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Argument: The fact that Steinbeck is a romantic naturalist appears vividly throughout his novels. Claims: His views affect literary devices such as diction, plot, and character development. Evidence: "The Darwinism of 'The Red Pony' is brought from conflict of animals to the conflict between men in 'Of Mice and Men'...As engaging to our own sense of romantic and sentiment as Lennie's and George's dream of a small ranch may be, the facts are that they do not have the power within the scheme of things to make this dream come true" (1). http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?action=interpret&id=GALE%7CH1100000795&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w&authCount=1

Argument: A biography on Hemingway and critical essay stating that Ernest Hemingway's works and novels portray information almost identical to his real life. Explains how both The Sun Also Rises and A Farewell to Arms are both books in which Hemingway's personal life has become involved. Argues that the events that happen in his books correspond with Hemingway's private life. Evidence: "The Sun Also Rises, a novel based on his years in Paris and Spain after the war…" (Nagel). "He became confused, suspicious, and aggressively suicidal; he agonized that he could not write….and committed suicide" (Nagel). "In each single paragraph Hemingway presented the details and events that communicated what it was like to be part of a civilian retreat in war, to shoot German soldiers coming over a wall, or to observe the execution of political prisoners by a firing squad" (Nagel). "The novel is narrated…by Jake Barnes, an American correspondent in Paris who was severely wounded in the war and has been left impotent" (Nagel). "The serious underside of this life is revealed largely through Jake's psychological turmoil, a vestige of the trauma of the war, that at times nearly incapacitates him….he is emotionally unstable…(Nagel). "…touching on all the serious themes:…expatriation…,love, and the aftermath of the war"(Nagel). "for nearly all of Jake's friends in Paris are seeking desperately for some unattainable happiness or fulfillment" (Nagel). "The novel ends where it began….none of the major problems have been resolved, none of the characters have achieved any sort of lasting fulfillment" (Nagel). Thoughts: James Nagel provides the reader with a biography and background information on Ernest Hemingway, including a summary and analysis on Hemingway's novels so that the reader can understand the correlation between Hemingway and his books. I believe that Nagel gives ample information on Hemingway so that the reader can make the

Literary Critique # 4 Answer these questions, or simplify: 1. What is the argument? 2. What is the evidence? 3. What are your thoughts on this? 4. What are some quotes you would want to use as support or to argue against in your paper? 1.This is a source written by James Nagel provides a biography of Ernest Hemingway and a critical essay of many of his novels including A Farewell to Arms. Nagel offers background information on Hemingway and later talks about A Farewell to Arms to make connections between Hemingway's life and the novel. The essay implies that Hemingway portrays much of his life through the protagonists in his novel. 2.-"Pauline Hemingway, small of stature, gave birth to a son, Patrick, by a traumatic cesarean section" (Nagel 4). -The incident of Patrick's birth Hemingway recreated, with a tragic conclusion, in A Farewell to Arms" (Nagel 4). -"[A Farewell to Arms] treated the experiences of Frederic Henry on the Italian front in the First World War and his eventual desertion to Switzerland with Catherine Barkley, only to have Catherine die in childbirth" (Nagel 4). -"A lifetime of dangerous physical adventure had taken its toll in numerous injuries…" (Nagel 4). -"He became confused, suspicious, and aggressively suicidal…" (Nagel 4). -"In each single paragraph Hemingway presented the details and events that communicated what it was like to be part of a civilian retreat in war, to shoot German soldiers coming over a wall, or to observe the execution of political prisoners by a firing squad" (Nagel 4). 3.This article verifies that Hemingway composed many novels based off his real life experiences. When he writes about the war, getting wounded, falling in love with a nurse, and experiencing a traumatic ending with his loved one in A Farewell to Arms, he is practically retelling his story with different characters. He makes few minor detail switches and main story doesn't change. The reader has th

