Group items tagged

CULTURE, LANGUAGE, AND DEVELOPMENT Differences in the ways groups think and act are more than a matter of using different words or performing different actions for the same purposes. Differences in cultures are more substantial than whether members of a community eat white bread, corn pone, or tortillas. The behavior of people varies, and the beliefs, values, and assumptions that underlie behavior differ as well. Culture influences both behavior and the psychological processes on which it rests. Culture forms a prism through which members of a group see the world and create shared meanings. And a group's culture is reflected by the group's language. Child development follows a pattern similar to that of culture. Major structural changes in children, such as language learning, arise from the interaction of biology and experience. Such changes are remarkably similar in kind and sequence among cultural groups. But the knowledge and skills--the cultural learning--the child acquires at various ages depend on the child's family and community. Learning a primary language is a developmental milestone. However, which language a child learns and the uses to which that language is put are determined by the culture. As the ideas from a child's social world are brought to bear through the guidance of the older members of the community, children come to share meanings with their elders. Classroom discourse presents children with the challenge of learning new rules for communication. The use of formal language, teacher control of verbal exchanges, question-and-answer formats, and references to increasingly abstract ideas characterize the classroom environment. To the extent that these new rules overlap with those that children have already learned, classroom communication is made easier. But children whose past experience with language is not congruent with the new rules will have to learn ways to make meaning before they can use language to learn in the classroom. When teachers and students come from different cultures or use different languages or dialects, teachers may be unaware of variations between their understanding of a context and their students'; between their expectations for behavior and the children's inclinations. When children and adults do not share common experiences and beliefs, adults are less able to help children encode their thoughts in language. TEACHING CHILDREN FROM DIFFERENT CULTURES Teachers facing the challenge of teaching children from different cultural communities are hard-pressed to decide what constitutes an appropriate curriculum. If children from some groups are hesitant to speak up in school, how can teachers organize expressive language experiences? If children from some groups are dependent on nonverbal cues for meaning, how can teachers stress word meaning? How can teachers test for mastery of the curriculum if children do not speak a standard language or use the same styles of communication? Cultural diversity makes it hard for teachers to assess each child's developmental status, find common educational experiences to promote growth, and measure the achievement of educational objectives. Given the complex interaction between culture and development, is it possible to design a developmentally appropriate curriculum? If that question implies that the same curriculum can be used for all children, the answer must be "no." However, the following developmental principles can provide a conceptual framework for teachers trying to bridge the gap between children's cultural backgrounds and school objectives.

cold and harsh in comparison to tropical island Polynesia. Great ingenuity was required to grow the tropical plants they had brought with them from Polynesia, including taro, kumara, gourds, and yams; this was especially difficult in the chillier southern parts of the country. The harakeke (flax plant) served as a replacement for coconut fronds and hibiscus fibre in the manufacture of mats, baskets, rope, fishing nets and clothing. Seasonal activities included gardening, fishing and the hunting of birds. Main tasks were separated for men and women, but there were also a lot of group activities involving food gathering and food cultivation, and warfare. Art was and is a prominent part of the culture as seen in the carving of houses, canoes, weapons, and other items. The people also wore highly decorative personal ornaments, and people of rank often had their skin marked with extensive tā moko similar to tattooing.

Although Māori culture was a totally stone-age culture until the arrival of Europeans and the introduction of metal, it was highly evolved. The various working materials used before the Māori had access to metal were mainly bird bones, whale bones, ivory teeth, both dog and human bones, and also stone, from the large stone resources which had been discovered further inland within New Zealand.

