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bailey spoonemroe

Wrigley Company | Wrigley Chewing Gum - Candy Favorites - 0 views

  • William Wrigley Jr., yep, the founder of the Wrigley Company, believed that even with small things, quality matters. More than 100 years later, candy lovers still enjoy the quality of numerous Wrigley Company products including Wrigley chewing gum, Life Savers, Altoids, and more.We have the complete Wrigley chewing gum selection below so you can choose among Hubba Bubba, Orbit, Extra, Eclipse, Big Red, Freedent, 5 Rain, and others. Whether you are looking for minty, sweet, or sugar-free, you’ll find it all here.
  • Besides Wrigley chewing gum, we carry Chunky Candy Bar, Life Savers candy in several varieties including Sour Gummies, and Squeeze Pops. It’s a Wrigley fan’s paradise.
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justin creed

Post-It Notes Were Invented By Accident - 1 views

  • There were actually two accidents that lead to the invention of the Post-It note.  The first was by Spencer Silver.  According to the former Vice President of Technical Operations for 3M Geoff Nicholson (now retired), in 1968, Silver was working at 3M trying to create super strong adhesives for use in the aerospace industry in building planes.  Instead of a super strong adhesive, though, he accidentally managed to create an incredibly weak, pressure sensitive adhesive agent called Acrylate Copolymer Microspheres.
  • It did have two interesting features, though.  The first is that, when stuck to a surface, it can be peeled away without leaving any residue. 
  • Specifically, the acrylic spheres only stick well to surfaces where they are tangent to the surface, thus allowing weak enough adhesion to be able to be peeled easily.  The second big feature is that the adhesive is re-usable, thanks to the fact that the spheres are incredibly strong and resist breaking, dissolving, or melting.   Despite these two notable features, no one, not even Silver himself, could think up a good marketable use for it.  Thus, even with Silver promoting it for five years straight to various 3M employees, the adhesive was more or less shelved. Finally, in 1973, when Geoff Nicholson was made products laboratory manager at 3M, Silver approached him immediately with the adhesive and gave him samples to play with. 
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  • Silver also suggested what he saw as his best idea for what to use the adhesive for, making a bulletin board with the adhesive sprayed on it.  One could then stick pieces of paper to the bulletin board without tacks, tape, or the like.  The paper could subsequently be easily removed without any residue being left on the sheets.  While this was a decent idea, it wasn’t seen as potentially profitable enough as annual bulletin board sales are fairly low.
  • Now enter the second accident by chemical engineer Art Fry.  Besides working at 3M as a Product Development Engineer and being familiar with Silver’s adhesive thanks to attending one of Silver’s seminars on the low-tack adhesive, he also sung in a church choir in St. Paul, Minnesota.
  • One little problem he continually had to deal with was accidentally losing his song page markers in his hymn book while singing, with them falling out of the hymnal.  From this, he eventually had the stroke of genius to use some of Silver’s adhesive to help keep the slips of paper in the hymnal.
  • Fry then suggested to Nicholson and Silver that they were using the adhesive backwards.  Instead of sticking the adhesive to the bulletin board, they should “put it on a piece of paper and then we can stick it to anything.”
  • This initially proved easier said than done, in terms of practical application.  It was easy enough to get the adhesive on the paper, but the early prototypes had the problem that the adhesive would often detach from the paper and stay on the object the paper was stuck to, or, at least, leave some of the adhesive behind in this way.  There was no such problem with the bulletin boards Silver had made because he had specifically made them so that the adhesive would bond better with the board than the paper. Two other 3M employees now entered the scene, Roger Merrill and Henry Courtney.  The two were tasked with coming up with a coating that could be put on the paper to make the adhesive stay bonded to it and not be left behind on whatever the paper was stuck to when it was removed, a task at which they were ultimately successful at achieving. Interestingly, because management at 3M still didn’t think the product would be commercially successful, they more or less shelved it for three years, even though the Post-It notes were extremely popular internally at 3M labs during that span.    Finally, in 1977, 3M began running test sale runs of the Post-It note, then called “Press ‘n Peel”, in a certain areas in four different cities to see if people would buy and use the product.  It turned out, no one much did, which confirmed in the minds of the executives that it wasn’t a good commercial product.