3...opportunity to hear Ernest Hemingway's deep feelings and true thoughts coming through in his A Farwell to Arms. Hemingway unmistakably portrays himself in the novel as the protagonist, Frederic Henry, and depicts his loved one as Catherine Barkley. In real life, his loved one was Pauline Pffeifer-Hemingway. It is apparent that Pauline portrays Catherine Barkley, as both the real person and fictional character experienced similar, if not same events such as the Cesarean section that both went through in childbirth. 4.-"My legs in the dirty bandages, stuck straight out in the bed. I was careful not to move them. I was thirsty and I reached for the bell and pushed the button. I heard the door open and looked and it was a nurse. She looked young and pretty" (Hemingway, "A Farewell to Arms" 84). -"Yes, even in the ambulance business….ambulance drivers were killed sometimes" (Hemingway, "A Farewell to Arms" 37). -"I went out the door and suddenly I felt lonely and empty. I had treated seeing Catherine very lightly, I had gotten somewhat drunk and had nearly forgotten to come but when I could not see her there I was feeling lonely and hollow" (Hemingway, "A Farewell to Arms" 41). Works Cited Hemingway, Ernest. A Farewell to Arms. New York: Scribner, 2003. Print. Nagel, James. "Ernest Hemingway." American Novelists, 1910-1945. Ed. James J. Martine. Detroit: Gale Research, 1981. Dictionary of Literary Biography Vol. 9. Literature Resource Center. Web. 16 Jan. 2011. .

Argument: Canadenis' argument is that Marlow goes through a metamorphosis by focusing his mind on Kurtz and carelessly allowing himself to enter into the state of "darkness." Evidence: 1. When the manager first mentions Kurtz to him, Marlow seems unequivocally grateful for the new distraction, immediately fixating his attention on the trader and inquiring about him endlessly. 2. Kurtz is like Marlow's doppelganger, his corrupted "other self"-which explains why Marlow experiences such revulsion upon learning of Kurtz's unforgivable transgressions in the name of profit. Marlow sees too much of himself in Kurtz already-and he doesn't like what he sees. 3. The "effect" that Kurtz has on Marlow varies throughout the journey, from self-illumination to one of absolute horror and disgust. Kurtz's gruesome story reveals to Marlow that each person simultaneously possesses the capacity for both great good and for unadulterated evil-and his ultimate decay serves as firsthand evidence of the consequences of embracing one's dark side and forsaking morality. Quotes: "Marlow begins his quest into the "heart of darkness" with nothing but noble intentions and a genuine thirst for adventure." "Consequently, he greets the images of agonizing chain-gangs, malnourished "unhappy savages," the gory murder of his helmsman by javelin, the echoing cries of "infinite desolation,..." Own Thoughts: 1.Canadenis gives a more understanding insight/explanation on how Kurtz is Marlow's "double" just like how Leggatt is the narrator's "double" in The Secret Sharer. 2. This source also has a good way of explaining how Marlow does not necessarily mature, he just allows something/someone to take control of him.

Argument: Although the subject of Steinbeck's novels change overtime, he maintains a view of certain fundamental values and attitudes such as naturalism and romanticism. Claim: Steinbeck's obsessiveness with science/biology as well as the relationship between man and his environment appear throughout his novels. However, he often strays from science and writes off an emotional bias by writing fondly of those that live natural lives and behave naturally. Evidence: In "Sea of Cortez", he states "There would seem to be only one commandment for living things: Survive!" (Sea of Cortez). A majority of this book is about a group of boys who focus on what is occurring during the present time and handle issues with their reactions instead of with 'teleological thinking' (2). In addition, he touches on the subject of the scientific viewpoint that everyone is fighting to stay alive and make it in this world. http://go.galegroup.com.lib.chandleraz.gov/ps/retrieve.do?sgHitCountType=None&sort=RELEVANCE&inPS=true&prodId=LitRC&userGroupName=chandler_main&tabID=T001&searchId=R1&resultListType=RESULT_LIST&contentSegment=&searchType=BasicSearchForm&currentPosition=1&contentSet=GALE%7CH1420074523&&docId=GALE|H1420074523&docType=GALE&role=LitRC

