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in title, tags, annotations or urlHow to Be Happy - Well Guides - The New York Times - 1 views
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This guide gives a run-down of tips for greater happiness. Some Words R Us related items: 1. Conquer negative thinking by acknowledging and challenging your thoughts. 2. Rewrite your story: we all have a personal narrative that shapes our view of the world, but sometimes our inner voice doesn't get it right. By (literally) writing and then editing our own stories, we can change our perceptions of ourselves and identify obstacles that stand in the way of our personal well-being. 3. Practice optimism: thinking positive thoughts and surrounding yourself with positive people really does help. 4. Kindness and compassion towards others and yourself
The Terror of L and R | TOPICS Online Magazine doe Learners of English - 0 views
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a n d The Terror of L and R Keiichiro Sugimoto from Japan This story written by Keiichiro Sugimoto was translated from Japanese into English by students in Timothy Mossman's Interpreting and Translating 200 Class, at Canadian International College, North Vancouver, Canada. It was edited by Timothy Mossman.
When things are so bad you have no words, don't reach for an emoji | Rhiannon Lucy Cosslett - 2 views
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This article talks about emojis and why they are not good to use when texting someone. An edition of the newspaper USA Today last week chose to supplement all its front-page stories with Facebook's new "emoji reactions"*. Of course, the internet's response was largely one of horrified bemusement (currently we lack an emoji for "horrified bemusement" so, apologies readers, you're going to have to do the hard work yourselves by reading the words the old-fashioned way).
What is Cinematic Language and How To Master It - 0 views
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This article discusses a different type of language - cinematic language. It is the way a film communicates with its audience through not just the dialogue, but through the camera shots, the editing techniques, the sound effects, the score, and the story. It is an immersive, vivid form of communication between the filmmaker and the viewer.
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