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Lara Cowell

Protect Your Library the Medieval Way, With Horrifying Book Curses - Atlas Obscura - 0 views

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    The Latin word anathema has evolved over time. Today, it means "a strongly disliked person or thing," e.g. "bullying is anathema to me." In medieval times, however, "anathema" means "an excommunicated person, also the curse of excommunication." In medieval, pre-printing press times, books were highly valued and rare, as they were laboriously handwritten by monks, and sometimes took years to produce. Given the extreme effort that went into creating books, scribes and book owners had a real incentive to protect their work. They used the only power they had: words. At the beginning or the end of books, scribes and book owners would write dramatic curses threatening thieves with pain and suffering if they were to steal or damage these treasures. They did not hesitate to use the worst punishments they knew-excommunication from the church and horrible, painful death. Steal a book, and you might be cleft by a demon sword, forced to sacrifice your hands, have your eyes gouged out, or end in the "fires of hell and brimstone." "These curses were the only things that protected the books," says Marc Drogin, author of Anathema! Medieval Scribes and the History of Book Curses. "Luckily, it was in a time where people believed in them. If you ripped out a page, you were going to die in agony. You didn't want to take the chance."
Ryan Catalani

Who Really Invented the Alphabet-Illiterate Miners or Educated Sophisticates? | Biblica... - 2 views

  • . We must be careful not to be blinded by the genius of the invention of the alphabet, and assume, therefore, that such a breakthrough could be born only in the circles of highly educated scribes
  • the inventors of the alphabet could not read Egyptian—neither hieroglyphs nor hieratic.
  • The Semitic inventors of the alphabet found a new way of representing spoken language in script: Rather than capture whole words, they represented individual phonemes with icons. They were thus able to find a new solution for the picture-sound relationship. This leap in thought lead to a great innovation: a new, single, fixed relationship between picture and sound.
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  • It is in these circles, that the alphabet was invented, and not for any administrative purpose. No alphabetic text in Sinai mentions any administrative matter, and no numbers are discernable. We find only gods names, personal names and very short sentences including titles and the word “gift.”
  • My theory is that the alphabet was invented on the periphery of society, in Sinai, by people of Levantine origin, probably from somewhere on the Phoenician coast.
  • We must therefore surmise that the impetus for the invention of the alphabet was spiritual. The Canaanites wished to communicate with their gods, to talk to their gods in their own language and their own way.
  • By sustaining and perpetuating what historically helped them to rule (hieroglyphics or cuneiform), the institutions of the Ancient Near East left the door open to “disruptive innovation”—the alphabet!
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