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Mónika Czank

Tiresias :: Design guidelines :: Ageing population :: Statistics - 0 views

  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
    • Dániel Füleki
       
      Ez nem kicsi tömeg (pl. piac...)
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
    • Zsófia Kovács
       
      ez nem kicsi tömeg(pl. paic)
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
    • Réka Bakonyi
       
      10 millió Mo. lakossága... :)
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  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
  • There are 9,687,800 people in the UK aged 65 and above
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
  • There are 9,687,800 people in the UK aged 65 and above
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
  • There are 9,687,800 people in the UK aged 65 and above
  • There are nearly 12 million pensioners, almost 1 in 5 of the UK’s total population
  • There are 9,687,800 people in the UK aged 65 and above
    • Olga Csernus
       
      :)
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    Néhány alapvető statisztikai adat az idősödő népességgel kapcsolatban.
Rebeka Hevesi

Amadeus (1984) - 0 views

  • In 1984, Saul Zaentz, Peter Shaffer and Milos Forman collaborated in bringing a truly remarkable life to the silver screen. The story of Wolfgang Amadeus Mozart, through the eyes of rival composer, Antonio Salieri. The film is complete with an insightful script (courtesy of Mr. Shaffer), magnificent acting, wondrous sets and costume designs, incredible choreography (thanks to Twyla Tharp), and, above all, the glorious music of Mozart himself.The movie of Salieri's life, through which Mozart played an integral part, is told in flashback mode, beginning in around the year 1822. An old and perhaps emotionally disturbed Antonio Salieri attempts suicide, and in doing so, apologizes for killing Mozart some 31 years earlier. He survives and is admitted to an insane asylum, where he tells a young priest his tale of jealousy and mediocrity.The priest is fascinated and alternately troubled by the lengthy and emotional story. Salieri tells of growing up in Italy with a father who did not care for music; and how he rejoiced for the chance to go to Vienna after his father's untimely death. He tells of how he first had met the young Mozart, and how immature and dirty minded Mozart was. He also tells of how "The Creature" had an intimate relationship with the girl that Salieri had cared for. Most importantly, however, he confided in the priest that he had learned to hate God for giving him a deep love of music, only to deny him the talent to create truly memorable music. He thought God had given him Mozart to mock him. Salieri's heart filled with such rage, such hatred and such jealousy, that he had vowed to himself to make God an enemy and to kill the young Mozart.As the movie moves along, carrying with it a deep sadness of the human condition, it also celebrates life by giving the audience joyous music, wonderful atmosphere and a general appreciation of humanity for not only eighteenth century Europe, but in any age where music speaks for our emotions.The movie won eight Academy Awards in March of 1985. The only reason it did not win nine was that Tom Hulce was nominated for best actor instead of best supporting actor. He actually was in a supporting role, and in a strange twist of irony, F. Murray Abraham won the best actor statuette; citing probably the only time when Salieri beat out Mozart in anything.
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    Milos Forman emigrált Cseho.-ból, és megalkotta ezt (és milyen jól tette):) (aláfestő zene Requiem, vagy egy kis koloratúr szoprán Éj királynő áriája)
Drienyovszki János

Huawei - Expert's Forum--User-generated content: opportunities for wireless o... - 0 views