  • Luckily for offices the world over, Nicholson and Joe Ramey, Nicholson’s boss, didn’t feel like giving up yet.  They felt the marketing department had dropped the ball in that they hadn’t given businesses and people samples of the product to use to let them see for themselves how useful the notes could be.  So a year after the initial flop, 3M tried again to introduce the Post-It note to the world, this time giving huge amounts of free sample Post-It note pads away in Boise, Idaho, with the campaign deemed “The Boise Blitz”. 
  • This time, the re-order rate went from almost nothing, in the previous attempt, to 90% of the people and businesses that had received the free samples.  For reference, this was double the best initial rate 3M had ever seen for any other product they’d introduced.  Two years later, the Post-It note was released throughout the United States.
  • So after 5 years of constant rejection for the adhesive and another seven years in development and initial rejection, Post-It notes were finally a hit and have since become a mainstay in offices the world over, today being one of the top five best selling office supply products in the world.
  • Ever wonder why the standard color for Post-It notes is yellow?  It turns out this was kind of an accident as well.  The official story from some at 3M is that it was because it created a “good emotional connection with users” and that it would “contrast well stuck to white paper”.  However, according to Geoff Nicholson there was no such thought given to the color.  The real reason Post-It notes were yellow was simply because the lab next door to where they were working on the Post-It note “had some scrap yellow paper – that’s why they were yellow; and when we went back and said ‘hey guys, you got any more scrap yellow paper?’ they said ‘you want any more go buy it yourself’, and that’s what we did, and that’s why they were yellow. To me it was another one of those incredible accidents. It was not thought out; nobody said they’d better be yellow rather than white because they would blend in – it was a pure accident.”
  • Another obstacle in the initial launch of Post-It notes was that, because it was a completely new type of product, it required the construction of new machinery to mass produce the Post-It note pads, which was initially prohibitively expensive for a product seen by many within 3M as destined for commercial failure.
  • While most Post-It notes only have a thin strip of adhesive, you can buy Post-It notes that are completely covered in the back with the adhesive.  One example of a place this type of note is used is at the U.S. postal service.  These full adhesive backed notes are used there on forwarded mail.
  • Post-It notes received an upgrade in 2003 when 3M launched a new version of the Post-It note with super sticky glue that has better adhesion to vertical surfaces.
  • Spencer Silver holds a total of 22 patents, including the patent for the “low-tack, reusable, pressure sensitive adhesive” used in Post-It notes (Patent#: 3,691,140).  Silver is still working at 3M today in their special adhesives department.  He also has a doctorate in organic chemistry, which he received two years before inventing the adhesive used in Post-It notes.  On the side, his favorite past time is painting using pastels and oils, which he apparently is extremely accomplished at.
  •  Post-It notes are occasionally used in art-work.  One such famous example was in 2008 when Shay Hovell used 12,000 Post-It notes to create a replica of the Mona Lisa.  The most expensive Post-It note art piece was done by R.B. Kitaj and sold for £640 (about $1000) in 2000.
  • Art Fry received his early education in a one room schoolhouse.  He studied chemistry at the University of Minnesota and was hired while still in school at the “Minnesota Mining and Manufacturing Company”, which later was re-named 3M.  He retired from 3M in the early 1990s.
Heather Purpera

History of Computers and Computing, Birth of the modern computer, The bases of digital ... - 0 views

