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This article focuses on the graffiti on the streets of Cairo and how the graffiti has started to stand for more than just an expression of tagging, but rather art and a way of the revolution. The artists use graffiti as a way to communicate to others that they are seeing the injustices that are going on. This street art also binds together the artists of this city and their ideologies.

In this article, the Smithsonian presents Egypt's murals more than just art but as a part of the revolution.

This article was a great introductory to what graffiti art has become in Egypt, what it stands for and the meaning behind the paint. It explains that around 2011 individual people and other artistic groups began documenting the wrong doings, brutality and cruelty of the Egyptian regime. The author interviewed artist Ahmed Naguib, and he said, " people singing revolutionary slogans come and go, but the graffiti remains and keeps our spirits alive."

Egyptian art historian and graffiti artist, Bahia Shehab, discusses how she was first commissioned for an art piece in 2010 called "A Thousand Times No" that consisted of the way the word "no" had been represented in history over different continents in different art works. This later translated into her graffitiing the word all over Egypt as a way to speak out again the dictators and the violence that she witnessed.

This article explores an exhibition called "This Is Not Graffiti" that was opened in 2011 and had the work of many major street artists. Steven Viney, the writer, talks about the different pieces displayed and the way the authors felt about their works.

Faculty of Arts - Cairo University (+2)(0)122 344 1334 fspc@popular-culture.org "People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly."

Faculty of Arts - Cairo University (+2)(0)122 344 1334 fspc@popular-culture.org "People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly."

Faculty of Arts - Cairo University (+2)(0)122 344 1334 fspc@popular-culture.org "People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly."

In this article Andy Young discusses the multiple ways poetry has shaped and formed itself in Egypt because of revolutions. Young brings up multiple poems that became the voice of the people in the 1952 revolutions and again in the 2011 revolutions.

This artifact focuses on Aya Tarek, a 24 year old Egyptian graffiti artist, who discusses how she began her journey into the art scene and what she believes in. An avid supporter of the revolution, Tarek also talks about how important it is to fight not only for the causes you believe in, but also for who you are.

The Arab Network for Human Rights Information (ANHRI) expressed its concern over a proposed law that would criminalise graffiti. ANHRI said on Wednesday that the law, announced by interim Minister of Local Development Adel Labib, would seek to punish those "writing abusive language on the walls of government and private buildings."

Every inner city area has its fair share of buildings tattooed with layers of colorful graffiti and gang symbols. Given the stigma attached to graffiti, one would not expect to find true art on cracking walls, between trash cans, and on street signs. However, a more advanced form of graffiti-street art-conveys a deeper expression of the artist.

Reuters - No sooner had Egyptian authorities painted over a wall of revolutionary graffiti near Tahrir Square this week than the street artists were back with spray cans and a new target: President Mohamed Mursi.

Since the overthrow of Hosni Mubarak sent Egypt into turmoil in 2011, Egypt has been home to a street-art movement of unprecedented vitality. A living record of Egypt's mercurial political situation, these murals have once again proliferated in the wake of the recent coup d'état.

In this article, it present different graffiti art in egypt and tunsia. Since my research digital project is on the graffiti art during the revolution, most of my blog post and diigo posts will be emphasis on different pieces of art.

This gallery provides different images of the revolution graffiti. As you look through the gallery, you notice different themes in each of the photos.

This is a short article by the New Yorker but it explains that the culture has started to change in Egypt. This culture has changed by this new generation expressing themselves through music, theater, art, political cartoons and especially graffiti.

The dreams, hopes and anger of the Egyptian uprising after 2011 found their most direct and emotional expression through graffiti art, a Swedish journalist based in Cairo told a Duke audience Wednesday.

This was is an article that describes some of the most important graffiti art in great detail, along with some inside news. Ms. Grondahl talks about the mural that was made after the soccer massacre in Port Said, as well as a specific piece of art that was altered by some pro-military artists who erased the original message, although it was repainted over again.