› Māori : The name "Māori" originally meant "the local people", or "the original people". Māori was a word which signified "local" or "original" - as opposed to the new arrivals - white European settlers - the "pakeha". With the arrival of European settlers, the word Māori gradually became an adjective for the "Māori people". This change took place before 1815.

makes possible analytically sound comparisons between different parts of the world.

feudalism

switch from feudal obligations to money rents

Traditional Maori fishing operations were very well organised. Different tribes had their own fishing areas. Tribal boundaries were marked by landmarks and stakes and protected against trespassers. Fishing was often a community activity. Tasks involved everything from observing the movement of schools of fish and making gear, to catching and processing the fish. Early Maori knew a great deal about the life cycles of different fish. A fishing calendar was developed to work out when certain fish should be caught, what techniques to use, and whether it should be during the day or night. Kaimoana was a very important trading item. Coastal tribes traded it with inland iwi for goods such as birds, berries or workable stone. In Canterbury, Kaipoihai pa was a trading pa with eight different gates. It was similar to European trading sites in the middle ages.When Europeans arrived, Maori started trading with them. They bartered fish for other goods or sold it for cash. They exported fish to Australia in the early 19th century.

Maori are very knowledgeable and skilled fishers. Lines were made from flax fibre and sinkers from stones. Hooks were made from wood, bone, stone or shell. Sometimes a gorge was used instead of a hook. It was a straight piece of bone, sharp at each end and attached in the middle. When the line was pulled it turned sideways and caught in the fish's throat.

New Zealand comprises two main islands (called the North and South Islands in English, Te-Ika-a-Maui and Te Wai Pounamu in Māori) and a number of smaller islands, located near the center of the water hemisphere. The total land area, 268,680 square kilometres (103,738 sq mi), is a little less than that of Italy and Japan, and a little more than the United Kingdom. The country extends more than 1600 kilometres (1000 miles) along its main, north-north-east axis, with approximately 15,134 km of coastline. The most significant of the smaller inhabited islands include Stewart Island/Rakiura; Waiheke Island, in Auckland's Hauraki Gulf; Great Barrier Island, east of the Hauraki Gulf; and the Chatham Islands, named Rēkohu by Moriori. The country has extensive marine resources, with the seventh-largest Exclusive Economic Zone in the world, covering over four million square kilometres (1.5 million sq mi), more than 15 times its land area.[5]

    Maori Legend – the creation of New ZealandA long time after the creation of the world – after Tane mahuta had created a woman out of red earth, breathed life into her nostrils, mated with her and had a daughter, who also became his wife and bore him other daughters, and after many other things had happened – the demigod Maui, who lived in Hawaiki, went out fishing with his brothers. They went further and further out to sea. When they were a long way out, Maui took out his magic fish-hook (the jaw of his sorcerer grandmother), tied it to a strong rope, then dropped it over the side of the canoe. Soon he caught an immense fish and, struggling mightily, pulled it up. This fish became the North Island of NZ, called by the ancient Maori Te ika a Maui (the fish of Maui) or sometimes Te ikaroa a Maui (the big fish of Maui). The Mahia Peninsula, at the north end of Hawke Bay on the east coast of the North Island, was known as Te matau a Maui (the fish-hook of Maui), since it was the hook with which he caught the giant fish. The South Island was known as Te waka a Maui, or the canoe of Maui, in which he was sitting when he caught the fish. Kaikoura Peninsula, on the north-east coast of the South Island, was the seat of the canoe. Another name for the South Island was Te wai Pounamu (the water greenstone), since much greenstone (jade, or pounamu) was found in the rivers there. Stewart Island, south of the South Island, was known as Te punga a Maui (the anchor of Maui). It was the anchor that held the canoe as Maui hauled in the giant fish.      

great carvers - the master craftsmen

Carving used to be a tapu art, subject to the rules and laws of tapu. The pieces of wood falling aside as the carver worked were never thrown away, neither were they used for the cooking of food. Women were not permitted near the carvings. The history, traditions, language and religion of the Māori make up an integral part of the carving art. To the Māori, all things possess a spirit (wairua), and a mauri (life force).

Māori weaving was made from the New Zealand flax (phormium tenax). From the flax, baskets, floor mats, skirts and cloaks were and still are made. There are more than fifty different varieties of the New Zealand flax, and the Māori know the advantages of each type of flax for its respective use.