1990s grunge/rock/punk singer Courtney Love calls Katy Perry boring, but is excited by Miley Cyrus, calling her a sexy hillbilly. She also provides a dig toward Robin Thicke.
Camille Paglia argues that the problem with Cyrus's performance wasn't that it was "disgusting," but rather that it was unsexy ("atrocious"), and that subversion and sexual liberation need limits and can't rely just on shock.
I might add that I think Paglia is largely right, but then again, wrong: Isn't she mis-identifying Cyrus? Cyrus was out for shock, not sexual liberation (in my reading). She's not trying to be the next Madonna. (If you read other Paglia arguments, a recurring theme is: "This new artist isn't Madonna.")
A study of visits to online news stories found that Americans were 12 times as likely to visit an article about Miley Cyrus than Syria. This trend is despite news venues publishing 2.4 articles about Syria for every article about Cyrus.
Hanson argues that at this point in pop music, artists like Miley have nothing to rebel against to make them artistic -- Miley has to go full circle and just make sex, music, and performance ugly.
An argument that Miley Cryus's VMA performance was (though unintentionally) a minstrel show that echoes the minstrelsy of the 19th century, especially performances of "Uncle Tom's Cabin." This is a heritage that we carry with us from theatre, and plays out in hollywood, such as "Orange Is the New Black" character Crazy Eyes.