Dystopian parables like “The Walking Dead,” where zombies rule the earth, are an increasingly fashionable genre of entertainment, but the degree of apocalyptic pessimism is very different depending on the size of the screen.The dividing line between television and movies seems to be class conflict.Television shows posit a hideous future with a silver lining; survivors, good or bad, are more or less equals. Movies like “Divergent,” “Snowpiercer” and “Elysium” foresee societal divisions that last into Armageddon and beyond and that define a new, inevitably Orwellian world order that emerges from the ruins of civilization.
The Social Split Between TV and Movie Dystopias - NYTimes.com - 0 views
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Movies project a morose, scary future where man is his own worst enemy, whereas television can’t entirely suppress a smile.There is something positive about the end of the world on shows like “The Walking Dead,” and “Z Nation” on Syfy and “The Last Ship,” on TNT. True, civilization as we know it is gone, but so is social stratification. Survivors don’t group into castes according to birth, race, income or religion. People of all kinds bond with whomever seems friendly, or at least unthreatening.
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Dystopian movies based on young-adult novels understandably focus on the oppression of young adults, but in “Divergent” and “The Hunger Games,” a despotic elite divides the little people into cliques, only there is no prom in sight.Engels wrote about “contests between exploiting and exploited, ruling and oppressed classes.” He meant in the movies. On TV, all men are equal and equally at peril in the apocalypse.
English 'The Poor Revolutionist' - 0 views
Censorship at its Finest: Remembering - 0 views
The Vulture Transcript: Sci-Fi Author William Gibson on Why He Loves Twitter, Thinks Fa... - 0 views
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If you’re born now, your native culture is global, to an increasing extent. There are things that are unknowable for futurists of any stripe, be they science-fiction writing charlatans like myself or anthropologists in the employ of large automobile companies who are paid to figure out what people might want in ten years. One of the things that’s unknowable is how humanity will use any new technology. No one imagines that we’d wind up with a world that looks like this on the basis of the technology that’s emerged in the last hundred years. Emergent technology is the most powerful single driver of change in the world, and it has been forever. Technology trumps politics. Technology trumps religion. It just does. And that’s why we are where we are now. It seems so self-evident to me that I can never go to that Technology: threat or menace? position. Okay, well, if we don’t do this, what are we going to do? This is not only what we do, it’s literally who we are as a species. We’ve become something other than what our ancestors were. I’m sitting here at age 52 with almost all of my own teeth. That didn’t used to happen. I’m a cyborg. I’m immune to any number of lethal diseases by virtue of technology. I’m sitting on top of this enormous pyramid of technology that starts with flint hand-axes and finds me in a hotel in Austin, Texas, talking to someone thousands of miles away on a telephone and that’s just what we do. At this point, we don’t have the option of not being technological creatures.
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You’ve taken to Twitter (GreatDismal). I have indeed. I’ve taken to Twitter like a duck to water. Its simplicity allows the user to customize the experience with relatively little input from the Twitter entity itself. I hope they keep it simple. It works because it’s simple. I was never interested in Facebook or MySpace because the environment seemed too top-down mediated. They feel like malls to me. But Twitter actually feels like the street. You can bump into anybody on Twitter.
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Twitter’s huge. There’s a whole culture of people on Twitter who do nothing but handicap racehorses. I’ll never go there. One commonality about people I follow is that they’re all doing what I’m doing: They’re all using it as novelty aggregation and out of that grows some sense of being part of a community. It’s a strange thing. There are countless millions of communities on Twitter. They occupy the same virtual space but they never see each other. They never interact. Really, the Twitter I’m always raving about is my Twitter.
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THE MACHINE STOPS ... E.M. Forster - 3 views
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like the cell of a bee
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She knew several thousand people, in certain directions human intercourse had advanced enormously
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I can give you fully five minutes
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