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Nathanael Nix

How a Pop-Bottle Invention Resulted in the Cell Phone | Martin Cooper | Big Think - 0 views

  • For 100 years, people who wanted to talk to other people were wired to their homes, they were latched – or chained to their desks and really didn’t have much in the way of freedom. That we were, in fact, giving people communications in their vehicles: even then, it’s not much better than being tied to your desk. You’re still trapped in your car. So we found out from people, like the Superintendent of Police in Chicago, who told us that he had a real problem. His officers had to be in communication, the only way they could talk was to be in their cars, and yet the people they were protecting were walking on the streets. He asked us, “How can I have my officers connected and still mingling with the people?” And we discovered this was true of people managing airports, people managing businesses, real estate people. So, we became aware of the fact that real communications is portable communications. Put the device on the person. 
  • I was four years old, lived in Winnipeg, Canada, where it’s very cold in the winter and very hot in the summer. And I look at these boys with a magnifying glass. And they were burning a piece of paper by focusing the rays of the sun onto this paper through a magnifying glass. And I just had to know how that worked. And so I did the obvious thing, I took a soda pop bottle and broke it and tried to make a magnifying glass out of it. And that’s when I realize now, that I had discovered that I was going to be an engineer because I want to know how everything works and I always have. 
  • When I was nine years old, I invented—at least I think I invented—a train that could travel through a tunnel from one end of the country to the other. And what was unique about this train was two things. I had learned about friction, and so we had to get rid of friction. And so I thought, why don’t we support this train on a magnetic field? Because I knew two magnets, when they are close together, force themselves apart. And the second thing is if we’re going to get rid of all friction, we have to get rid of the air. So, this train traveled in a tunnel that was totally evacuated. It was in a vacuum. And amazingly enough, they are just starting to build trains like that, maybe without the vacuum, but with magnetic levitation. So, maybe it wasn’t such a dumb idea after all. 
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  • Science has been a part of my life from the time I was four years old... just knowing how things work, having a curiosity. And my curiosity has been limitless and that’s quite a handicap because there are times in your life when you have to specialize. But I literally want to know everything and only in recent years have I finally realized that I’m never going to know everything. In fact, the older I get, and the more stupid I find out that I am. But science, the understanding of how things work, what things are, has been crucially important to me. So, I started out with fantasy; I’ve always loved science fiction. I’ve always known that I was going to be an engineer, so I went to a technical high school so that I could take every kind of shop and learn how to work with my hands, learned about materials, and I always knew that I was going to go to an engineering school and get an engineering degree. 
  • Science can be interesting. Science can be fun. If, in fact, teachers learn how to present science in that way and learn how to make people curious and make it enjoyable, I think more people will get involved. But it’s not important that everybody become a scientist. Everybody doesn’t have to be a mathematician. Make it interesting enough so the people that have that interest, that have that talent do latch onto the wonderful world that will open up if they dig into science and mathematics. The teaching of science, mathematics, of anything—there really is no difference from a game. If you make a game dull, if you make it uninteresting, if you don’t have something that grabs people... then they won’t get interested and they’ll go do something else. So, I don’t see why teaching should be any different than creating games. Creating a curriculum ought to be the same as creating a game. Make it interesting, make it fun, make it a challenge; all of those things. All of the attributes of playing a game are the things that draw people into learning and I think that’s what we ought to do. We ought to somehow coalesce the concept of teaching with the concept of game playing, and we’re going to find that a lot more of our youngsters are going to get interested in learning and specifically about science, mathematics, technology.
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    This is a good website about Martin Cooper and the Cell Phone invention, it even has a pretty nifty video about him.
Nathanael Nix

MARTIN COOPER - 0 views

  • Martin Cooper was born in Liverpool in 1958 and studied art at the Laird School of Art in Birkenhead.
  • Between 1980 and 1989 Martin was a member of the highly successful pop group Orchestral Manoeuvres in the Dark.
  • Martin has exhibited extensively, both in the UK and overseas, and his pictures hang in many private collections. In recent years he has exhibited at the Williamson Art Gallery (Birkenhead), the Royal Academy of Arts (London), the David Messum Fine Art Gallery (London), W H Patterson (London), Woodhay Picture Gallery (Newbury), Llewellyn Alexander (London), the Brian Sinfield Gallery (Compton Cassey Galleries), Sarah Samuals Fine Art (Chester), Heritage House (Bermuda) and the Fel Gallery (Singapore).
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  • In 1998 Martin was awarded the sponsors prize in the Discerning Eye exhibition which was held at The Mall Gallery in London.
  • Martin lives in Greasby, Merseyside with his wife, Alexandra Bibby, a classical pianist, and their two sons.
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    This is a very good informational website about one of Martin Cooper's previous jobs.
justin creed

Fun Facts About Paper Sticky Notes | Paper Views - 0 views

  • Sticky notes seem to be a part of everyday life. They are found in homes, classrooms and offices. You may be wondering…how did the sticky note come to be? Well here is the answer…According to Post-it®Brand’s website, Dr. Spencer Silver, a 3M scientist, developed a repositionable adhesive, but he didn’t know what to do with his discovery. It wasn’t until six years later that his colleague, Art Fry, thought of a use for the adhesive.
  • 1980 – Post-it® Notes are introduced in the United States 1987 – Post-it®Flags are introduced 1990 – Post-it® Notes celebrate their 10 year anniversary 1991 – Post-it® Pop Up Notes are introduced 1994 – Post-it® Easel Pads are introduced. 2003 – Post-it®Super Sticky Notes are developed and practically stick to almost               any surface 2009 – Post-it® Labels & Post-it Flag Highlighters are introduced 2010 – Post-it® Laptop Note Dispensers are introduced
  • fun facts about the history of the Post-it® Note
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  • A Post-it® Note weathered a flight from Las Vegas to Minneapolis on the nose of the plane. It endured speeds of 500 mph and temperatures as low as -56 degree Fahrenheit. It would take approximately 506,880,000 Post-it® Notes to circle the world once 1989 – A family left a Post-it® Note on their front door during Hurricane Hugo and it was their 3 days later 2000 – Llze Vitolina created a line of avant-garde evening wear made from Post-it® Notes. She made 11 dresses total, including a wedding gown, hats, and a bridal bouquet Today, the Post-it® Brand now has over 4,000 products.
bailey spoonemroe