  • They have been largely caught unawares by the growth of such sites as Flickr, YouTube, OhMyNews and MySpace. Their growth stems from both better broadband availability and the increased scope for tribalism, identity expression and personalisation that user-generated content provides. Paul Saffo of the marvellously titled Institute of the Future notes that this could herald a 'Cambrian explosion' of creativity: a flowering of expressive diversity on the scale of the eponymous proliferation of biological species 530 million years ago. So what does this trend mean for wireless carriers? John Delaney looks at the implications.
  • Mobile operators are well-placed to benefit from the explosion of interest in user-generated content (UGC). It fits well as an extension of the trend to personalize that is already so successful in the mobile environment, and offers a way to monetize the wealth of 'user-generated content' currently residing (unsent) on mobile terminals worldwide.
  • Other trends facilitating the growth in content include: The growth in storage capacity, coupled with ever cheaper prices. The growth of standardized, non-proprietary capacity in mobile phones encourages both sharing across other devices and upgrading.
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  • Operator reluctance to both lower the price of carriage and facilitate access to off-portal content will restrict the growth of mobile user-generated content.
  • Recent research conducted by Nokia indicated that in emerging markets a very high percentage of users consider their phone as their primary camera (68% in India).
  • At the moment, around 10% of heavy users generate 40% of all MMS traffic
  • During the last two years we have seen a considerable growth in online social networking sites and (often by extension) those that feature user-generated content, among the most successful of which are YouTube, MySpace and Second Life.
  • o take one example, an early band of foot fetishists has split into those who prefer tickling, different types of toe, or simply the pure aesthetics of the shape of the foot.
  • Users pay £0.50 to post a video via MMS to the See Me TV site. The most popular clips appear at the top of the browser menu, and 3 also adds categories so that customers can navigate to different types of clips. Viewer downloads are charged at a minimum of £0.10 each, of which 10% is returned to the originator of the content, with 3 pocketing the remainder. By September 2006, 3 had received more than 100,000 video clips from customers willing to share their recordings, with an average of over 1 million downloads per month. It had paid out a total of £250,000 to creators of the content, and recorded a tidy gross margin of 90%.
  • people falling over seems perennially popular).
  • his is growing, with customers being made aware of the possibilities of their mobile terminal for creating user-generated content in two ways: Much of the popular content on YouTube and other popular sites is recorded using the video function on camera phones. This in turn provides a trigger to other viewers to generate similar content User-generated content recorded on the mobile phone is increasingly featured on major news sites, such as BBC Online, and Yahoo! News. This was apparent in the aftermath of the London bombings in July 2005, when both websites posted material captured on the mobile phones of the public before their reporters could get to the scene.
  • Operators and vendors have already taken considerable steps to make the uploading of content to the network much easier.
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    Egy érdekes a cikk a UGC-ekről amelyek mobilokon születnek. Bizonyos cégek arra szakosodnak hogy előfizetésért cserébe a felhasználó képeket, kommenteket, blogot tölthet fel a mobiljáról.
Drienyovszki János

User Generated Content and the Threat to Journalism - 0 views

  • Participation - many are no longer satisfied to just consume the thoughts and opinions of professional experts - but want to be involved in the process of discussing and interacting with the news. Beyond this we’re seeing more and more focus upon citizen journalism where millions of people have the means to engage in the reporting of news - simply by getting their mobile phone out.
  • Relationality - many of the new forms of media that are emerging not only involve readers in the reporting and interpretation of news - but they create spaces where community springs up around the news and information being shared. People are no longer finding meaning in news alone - but together in social networks. Suspicion of Institution - Government, Church, Big Business and other ‘institutions’ are increasingly being viewed with suspicion. I’m finding in my own daily interactions that more and more people have a growing sense of disillusionment and suspicion of mainstream media outlets and are looking for alternative sources of information.
  • Customization - we live in an age where we have almost unlimited choice in many areas of our lives. New media allows people to customize the information and news that they want to consume. Using tools like news aggregation they can now choose specific topics that they wish to follow and control when and how they consume it. Immediacy - no longer satisfied to wait for tomorrows paper or tonight’s news broadcast - people are increasingly following events in real time online. While TV and Radio have live coverage of some big events with broad appeal - New Media is light footed, nimble, highly targeted to special interests and quick. Whether it be watching Apple release it’s new iPod live via a blogger at the press event or getting reports and pictures of a natural disaster from a blogger caught up in the middle of the action - new media is increasingly ahead of the rest in getting information out.
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  • None of the above signals the end of journalism in my mind - there will always be a demand for well researched and well presented information. However it does present main stream media with numerous challenges - mainly around the way that they deliver news and information, how they draw readers into the process of reporting and interpreting news and how they keep journalistic standards high yet still compete to break stories.
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    Profi újságírók cikkei VS bloggerek cikkei.
Szányi Orsolya

Öt ország a felelős a fiatalkorú bűnözők kivégzéséért - 0 views

  • Öt országban végeznek még ki gyerekeket

    [origo]|2008. 09. 11., 8:33|Utolsó módosítás: 2008. 09. 12., 11:28|
    Ez a cikk 1 éve frissült utoljára. A benne szereplő információk a megjelenés idején pontosak voltak, de mára elavultak lehetnek.