic pressure on an already weakened Palestine Authority, and facilitate the spread of the virus on the West Bank given the administration’s inability to test all returnees

“Because the two populations are so intertwined, curbing the virus only in one society is impossible,” said Ofer Zalzberg of the International Crisis Group.It’s a lesson that applies universally, not just to Israelis and Palestinians. That is no truer than in Syrian and Palestinian refugee camps that dot the eastern Mediterranean

whether anti-globalists and civilizationalists like it or not, the coronavirus is global and universal. So is the science that will ultimately help get control of the pandemic and eventually stop it in its tracks

I wish we could simply laugh off Graham’s bigotry and ignorance but we can’t. He’s part of Trump’s Evangelical council. In fact, Graham was calling for “total and complete ban” on all Muslims coming to the United States long before Trump did in December 2015 and may have actually been Trump’s inspiration for this.And worse, Graham is otherwise misleading good Christians to hate Muslims. Graham, in addition to spreading lies about Islam and suggesting that President Obama may be a secret Muslim, has even fought against American Muslims having the same religious liberty as those of other faiths. We saw that in 2015 when Duke University had decided to allow a short one-minute call to prayer on Fridays from the school chapel. Well that one minute was one too much for Graham. Graham took to Facebook, writing first that “the followers of Islam are raping, butchering, and beheading Christians, Jews, and anyone who doesn’t submit to their Sharia Islamic law.” Once again Graham makes no distinction between the extremists like ISIS as opposed to mainstream Muslims. He then called on his followers to contact Duke University to rescind their promoting of “religious pluralism,” as he put it. Apparently many of Graham’s flock followed his words and called Duke resulting in the school cancelling the call to prayer.

It’s no different than when we see radical Muslim clerics pervert Islam for their political agenda. And just as Muslims have and must continue to denounce those extremist voices in our community, my hope is that even more Christians denounce the hateful teachings of the Franklin Graham’s in America

Republican authority is “reasserted” on Muslim lives and Muslim bodies, all in the name of French secularism

Muslim appeals for religious accommodation are claims to civic equality within the existing parameters of laïcité. Yet those appeals have paradoxically become the basis for questioning Muslims’ fitness as proper French citizens. For instance, Macron and other politicians have consistently identified requests for halal meals in school cafeterias as a sign of Muslim separatism

in 2021, history repeats itself: Macron wants to create “an Islam of the Enlightenment” and to make sure that imams are trained in France. Politicians on the left and the right are obsessed with Muslims’ sartorial choices, taking headscarves and beards as signs of poor integration at best and of separatism at worst. This is unsurprising; it is how French secularism works

When it comes to religious minorities, then, inclusion and exclusion have always gone hand in hand, as have integration and intervention. France is at a particularly punitive moment in this interventionist project, the political theater of both neoliberalism and secularism playing out on the civil liberties of Muslim French and their allies. This has happened before. And, no doubt, it will happen again

He wants to see a new government made up of the Likud, Blue and White, and his Yisrael Beitenu party only, thereby forcing Netanyahu to sever his sacred alliance with the ultra-Orthodox. In this way, Liberman could advance the changes that he promised. When, about two weeks before the election, the Blue and White party realized that Liberman is stealing many of their votes because of this position, they also started talking about a secular, liberal government. Liberman now claims that this was why he did not have an even bigger victory.

most of the party’s new voters supported it because it established itself in their minds as a kind of middle ground with a message of unity, and as a party capable of solving problems of religion and state, such as public transportation on the Sabbath, conversion, the Conscription Law,

the second generation of immigrants, who came here when they were very young or who were actually born in Israel, are now suffering because of the Chief Rabbinate, which is forcing them to prove that they are Jewish in order to get married. This is especially insulting to them, given that they fought so hard to preserve their Jewish identities under the Soviet regime.

One possible explanation for this movement of voters from the Likud to Yisrael Beitenu could be the characteristics of many such voters — people who immigrated to Israel from Russian-speaking countries, or people whose parents did. In the past, these people voted for the Likud, because their politics traditionally veer (nationalistic) right, but in this election, they internalized Yisrael Beitenu’s campaign message concerning religion and state. Liberman’s focus on these issues is particularly dear to them. The fact that they have to prove to the Rabbinate that they are really Jews before they can get married seems to have clinched the deal.