Argument: The heated passion within Wuthering Heights is a product of the intense relationship between Heathcliff and Catherine. Claim: Passion is an essential element of a Romantic novel. Catherine is, in some ways, addicted to Heathcliff. Catherine's addiction to Heathcliff is bold, especially for society at the time. Catherine is somewhat reckless. Catherine has an empty soul. Evidence: "Intensity arises out of the bond between Catherine and Heathcliff, a bond which can best be described as an addiction rather than as a 'theme' of a traditional Romantic Gothic novel. The addictive nature of the relationship is illuminated by Catherine's cry of 'I am Heathcliff!' (98). Lacking any inner resources, Catherine attempts to capture Heathcliff's psyche to fulfill the emptiness in her own soul. This then is sexual addiction--the need to possess another being." http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CA18290969&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Argument: In writing Wuthering Heights, Emily Bronte was divinely inspired by her surroundings, enabling her to create eerily realistic characters and a dreary, yet true setting. Claim: The moors in Wuthering Heights are based on the moors that stretch around her home. She knew her surroundings well. Joseph is based on hill-farmers that lived in the moors around her home. Emily Bronte was a very down-to-earth person. Evidence: "She was a very private person, rejecting such contacts with the world as were offered her through her sister Charlotte and her London publishers." "The author's close familiarity with the local rustic types, the fiercely independent hill-farmers living about the moors, enabled her to create the old curmudgeon Joseph." "In creating such a character as Joseph, Emily Brontë showed that, undoubted visionary as she was, she also had her feet firmly planted on earth." "All the source of her health and happiness, and the inspiration of her writing, were the moors that stretch 20 miles round about her home, Haworth, where she spent her whole life. Her intimate knowledge of the moors at all seasons of the year, and of the wildlife inhabiting them, gave her all the stimulus she needed to enrich her imagination and inspire her writing." http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1420001074&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Coupland throws these teens into his own life growing up, it was his home town and his mood. This talks of Karen's coma starting through a misunderstanding, thinking she is just passed out from starvation and over indulging in alcohol. Coupland wrote "beyond the edge of the known world" in this novel about post apocalyptic world in Canada. http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1100033666&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Argument: Any society based on satisfying the needs of Passive Man will destroy Active Man and will itself become uncreative and unproductive Claim: collectivists diminish individual rights, and individual thought Evidence: Collectivism, she told Reader's Digest readers, is always totalitarianism; and "horrors which no man would consider for his own selfish sake are perpetuated with a clear conscience by 'altruists' who justify themselves by--the common good" ("The Only Path to Tomorrow," Reader's Digest, January 1944, 88) Source Citation Baker, James T. "Chapter 3: Ayn Rand as Public Philosopher." Ayn Rand. James T. Baker. Boston: Twayne Publishers, 1987. Twayne's United States Authors Series 501. Literature Resource Center. Web. 6 Dec. 2010. Document URL http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1472002608&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Arguement: Gantos purpose is to educate readers 1 claim: Educate about getting on the right path Evidence: "Gantos believes that his firsthand experience with crime and punishment could be a cautionary tale for teens who "have not yet made mistakes," and for those who have, it could be a reminder that "you can still pul yourself together." 2 claim: Educate about morality and hope Evidence: One of the reasons he wrote the book, he says, is that "teens growing tip in a zero-tolerance world need to know that there are consequences for foolish behavior, but there are second chances, too." 3 claim: Educate about real life realities Evidence: "Gantos strove to make his story "authenic," and refrained from censoring or softening gritty elements of prison life."

Argument: Crichton is superior storyteller, but not a creator.
Claim 1: Crichton uses old plots and themes.
Evidence: "Terminal Man", "Next", "Andromeda Strain", "Jurassic Park" are all based off of works by other authors.
Claim 2: Crichton uses literary elements in tandem with "hard" science to write well.
Evidence: He integrated Chaos Theory into "Jurassic Park". Archetypes are prevalent in his works, as well as allusions. The Greek notion of Hubris-extreme pride-manages to work its way into most of his stories.

Argument: I might be mistaken, as I have not read all 80 pages of this magazine, but the argument for pages 79-80 is certainly that people enjoy literature they perceive to be real. Good writers give their plots 'Authority'.
Claim 1: Crichton demands 'moral attention' by using scientific facts.
Evidence: The Velociraptor of "Jurassic Park" is considered an accurate representation of a predator, and after the publication of the novel, the dinosaur entered popular culture.