  • Compact Disk of James Russel The first workable digital compact disc device, the precursor on now ubiquitous CD/DVDs, was invented in the late 1960s by the American physicist James Russell
  • James T. Russell was born in Bremerton, Washington in 1931. He was always a smart boy and at the age of six he devised a remote-control battleship with a storage compartment for his lunch (obviously the young James enjoyed the food :-)
  • In 1953, Russell earned his Bachelor degree in physics and graduated from Reed College in Portland. Afterwards he went to work as a Physicist in General Electric's nearby labs in Richland, where his wife Barbara worked as a chemist. At GE, working for the Hanford Nuclear Plant, and appointed as a "designated problem-solver" for GE experimental unit, Russell initiated many experimental instrumentation projects. He was among the first to use a color TV screen and keyboard as the main interface between computer and operator. He also designed and built the first electron beam welder. In 1950s and early 1960s, Russell, who was an avid music listener (he was found of classical music—Beethoven, Chopin, Mussorgsky, Offenbach. etc.), quite frustrated with the wear and tear of his vinyl records and their poor sound quality, tried to improve the record player. Initially he tried using a cactus needle, instead of steel one, for a stylus, but with no success. "After each record you had to resharpen the needle," he recalled.
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  • In 1965, the Ohio-based Battelle Memorial Institute opened its Pacific Northwest Laboratory in Richland, to took over management of Hanford's lab, and James Russell joined the effort as Senior Scientist. Thus he gained an audience for his more far-fetched ideas and immediately began to pepper Battelle with proposals for new commercial concepts. The optical digital technology was initially met with skepticism, as it was not believed that one could digitize sound. "Here I was at Battelle, enmeshed in the scientific community, and one of the first things I had to demonstrate was that you could digitize music and reproduce it" he said. "Music into numbers? Come on now, Russell."
  • ple to convert into an audible or visible transmission.
  • Through the 1970s, Russell continued to refine the CD-ROM, adapting it to any form of data. However, like many ideas far ahead of their time, the CD-ROM found few interested investors at first. In 1971, Eli S. Jacobs, a New York venture capitalist, pioneered the commercialization by forming Digital Recording Corporation to further enhance the product for the consumer video market, and hired Russell and a team of technicians to come up with a video disk. Their efforts led to a 20-minute video disc in 1973.
  • "The vision I had in mind was of television programs on little plastic records. The networks, instead of putting programs on television, would print records. And if you wanted to watch your favorite programs you'd get them in the mail and put in the disk whenever you want," Russell said. "Jacobs thought, if we can do it, hey great, we've got the whole world by the tail. And if we can't, well at least you know where you are." In 1974 Digital Recording Corporation announced an optical digital television recording and playback machine, the first device to digitize a color image, at a Chicago trade show. The response from large potential investors was rather cool. Philips Electronics representatives visited Russell's Battelle lab in the summer of 1975, and they discounted the entire premise of his work. "They said: It's all very well for data storage, but you can't do that for video or audio." recalled Russell. Philips had just released its laser disc, an analog optical video player, and they were convinced that analog was the only way. "Philips put $60 million into development of the laser disc. We were advised that nobody would tell them they had made a mistake."
  • Sony launched its CDP-101—the first commercialized CD player in 1982. Sony and Philips paid royalties from CD player sales to Battelle and to Optical Recording Corporation. Time-Warner and other disc manufacturers settled with the Optical Recording Corporation in 1992, paying $30 million for patent infringement. The court determined that Optical Recording had the sole rights over the technology mentioned in the patents. But because the patents properly belonged to Russell's employer, he never got a cent out of either deal. By 1985, Russell had earned 26 patents for CD-ROM technology. He then founded his own consulting firm, where he has continued to create and patent improvements in optical storage systems, along with bar code scanners, liquid crystal shutters, and other industrial optical instruments. His most revolutionary recent invention is a high-speed optical data recorder and player that has no moving parts. Russell earned another 11 patents for this "Optical Random Access Memory" device.
  • James Russell has more good ideas before breakfast than most people do all their life
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