One other group where Liberman was successful was the Druze sector. According to the Globes analysis, Yisrael Beitenu received 10,000 votes from the Druze sector, compared to just 6,000 in April. What is remarkable is that Yisrael Beitenu won these votes even though it supported the Nationality Law, which infuriated Israel’s Druze community. Hamad Amar, a Druze Knesset member for Yisrael Beitenu, told Al-Monitor that these Druze voters were very impressed by the way Liberman stuck to his principles in last May’s coalition negotiations. “They recognized that Liberman sticks to his word and that he is reliable. That is the most important thing for us.”

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

Francis in Fratelli Tutti wants Catholics to see other religions as positive forces in the world, which help to achieve God's purpose of universal human fraternity.

Francis included a Muslim scholar, Judge Mohamed Mahmoud Abdel Salam, as a speaker in the event to mark the encyclical's release. This is the first time a Muslim has presented on behalf of a papal encyclical, speaking among Catholic prelates and from the chairs typically occupied by cardinals in the synod hall

Francis concludes the encyclical with two prayers. One uses Trinitarian language and is meant for Christian communities and ecumenical contexts. The other is a "Prayer to the Creator," which uses language that people of other religions — including Muslims and Jews — may feel comfortable with and could be used in some interfaith settings

It is somewhat of a trend among Christian institutions, however. Wheaton College dropped its Crusaders nickname in 2000, followed by the University of the Incarnate Word in 2004, Northwest Christian (now Bushnell) University in 2008, Eastern Nazarene College in 2009, and Alvernia University and Northwest Nazarene University in 2017.

contemporaneous Muslims, Christians, and Jews all referred to the Middle Ages conflict as “the Wars of the Franks.” It was not until about the 18th century, Mikhail said, that Muslim polemicists began translating the conflict as “the Wars of the Cross-bearers.” But today, this is the term that has universal usage in Arabic.

most Middle Eastern Christians stood with the Muslims against the Crusaders.

“Christians and Muslims both have a lot of work to do in terms of revising elements of their religious language that poison everyday relations,” Accad said. “We have to create new symbols.”

I would never call myself a Crusader

Christian nationalism has also become common among anti-vaccine activists and the QAnon movement, which has prospered in evangelical Christian congregations.

Neumann resigned her government post in April 2020, claiming President Trump was dismissive of domestic terrorist threats, and now works with the Moonshot CVE Group, which studies violent extremism. Raised evangelical (she now rejects the label, preferring “follower of Christ”), she has expressed concern about radicalization in Christian communities and worked to combat it

broader appeals to Christian nationalism may “disguise a much more dangerous uptick in adoption of Christian Identity” — an ideology that claims, among other things, that Jesus was a white Aryan and that the End Times will come about through a racial holy war

Christian Aryan memes, as well as references to the “two-seedline theory” — which contends the serpent in the Book of Genesis mated with Eve, creating two morally opposed races — began popping up in QAnon and Proud Boys channels.

The growth in Christian nationalism has translated into threats against the Jewish community. A recent study conducted by George Washington University’s Program on Extremism revealed a December 2021 Telegram post from St. Louis Proud Boys President Mike Lasater that read, “Our time is not up; it is the jewish hegemony whose days our (sic) numbered. This is a Christian nation; jews may be citizens of this country, but they are guests of our nation, and they should remember that.”

even relatively moderate Christian nationalism can encourage violent groups. “A number of celebrity pastors who are involved in white Christian nationalism have tried to separate themselves from the violence,” she said, “but are not realizing they are part of the pipeline.”

some extremist Christian nationalists are forging ties to establishment figures, including elected officials. Arizona Rep. Paul Gosar, the keynote speaker at Fuentes’ America First 2021 conference, tweeted “Christ is King” the same day he posted a widely condemned animated video that depicted him killing New York Rep. Alexandria Ocasio-Cortez. Gosar has sought to distance himself from Fuentes’ views, but after being disciplined by Congress for the video, the congressman encouraged his supporters to join Gab. One of the first people he followed on the platform was Fuentes, who he has since lauded as a “young conservative Christian” who is a victim of “political persecution” by the House committee investigating the Capitol attack. “We will take back our country, and we will save America from the haters, the incompetents and the ones so intent on making us a godless nation,” Gosar wrote in a recent Gab post.