Type stuff about the resource here. 1. Argument 2. Claim 3. Quote as evidence. http://search.ebscohost.com.lib.chandleraz.gov/login.aspx?direct=true&db=lfh&AN=16362490&site=lrc-live

Argument: Shakespeare's characters struggle with the conflict in human nature between reason and emotions. Claim: - Shakespeare's characters used overindulgence in pleasre and self indulgence to attack the Puritans.- He influences the moral value of freedom vs. restraint. Evidence: "Of the two extremes, the course of life that would banish all indulgence is emphasized as more objectionable." "Shakespeare composed in praise of the much - needed, well balanced nature, to extoll that happy union of judgement and of feeling which is the basis of higher sanity."

Argument: Thomas Hardy is a gifted writer who was able to craft a masterful novel, Jude the Obscure. The novel is plagued with only a few drawbacks, including the drab setting and the overcompensated characters that often render the novel unrealistic. Claim: Thomas Hardy is a gifted writer. Thomas Hardy could have chosen a more interesting setting (Dorsetshire) but instead chose a setting with a limited history and scenery (Wessex). Hardy's novel is overall well-done. Evidence: "Jude the Obscure is an irresistible book; it is one of those novels into which we descend and are carried on by a steady impetus to the close, when we return, dazzled, to the light of common day. The two women, in particular, are surely created by a master. Every impulse, every speech, which reveals to us the coarse and animal, but not hateful Arabella, adds to the solidity of her portrait. We may dislike her, we may hold her intrusion into our consciousness a disagreeable one, but of her reality there can be no question: Arabella lives." http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1420014281&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

A PDF article about a theme from Canterbury (specifically the Franklin's Tale). a. Identify the author's purpose b. Critique the effectiveness of the organizational pattern or structure of argument. Address all of the following: logic, focus, consistency, coherence, c. Evaluate the evidence that is provided to support the author's perspective. In your opinion, does this evidence help or hinder the author's case? Is enough evidence provided? Is the evidence provided typical or a rare case? d. What conclusions are reached by the author? e. What biases, beliefs, and assumptions may contribute to the author's purpose or conclusions? f. What are the author's implicit (unstated) and/or explicit (stated) assumptions about this subject? How do you know this? Answer these questions, or simplify: 1. What is the argument? 2. What is the evidence? 3. What are your thoughts on this? 4. What are some quotes you would want to use as support or to argue against in your paper?

Source#1 Argument: The author describes the characters, their social status, and their relationship. Claim: Melodramatic and overly symmetrical. Evidence: At certain points the novel becomes melodramatic but not enogh to be made a big deal over. The novel needs to be melodramatic at times because the tone needs to flow with the story to emphasize the mood. In addition the story closely relates to the known fact about the authors life which is an element of being overly symmetrical.

Generation X: Tales for an Accelerated Culture was Coupland's first novel. This article describes it has a "Serious" novel, that is actually popular! Such a surprise that people would like a serious novel about the middle-class. The journey that Andrew Palmer goes through culture degrading.

Argument: Naturalism is the application of principles of scientific determinism. Humans view the world as animals would, responding to environmental forces and internal stress and drives.  Claim: There are eight ways to determine if a piece of literature contains naturalism: objectivity, frankness, amoral attitude toward material, philosophy of determinism, bias toward pessimism in selection of details, bias in selection of characters, characters are subject to certain temptations, and complexity and American Determinism. Evidence: Smith gives no evidence to support his claims, however he does cite three books (Parrington's The Beginnings of Critical Realism in America: 1860-1920, Murfin and Roy's The Bedford Glossary of Critical and Literary Terms, and Holman and Harmon's A Handbook to Literature). Evidence, however, can be shown throughout naturalists' novels. Steinbeck, a proven naturalist by critics, has these criteria shine through vividly throughout his literature. For example, one criterion given was the bias in selection of characters. "There are usually three types: (a) characters marked by strong physiques and small intellectual activity; (b) characters of excited neurotic temperament, at the mercy of moods, driven by forces they do not stop to analyze; (c) an occasional use of strong character whose will is broken" (1). In Steinbeck's Of Mice and Men, Lenny (type A) is a strong, tall man with no brains. His friend, George, (type b) who has extreme mood swings between sympathetic and furious, must keep his Lenny from speaking because his stupidity might ruin their jobs. http://www.viterbo.edu/perspgs/faculty/GSmith/Naturalism.html