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Anyone can bake a cake, but while some chefs bake dry, uninspired bricks of dough, there are other chefs who make cakes we would die for. The ingredients may be the same, but the outcomes are so very different. This is also the case between average electronic products and world-class, market-changing products. One of the most recent technical sensations is the capacitive touch screen. But what makes some touch screen-based products amazing, while others get such poor reviews?

Over the past few years, one of the most important shifts in the digital world has been the move from the wide-open Web to semiclosed platforms that use the Internet for transport but not the browser for display. It’s driven primarily by the rise of the iPhone model of mobile computing, and it’s a world Google can’t crawl, one where HTML doesn’t rule. And it’s the world that consumers are increasingly choosing, not because they’re rejecting the idea of the Web but because these dedicated platforms often just work better or fit better into their lives (the screen comes to them, they don’t have to go to the screen).

A new development in virtual cameras at the University of Abertay Dundee is developing the pioneering work of James Cameron’s blockbuster Avatar using a Nintendo Wii-like motion controller – all for less than £100.Avatar, the highest-grossing film of all time, used several completely new filming techniques to bring to life its ultra-realistic 3D action. Now computer games researchers have found a way of taking those techniques further using home computers and motion controllers.James Cameron invented a new way of filming called Simul-cam, where the image recorded is processed in real-time before it reaches the director’s monitor screen. This allows actors in motion-capture suits to be instantly seen as the blue Na’vi characters, without days spent creating computer-generated images.

It’s 2020, and it’s sunny outside. In fact, it’s so bright in your kitchen that you have to squint to see your grapefruit. You flip on your e-reader and the most recent e-issue of IEEE Spectrum pops up on-screen, the colors and text sharp and brilliant in the sunlight. There’s e-mail to answer, but you want to make the early commuter bus, so you roll up your e-reader and stuff it in your jacket pocket.

Breadboarding a new circuit is a key skill and an important step in many projects—especially early on, when you need to move wires around and substitute components. But that very flexibility also makes it easy to knock wires out. Eventually, if your project is a keeper, you’re going to want something with a bit more permanence. Printed circuit boards (PCBs) solve all those shortcomings. But most people don’t even consider translating a one-off project into a PCB design. For one thing, PCB fabrication has traditionally been expensive, viable only in commercial quantities. (One alternative is to do it yourself with etches and silk screens, a messy and time-consuming process.) Also, there are technical constraints involved with PCB designs that are daunting to the casual hobbyist. But it turns out that nowadays you can produce a professional PCB very inexpensively.

I luuuuuuuvvvvvvvvvvvvvvvvv Satori's demos. So much that I actually check their Pouet page every month or so just to see if they have anything new, even though they hadn't released anything since 2007. They were one of the very first groups I came to know, and they're among my top 3 favourite demo groups of all time, and I have a LOT of favourites so... you get the picture. =) I was beginning to lose hope of seeing new demos from Satori since they hadn't released anything in such a long while. And that would have been such a shame. So you can imagine the depth of my WOOOOOOOOOHOOOOOOOOOWWWWWWWWWWWW when I saw their name pop up on my screen today, as I was watching the demo compo on Breakpoint TV. =) And oh wow, they SO did not disappoint! The demo is a true artistic masterpiece.

As I noted last week, US Federal Bureau of Investigation (FBI) Director Robert Mueller told the US House Appropriations Committee’s Subcommittee on Commerce, Justice, Science, and Related Agencies that the follow-on to the notoriously failed $170 million Virtual Case File program called Sentinel would once again slip its schedule and cost targets. The latest cost estimate is in excess of $481 million with a total program slip now of some two years and counting.    Director Mueller told the House Committee that the FBI decided to suspend work on Sentinel in early March to correct some "minor" technical issues and make some design changes. These issues included, according to the New York Times, "slow response times, awkward display pages and screen print that was too small."