The Observer last year revealed the IRD’s major campaign in Indonesia in 1965 that helped encourage anti-communist massacres which left hundreds of thousands dead. There, the IRD prepared pamphlets purporting to be written by Indonesian patriots, but in fact were created by British propagandists, calling on Indonesians to eliminate the PKI, then the biggest communist party in the non-communist world.

“The UK did not simply invent material, as the Soviets systematically did, but they definitely intended to deceive audiences in order to get the message across.”

“reports” sent to warn other governments, selected journalists and thinktanks about “Soviet subversion” or similar threats.The reports comprised carefully selected facts and analysis often gleaned from intelligence provided by Britain’s security services, but appeared to come from ostensibly independent analysts and institutions that were in reality set up and run by the IRD. One of the first of these, set up in 1964, was the International Committee for the Investigation of Communist Front Organisations.

Between 1965 and 1972, the IRD forged at least 11 statements from Novosti, the Soviet state-run news agency. One followed Egypt’s defeat in the 1967 six-day war against Israel and underlined Soviet anger at Egypt’s “waste” of so much of the arms and materiel Moscow had supplied to the country.

The IRD also forged literature purporting to come from the Muslim Brotherhood, a mass Islamist organisation that had a significant following across the Middle East. One pamphlet accused Moscow of encouraging the 1967 war, criticised the quality of Soviet military equipment, and called the Soviets “filthy-tongued atheists” who saw the Egyptians as little more than “peasants who lived all their lives nursing reactionary Islamic superstitions”.AdvertisementThe IRD also created an entirely fictive radical Islamist organisation called the League of Believers, which attacked the Russians as non-believers and blamed Arab defeats on a lack of religious faith, a standard trope among religious conservatives at the time.

The IRD’s leaflets echoed other claims made by radical Islamists, arguing that military misdeeds should not be blamed on “the atheists or the imperialists or the Zionist Jews” but on “Egyptians who are supposed to be believers”.

Other material highlighted the poor view that Moscow took of the Palestine Liberation Organisation and the limited aid offered by the Soviets to Palestinian armed nationalist groups. This was contrasted with the more supportive stance of the Chinese, in a bid to widen the split between the two communist powers.

One major initiative focused on undermining Ian Smith’s regime in Rhodesia, the former colony that unilaterally declared its independence from the UK in 1965 in an attempt to maintain white minority rule.The IRD set up a fake group of white Rhodesians who opposed Smith. Its leaflets attacked him for lying, creating “chaos” and crippling the economy. “The whole world is against us … We must call a halt while we can still save our country,”

In early 1963, the IRD forged a statement from the World Federation of Democratic Youth, a Soviet front organisation, which denounced Africans as uncivilised, “primitive” and morally weak. The forgery received press coverage across the continent, with many newspapers reacting intemperately.

A similar forgery in 1966 underlined the “backwardness” and “political immaturity” of Africa. Another, a statement purportedly from Novosti, blamed poor academic results at an international university in Moscow on the quality of the black African students enrolled there. The IRD sent more than 1,000 copies to addresses across the developing world.

As with most such efforts, the impact of the IRD’s campaigns was often difficult to judge. On one occasion, IRD officials were able to report that a newspaper in Zanzibar printed one of their forgeries about Soviet racism, and that the publication prompted an angry response. This was seen as a major achievement. Officials were also pleased when Kenyan press used fake material about the 1967 six-day war, and when newspapers across much of the Islamic world printed a fake Novosti bulletin on the conflict. Occasionally, western newspapers unwittingly used IRD materials, too.

Though the IRD was shut down in 1977, researchers are now finding evidence that similar efforts continued for almost another decade.“The [new documents] are particularly significant as a precursor to more modern efforts of putting intelligence into the public domain.“Liz Truss has a ’government information cell’, and defence intelligence sends out daily tweets to ‘pre-but’ Russian plots and gain the upper hand in the information war, but for much of the cold war the UK used far more devious means,” Cormac said.