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Gideon Burton

The ICT Enhanced Iterative Writing Process on Flickr - Photo Sharing! - 0 views

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    An interesting diagram conceptualizing the writing process as mediated through various electronic technologies.
Weiye Loh

Scientists find secret to writing a best-selling novel - Telegraph - 0 views

  • They found several trends that were often found in successful books, including heavy use of conjunctions such as “and” and “but” and large numbers of nouns and adjectives. Less successful work tended to include more verbs and adverbs and relied on words that explicitly describe actions and emotions such as “wanted”, “took” or “promised”, while more successful books favoured verbs that describe thought processes such as “recognised” or “remembered”.
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    "Scientists find secret to writing a best-selling novel Computer scientists have developed an algorithm which can predict with 84 per cent accuracy whether a book will be a commercial success - and the secret is to avoid cliches and excessive use of verbs"
Weiye Loh

Do writers need paper? « Prospect Magazine - 0 views

  • The digitisation of the reading experience itself is the least radical aspect of this process. Although a minority of titles offer sounds and images, most e-books ape their paper counterparts. Even on an advanced device like the iPad, the best reading applications emphasise clarity and clutter-free text. What’s truly new is the shift in power that the emerging order represents.
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    Do writers need paper?
Weiye Loh

Victorian Literature, Statistically Analyzed With New Process - NYTimes.com - 1 views

  • A decline in references to “God,” “Christian” and “universal” is consonant with the conventional view that the 19th century was a time of rising secularism and skepticism.
  • Yet large searches can also challenge some pet theories of close reading, he said: for example, that the Victorians were obsessed with the nature and origins of evil. As it turns out, books with the word “evil” in the title bumped along near the bottom of the graph, accounting for less than 0.1 percent — a thousandth — of those published during the Victorian era.
  • As Mr. Cohen is quick to acknowledge, the meaning of those numbers is anything but clear. Perhaps authors didn’t like to use the word “evil” in the title; perhaps there were other, more common synonyms; perhaps the context points to another subject altogether.
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  • Ms. Martin at Princeton knows firsthand how electronic searches can unearth both obscure texts and dead ends. She has spent the last 10 years compiling a list of books, newspaper and journal articles about the technical aspects of poetry. She recalled finding a sudden explosion of the words “syntax” and “prosody” in 1832, suggesting a spirited debate about poetic structure. But it turned out that Dr. Syntax and Prosody were the names of two racehorses.
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    A decline in references to "God," "Christian" and "universal" is consonant with the conventional view that the 19th century was a time of rising secularism and skepticism.
Weiye Loh

Victorian Literature, Statistically Analyzed With New Process - NYTimes.com - 0 views

  • The titles of every British book published in English in and around the 19th century — 1,681,161, to be exact — are being electronically scoured for key words and phrases that might offer fresh insight into the minds of the Victorians.
  • This research, which has only recently become possible, thanks to a new generation of powerful digital tools and databases, represents one of the many ways that technology is transforming the study of literature, philosophy and other humanistic fields that haven’t necessarily embraced large-scale quantitative analysis.
  • There is also anxiety, however, about the potential of electronic tools to reduce literature and history to a series of numbers, squeezing out important subjects that cannot be easily quantified.
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  • Some scholars are wary of the control an enterprise like Google can exert over digital information. Google’s plan to create a voluminous online library and store has raised alarms about a potential monopoly over digital books and the hefty pricing that might follow. But Jon Orwant, the engineering manager for Google Books, Magazines and Patents, said the plan was to make collections and searching tools available to libraries and scholars free. “That’s something we absolutely will do, and no, it’s not going to cost anything,” he said.
  • Mr. Houghton sought to capture what he called a “general sense” of how middle- and upper-class Victorians thought, partly by closely reading scores of texts written during the era and methodically counting how many times certain words appeared. The increasing use of “hope,” “light” and “sunlight,” for instance, was interpreted as a sign of the Victorians’ increasing optimism.
Heather D

http://jcmc.indiana.edu/vol10/issue2/huffaker.html - 2 views

  • One place that adolescents now spend a considerable amount of time is in online settings, and these online venues, such as multi-user domains (MUDs), have been linked to identity exploration (Turkle, 1995).
  • ). Identity also involves a sense of continuity of self images over time
  • unitary sense of identity is constructed after a successful search for who one is.
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  • a unitary sense of identity is constructed
  • constructed after a successful search for who one is.
  • ),  a unitary sense of identity is  constructed after a successful search for who one is. However, other perspectives of adolescent development view the construction of self as one that involves multiple "public" selves which are presented according to the demands and constraints of particular situations
  • for who one is. However, other perspectives of adolescent development view the construction of self as one that involves
  • search for who one is.
  • However, other perspectives of adolescent development
  • search for who one is.
  • for who one is.
  • for who one is.
  • anonymity
  • exploring their identity
  • , constructing identity can be a continual process for adolescents,
Weiye Loh

Why Concrete Language Communicates Truth - PsyBlog - 0 views

  • Verbs as well as nouns can be more or less abstract. Verbs like 'count' and 'write' are solid, concrete and unambiguous, while verbs like 'help' and 'insult' are open to some interpretation.
  • Even a verb's tense can affect its perceived concreteness. The passive tense is usually thought more abstract, because it doesn't refer to the actor by name. Perhaps that's partly why fledgling writers are often told to write in the active tense: to the reader it will seem more true.
  • three reasons why concreteness suggests truth: Our minds process concrete statements more quickly, and we automatically associate quick and easy with true (check out these studies on the power of simplicity). We can create mental pictures of concrete statements more easily. When something is easier to picture, it's easier to recall, so seems more true. Also, when something is more easily pictured it seems more plausible, so it's more readily believed.
Weiye Loh

Our Greatest Political Novelist? : The New Yorker - 0 views

  • Science fiction is an inherently political genre, in that any future or alternate history it imagines is a wish about How Things Should Be (even if it’s reflected darkly in a warning about how they might turn out). And How Things Should Be is the central question and struggle of politics. It is also, I’d argue, an inherently liberal genre (its many conservative practitioners notwithstanding), in that it sees the status quo as contingent, a historical accident, whereas conservatism holds it to be inevitable, natural, and therefore just. The meta-premise of all science fiction is that nothing can be taken for granted. That it’s still anybody’s ballgame.
  • Robinson argues that, now that climate change has become a matter of life and death for the species, it’s time for scientists to abandon their scrupulous neutrality and enter into the messy arena of politics. Essentially, Robinson attempts to apply scientific thinking to politics, approaching it less like pure physics, in which one infallible equation / ideology explains and answers everything, than like engineering—a process of what F.D.R. once called “bold, persistent experimentation,” finding out what works and combining successful elements to synthesize something new.
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    "When we call literary writers "political" today, we're usually talking about identity politics. If historians or critics fifty years from now were to read most of our contemporary literary fiction, they might well infer that our main societal problems were issues with our parents, bad relationships, and death. If they were looking for any indication that we were even dimly aware of the burgeoning global conflict between democracy and capitalism, or of the abyssal catastrophe our civilization was just beginning to spill over the brink of, they might need to turn to books that have that embarrassing little Saturn-and-spaceship sticker on the spine. That is, to science fiction.2"
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