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This article focuses on the graffiti on the streets of Cairo and how the graffiti has started to stand for more than just an expression of tagging, but rather art and a way of the revolution. The artists use graffiti as a way to communicate to others that they are seeing the injustices that are going on. This street art also binds together the artists of this city and their ideologies.

In this article, the Smithsonian presents Egypt's murals more than just art but as a part of the revolution.

This article was a great introductory to what graffiti art has become in Egypt, what it stands for and the meaning behind the paint. It explains that around 2011 individual people and other artistic groups began documenting the wrong doings, brutality and cruelty of the Egyptian regime. The author interviewed artist Ahmed Naguib, and he said, " people singing revolutionary slogans come and go, but the graffiti remains and keeps our spirits alive."

This article explores an exhibition called "This Is Not Graffiti" that was opened in 2011 and had the work of many major street artists. Steven Viney, the writer, talks about the different pieces displayed and the way the authors felt about their works.

This article from BBC showcases how Egyptian street art is a new voice among Egyptian protestors. In response to events, artists have filled the walls with murals and slogans in response to events such as the Maspero Massacre in 2011. Some of the reoccurring images are of a tank aiming its cannon at a boy on a bicycle carrying bread on his head as well as a melancholy panda. Other artists have integrated some of Egypt's history in their murals showcasing Egyptian pride amongst the rebellion.

More than two years after protesters toppled Hosni Mubarak, Cairo is still ablaze with fiery visual reminders of Egypt's revolution. On the edge of Tahrir Square - the nerve centre of dissent - the burned-out tower block that once housed the headquarters of Mubarak's National Democratic Party stands blackened and empty.

Egyptian security forces briefly detained three artists hanging posters in Cairo today ahead of major protests tomorrow - a "second revolution" in the words of activists, who are impatient with the pace of reform under Egypt's interim military rule. One of most famous street artist that was arrested was Ganzeer

This was an article that informed the reader of how these Egyptian artists are forced to get creative after the governmental backlash on street art. The government knows that these murals are inspiring hope, so they do not like or encourage the art. The artists are now doing things like drawing massive murals, and than making a small portion of the mural what they are trying to say, or doing their street art quickly because it is dangerous to be doing.

Reuters - No sooner had Egyptian authorities painted over a wall of revolutionary graffiti near Tahrir Square this week than the street artists were back with spray cans and a new target: President Mohamed Mursi.

During the height of the revolution, many artist began to take the streets of egypt. In this article, it gives the audience a better understand of the processes and thought of each painting.

This is the home page of an artist studio called Studio Emad Eddin. I read about the owner of the studio, Ahmed Al- Attar, in another article so I decided to look up his page. This studio is basically a place for Egyptian artists and performers to collaborate, train and perform and according to Al-Attar, strengthens Egyptians heritage and culture.

El Teneen is another street artist from Egypt who has covered and tackled topics such as dishonesty in the media, military brutality and more recently the political Islamists and their distorted view on freedom and democracy.

This article talks about a form of art that was born out of the revolution. It discusses how artists in Egypt use street art to make public statements.

Egyptian art historian and graffiti artist, Bahia Shehab, discusses how she was first commissioned for an art piece in 2010 called "A Thousand Times No" that consisted of the way the word "no" had been represented in history over different continents in different art works. This later translated into her graffitiing the word all over Egypt as a way to speak out again the dictators and the violence that she witnessed.

In this article, Barbara Pollack tells the reader about Ganzeer, an Egyptian artist who was influential in the days of the January 25th revolution. Ganzeer has had the government single him out and labeled him "a recruit of the Muslim Brotherhood." This forced him to move for a long stay in the United States where he continues to work at bringing awareness to Western people and hopes to change the way America supports the Egyptian government.

When the people of Cairo took to Tahrir Square in January 2011 to oust Egypt's longtime ruler, Hosni Mubarak, the streets exploded with murals and graffiti that both mirrored the revolutionary spirit of the movement and propelled it forward. A young graphic designer joined the fray, working under the pseudonym Ganzeer, or "bicycle chain."

When the people of Cairo took to Tahrir Square in January 2011 to oust Egypt's longtime ruler, Hosni Mubarak, the streets exploded with murals and graffiti that both mirrored the revolutionary spirit of the movement and propelled it forward.

This artifact focuses on Aya Tarek, a 24 year old Egyptian graffiti artist, who discusses how she began her journey into the art scene and what she believes in. An avid supporter of the revolution, Tarek also talks about how important it is to fight not only for the causes you believe in, but also for who you are.