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haliamash16

In-Ear Device Translates Languages in Real Time - 0 views

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    This tiny device fits inside the ear and promises to translate for two people in real time. "The Pilot" is a wearable device for two people that translates in real time as they speak, right into each person's ear.
Lisa Stewart

http://www.clas.ufl.edu/ipsa/journal/articles/art_holland06.shtml - 9 views

  • Knight, Robert T. and Marcia Grabowecky. "Escape from Linear Time: Prefrontal Cortex and Conscious Experience." The Cognitive Neurosciences. Ed. Michael S. Gazzaniga. Cambridge MA: MIT P, 1995. 1357-71.
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    Answers the question: how do literature and film cause real emotions in us in response to things that aren't real? This is the script of a speech, so it is a fairly easy read with lots of information.
jgonzaga17

Students Have 'Dismaying' Inability To Tell Fake News From Real, Study Finds - 0 views

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    Students are unable to tell if a paid article was whether real or not. This caused students to accept what they read in front of them as fact without actual legitimate information.
Ryan Catalani

In 'Game of Thrones,' a Language to Make the World Feel Real - NYTimes.com - 2 views

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    "...a desire in Hollywood to infuse fantasy and science-fiction movies, television series and video games with a sense of believability is driving demand for constructed languages, complete with grammatical rules, a written alphabet (hieroglyphics are acceptable) and enough vocabulary for basic conversations. ... "The days of aliens spouting gibberish with no grammatical structure are over," said Paul R. Frommer ... who created Na'vi, the language spoken by the giant blue inhabitants of Pandora in "Avatar." ... fans rewatched Dothraki scenes to study the language in a workshop-like setting. ... There have been many attempts to create languages, often for specific political effect. In the 1870s, a Polish doctor invented Esperanto ... The motivation to learn an auxiliary language is not so different from why people pick up French or Italian, she said. "Learning a language, even a natural language, is more of an emotional decision than a practical one. It's about belonging to a group," she said. ... The watershed moment for invented languages was the creation of a Klingon language ... But as with any language, there is a certain snob appeal built in. Among Dothraki, Na'vi and Klingon speakers, a divide has grown between fans who master the language as a linguistic challenge, and those who pick up a few phrases because they love the mythology." Reaction on Language Log: http://languagelog.ldc.upenn.edu/nll/?p=3628 - "there's an attitude among some linguists - and also plenty of non-linguists, as is evident from many of the comments on the NYT piece - that engaging in conlang activity is a waste of time, perhaps even detrimental to the real subject matter of linguistics."
Lara Cowell

How to Become Internet Famous for $68 - 0 views

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    Santiago Swallow is "a Mexican-born, American motivational speaker, consultant, educator, and author, whose speeches and publications focus on understanding modern culture in the age of social networking, globally interconnected media, user generated content and the Internet," and has "dedicated himself to helping others know more about how media and personality can manipulated in the 21st Century." Though completely fictional, he boasts a Wikipedia biography and a Twitter account with tens of thousands of followers. Making up-or at least "enhancing"-an identity like this is something real people do to increase their reputation, look popular, and sell themselves. There are equally real people who profit from this by selling fake followers created by software at the push of a button. Be afraid.
mkauhane17

Is Social Media Sabotaging Real Communication? - 0 views

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    Social media may have revolutionized communication, but it threatens our ability to communicate. Without the benefit of body language, we are operating with a major deficit.
Michael Deci

These Gloves Translate Sign Language Into Text & Speech In Real Time - 0 views

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    Two remarkable students have used their spare time to pioneer an invention that may change the very way we communicate. Navid Azodi and Thomas Pryor, sophomores at University of Washington (UW), have created lightweight gloves that can translate sign language instantly.
Lara Cowell

Fake Or Real? How To Self-Check The News And Get The Facts - 0 views

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    How to sort genuine from fake online news? Experts suggest these tips to become a more savvy media reader: 1. Pay attention to the domain and URL 2. Read the "About Us" section 3. Look at the quotes in a story--or the lack thereof 4. Look at who said them 5. Check the comments 6. Reverse image search
Lara Cowell