Wrigley Company | Wrigley Chewing Gum - Candy Favorites - 0 views

  • William Wrigley Jr., yep, the founder of the Wrigley Company, believed that even with small things, quality matters. More than 100 years later, candy lovers still enjoy the quality of numerous Wrigley Company products including Wrigley chewing gum, Life Savers, Altoids, and more.We have the complete Wrigley chewing gum selection below so you can choose among Hubba Bubba, Orbit, Extra, Eclipse, Big Red, Freedent, 5 Rain, and others. Whether you are looking for minty, sweet, or sugar-free, you’ll find it all here.
  • Besides Wrigley chewing gum, we carry Chunky Candy Bar, Life Savers candy in several varieties including Sour Gummies, and Squeeze Pops. It’s a Wrigley fan’s paradise.
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    highlighted part!
Nathanael Nix

The Cellphone Turns 40: Remembering Martin Cooper's Historic Call - The Daily Beast - 1 views

  • inspired by Captain Kirk’s gold flip-top ‘communicator’
  • Four decades ago today, Martin Cooper—
  • —made the first cellphone call. Sean Macaulay on what came next. Plus, from brick to Nokia, mobiles through history.
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  • April 3, in 1973, a man called Martin Cooper crossed Sixth Avenue clutching a telephonic gadget that would change history beyond all imagining.
    • Nathanael Nix
       
      Here is the video about some of the most iconic phone scenes in Hollywood and pop culture.
    • Nathanael Nix
       
      Its pretty good.
  • Cooper, who’s now 84 and still working in Silicon Valley, was a former Navy man and engineer
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    Here is another really good website about the cellphone it even has a video at the end.
Heather Purpera

CD History - 0 views

  • It was Philips Industries, a Dutch-based electronics giant (known in the music world as owner of the PolyGram labels), that made the first announcement, on May 17, 1978. Working with Japan's Sony Corporation, Philips announced that they would have a marketable compact disc and appropriate hardware ready "in the early 1980s." That promise was kept on October 1, 1982, when the compact disc was introduced in Japan by CBS/Sony, with 112 different CD titles and a CD player (Sony's CDP-101). The last few months of 1982 were hectic, with Sony selling over 20,000 CD players and Hitachi also posting sales in the 6,000 per month range for their player. Prices for these initial players ran from about $700 to about $1000. The discs themselves, priced at about $15-20, could not be pressed fast enough to meet demand. Sony's research on who was buying the discs in Japan indicated it was young (20s, early 30s) men with a particular interest in sound quality. Perhaps it was this research that led others to believe, as the rest of the world looked on in curiosity to what was happening in Japan, that CDs would fill a niche for high quality sound enthusiasts and little else. By the end of 1982, CBS/Sony and Epic/Sony had issued 122 CD titles.
  • The stories about compact discs published in Billboard during early 1983 are fascinating. The lead story on January 29 has PolyGram mulling over how to package the CD in the US when it's released later in 1983, leaning toward the (in retrospect, ill-fated) "long box," the 6"x12" cardboard box which they convinced the industry to adopt at the RIAA (Record Industry Association of America) meeting the next week. (Many at the meeting were considering a 12"x12" box!)
  • In February, Sony announced a "firm" suggested retail price of $1000 for their CD player and $16.98 for discs when they would be introduced later that year in the US. February 23, 1983 marked the debut of the compact disc in Europe, with PolyGram's Hans Gout noting that, "The sooner the Compact Disc replaces the conventional black vinyl LP, the better." By early March, Sony and CBS Records in the US were supplying free compact disc players and discs to selected radio stations here, mostly with Classical and Album-Oriented Rock formats. The March 12 issue of Billboard also notes that Capitol Record Shop, a Hartford, Connecticut, record store, had begun importing CDs from Japan and Europe, with 24 titles at a price tag of $24.95 each. At the time the owner was interviewed, he had only sold a total of one disc.
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  • Several months of delays and anticipation dragged by, until in late June, 1983, CBS finally shipped the first CD "prepacks" to a select 35 accounts. Each prepack had a total of 12 titles, with no more than a total of 1000 prepacks altogether in the first shipment. Among the individual titles were Pink Floyd's Wish You Were Here, Billy Joel's The Stranger, Michael Jackson's Thriller, and Toto's Toto IV. Other titles were jazz and classical. The CD era had begun in the United States.
  • Within about a month, CBS had issued several other pop/rock titles, including Boston's Don't Look Back, Earth Wind & Fire's Raise!, ELO's Discovery, Journey's Escape, Boz Scaggs' Silk Degrees, Barbra Streisand's Guilty, and Bruce Springsteen's Born To Run. These had the CBS logo (and mastering numbers in the DIDP 50000 series). Later, these were reissued with Columbia logos, but these remain as examples of the earliest American CD releases
  • After the introduction of the CD here, most of the stories in the trade press center around the acute shortage of pressing plants. At that time, there were two major plants, PolyGram's Hanover, West Germany plant, and Sony's plant in Japan. (Almost all the CDs sold under US labels for the first few years were either made in Japan or West Germany.) Sales figures for the US in 1983 totalled about 30,000 players and 800,000 discs. Still, no one really knew if the CD would succeed.
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