Arts Administration

ADAD is a (UK) national organisation that supports the practice and appreciation of dance of the African Diaspora. We want dance of the African Diaspora to be visible and valued as part of the British cultural experience.

As studies of African and Afro-Caribbean performance have acquired a wider relevance during the last decade, it is now time to examine the diverse critical approaches currently being practiced within these fields. How are African and Afro-Caribbean cultures being constructed, analyzed, and re-imagined by recent discussions about theatricality, transnationalism, diaspora, translation, Circum-Atlantic exchanges, or cyberspaces? The conference's program will bring together a diverse array of presenters from Africa, the Caribbean, Europe, and the United States who deal with topics that include--among others--dance, drama, community theater, the links between social justice and performance, rituals, religious events, diasporas, carnival, and intercultural barterings.

Leveraging Investments in Creativity (LINC) is a ten-year national initiative to improve the conditions for artists working in all disciplines. As a vital and immeasurable component of our cultural and collective identity, artists help us interpret our past, define our present and imagine our future. Working artists make resonant contributions to the daily lives of our communities, not only as creators, but also as entrepreneurs, educators and involved citizens. Representing more than 2 million working adults in 2001 (up from 730,000 in 1970), artists are a vibrant and ever-growing sector of the American workforce. However, artists are typically underpaid in relation to their peers with similar education and skill sets.

The International Theatre Institute (ITI), an international non-governmental organization (NGO) was founded in Prague in 1948 by UNESCO and the international theatre community. A worldwide network, ITI aims "to promote international exchange of knowledge and practice in theatre arts (drama, dance, music theatre) in order to consolidate peace and solidarity between peoples, to deepen mutual understanding and increase creative co-operation between all people in the theatre arts".

We strive for a society that is more focused on people and process than on products; that values experimentation and the exploration of new ideas; and that recognizes the role artists and the creative process can have in achieving this vision.

Since 1969, VLA has been the leading provider of pro bono legal services, mediation, educational programs and publications, and advocacy to the arts community in New York and beyond. Through public advocacy, VLA frequently acts on issues vitally important to the arts community-freedom of expression and the protections to artists under the First Amendment being an area of special expertise and concern. The first arts-related legal aid organization, VLA is the model for similar organizations around the world. VLA is a nonprofit legal service organization supported in part with public funds from the National Endowment for the Arts, the New York State Council on the Arts, a State Agency, and the New York City Department of Cultural Affairs and through generous gifts from law firms, corporations, foundations and individuals.

The International Federation of Actors (FIA) is an international non-governmental organisation representing performers' trade unions, guilds and associations around the world. It voices the professional concerns and interests of actors (in film, television, radio, theatre and live performance), broadcast professionals, dancers, singers, variety and circus artists and others, with the exception of musicians and visual artists.

Ford Foundation grants in arts and culture foster the creation and sharing of new art as well as the documentation, preservation and revitalization of traditional creative forms. We also seek to enrich our communities by broadening the access and involvement of diverse audiences.

Pro Bono Legal Services for the Arts Lawyers for the Creative Arts provides free legal service  to all areas of the arts- the visual, performing, entertainment, literary, arts education and more. We help individuals as well as for-profit and not-for-profit organizations with business issues, contracts, copyrights, trademarks and many other legal areas. 

Since its inception, one mission of the AACM has been to provide an atmosphere conducive to the development of its member artists and to continue the AACM legacy of providing leadership and vision for the development of creative music. The AACM first coined the phrase Great Black Music to describe its unique direction in music. The AACM pays homage to the diverse styles of expression within the body of Black Music in the USA, Africa and throughout the world. This experience extends from the ancient musics of Africa to the music of the future.

This new programme offers a composite coverage of the socio-historical contexts and philosophical bases of drama, performance and theatre practices and traditions in Africa. The programme will involve you in a study of indigenous performance and theatre practices, colonial and postcolonial literary drama and theatre, popular performances, theatre-for-development, television drama, and video drama/movie.

African Theatre and Performance WG will work to further the understanding and appreciation of African Theatre and Performance by facilitating and maintaining scholarly discourse and collaborative research in the fields of African theatre and performance.

La Chaire de gestion des arts Carmelle et Rémi-Marcoux contribue à l'élargissement des connaissances en réalisant des recherches sur une diversité de sujets liés à la gestion des arts dont les résultats font l'objet de publications. Elle contribue ainsi à faire reconnaître la spécificité des problèmes que pose la gestion des arts et des industries culturelles.

Ce projet de recherche s'inscrit dans une perspective multidisciplinaire, alliant chercheurs du milieu des arts et de la culture aux chercheurs du milieu universitaire. De par son approche novatrice à la fois pratique et académique, les personnes et organismes impliqués participent :\n\n * aux différents axes de la recherche;\n * à constituer un cadre d'analyse conceptuel au moyen d'un cadre d'analyse;\n * à générer des solutions pratiques et des outils pour les organismes du milieu des arts de la culture.

Dance Films Association, Inc. (DFA), a non-profit, tax-exempt, member-supported service organization, promotes excellence in dance on camera and public awareness of the artform through its annual Dance on Camera Festival, Dance Film Lab, publications, grants, and workshops. Its many partners help to bring its touring programs to a wide public. Dance on camera is a collaborative art, one that fuses the ageless art of dance and the century old art of film. DFA aims to impart that spirit of collaboration to the world and to encourage a keen awareness of the magical ways to interpret time, space, and energy.

We are the national service organization for professional dance. We believe that dance is essential to a healthy society, demonstrating the infinite possibilities for human expression and potential, and facilitating communication within and across cultures. Dance/USA sustains and advances professional dance by addressing the needs, concerns, and interests of artists, administrators and organizations. By providing services and national leadership, Dance/USA enhances the infrastructure for dance creation, education and dissemination.

The EU gives culture an important place in development cooperation by: * systematically integrating the cultural aspect in all its policies, projects and programmes, * funding the preservation of cultural heritage and the emergence of viable cultural industries, * covering living culture and cultural heritage - both important for growth, jobs and cultural identity, * encouraging its partners to include culture in their own poverty reduction strategies and national development plans. Unlike other donors, the EC gives priority to promoting and supporting its partners' culture rather than focusing on the promotion of its own culture.

For more than 8 years we provide our international network for arts and business. The website and the monthly newsletter became popular among professionals in the arts and the creative sector. With its global perspective, our network is a valuable resource for academics, students, researchers, regional and national authorities, business people, and journalists. Please feel invited to browse through the various collections for articles, books, courses, conferences, and web resources. And send us your feedback or contributions to make this independent network even better.

The Institute for Music and Development (IMD) welcomes you to its unique world of learning experiences, adventure and cultural excitement.\nIMD intends to serve a need for those who wish to go beyond the obvious events of everyday life into the very fabric of the psyche of traditional peoples, their worldview, the creative arts and the various structures that constitute what they perceive as their world. Above all, IMD's philosophy is guided by the importance of authenticity and credibility in its activities.\nOur scope encompasses advocacy and the development of the music industry within the context of an African Music Network. As educators, our interest in youth development, projects and programs is paramount in and integral to our work. Therefore we welcome educators, students, researchers, and music professionals to this site.