Why paper is the real 'killer app' - 1 views

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    Recently, people have been returning to writing basics: handwriting, notebooks, pens, paper, and stationary. While technology can certainly provide an edge for certain tasks, digital overload, addiction, and distraction are growing concerns. many studies indicate that multitasking is bad for us and makes our brains more scattered. In contrast, several studies suggest that pen and paper have an edge over the keyboard. In three studies, researchers found that students who took notes on laptops performed worse on conceptual questions than students who took notes longhand. Those who took written notes had better comprehension and retention of material because they had to mentally process information rather than type it verbatim. And, another study, published in the Journal of Applied Cognitive Psychology, showed that people who doodle can better recall dull information. Writing it down also sparks innovation. Being innovative and creative is about "getting your hands dirty" a feeling that is lacking when you use technology or gadgets, says Arvind Malhotra, a professor at the University of North Carolina Kenan-Flagler Business School."Research has also shown that tactile sensory perceptions tend to stimulate parts of the brain that are associated with creativity. So, touch, feel and the sensation you get when you build something physical has also got a lot to do with creativity," he says.
Lara Cowell

Pretending to Understand What Babies Say Can Make Them Smarter - 0 views

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    New research suggests it's how parents talk to their infants, not just how often, that makes a difference for language development. Infants whose mothers had shown "sensitive" responses--verbally replied to or imitated the babies' sounds--showed increased rates of consonant-vowel vocalizations, meaning that their babbling more closely resembled something like real syllables, paving the way for real words. The same babies were also more likely to direct their noises at their mothers, indicating that they were "speaking" to them rather than simply babbling for babbling's sake. "The infants were using vocalizations in a communicative way, in a sense, because they learned they are communicative," study author Julie Gros-Louis, a psychology professor at the University of Iowa, said in a statement. In other words, by acting like they understood what their babies were saying and responding accordingly, the mothers were helping to introduce the concept that voices, more than just instruments for making fun noises, could also be tools for social interaction.
Emile Oshima

The Real Difference Between Boys and Girls - 2 views

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    How do babies develop differently, and how does it relate to the brain? How do genetics, environment, etc. play a role?
Lisa Stewart

No Lie! Your Facebook Profile Is the Real You | Wired Science | Wired.com - 10 views

  • Facebook is so true to life, Back claims, that encountering a person there for the first time generally results in a more accurate personality appraisal than meeting face to face
Gabrielle James

Distraction of Technology vs. Real-Human Interaction - 0 views

http://www.examiner.com/article/the-distraction-of-technology-vs-real-human-interaction

started by Gabrielle James on 20 Mar 14 no follow-up yet
Lisa Stewart

Figures of Rhetoric in Advertising Language - 9 views

  • the discipline of rhetoric was the primary repository of Western thinking about persuasion
  • The principal purpose of this paper is to contribute a richer and more systematic conceptual understanding of rhetorical structure in advertising language
  • Rhetoricians maintain that any proposition can be expressed in a variety of ways, and that in any given situation one of these ways will be the most effective in swaying an audience.
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  • the manner in which a statement is expressed may be more important
  • a rhetorical figure occurs when an expression deviates from expectation
  • With respect to metaphor, for instance, listeners are aware of conventions with respect to the use of words, one of which might be formulated as, words are generally used to convey one of the lead meanings given in their dictionary entry. A metaphor violates that convention, as in this headline for Johnson & Johnson bandaids, "Say hello to your child's new bodyguards," accompanied by a picture of bandaids emblazoned with cartoon characters (from Table 2)
  • listeners know exactly what to do when a speaker violates a convention: they search for a context that will render the violation intelligible. If context permits an inference that the bandaid is particularly strong, or that the world inhabited by children is particularly threatening, then the consumer will achieve an understanding of the advertiser's statement.
  • every figure represents a gap. The figure both points to a translation (the impossibility in this context of translating "Say hello to your child's new petunias" is the key to its incomprehensibility), and denies the adequacy of that translation, thus encouraging further interpretation.
  • metaphors that have become frozen or conventional: e.g., the sports car that "hugs" the road.
  • an important function of rhetorical figures is to motivate the potential reader.
  • Berlyne (1971) found incongruity
  • (deviation) to be among those factors that call to and arrest attention.
  • "pleasure of the text"--the reward that comes from processing a clever arrangement of signs.
  • Berlyne's (1971) argument, based on his research in experimental aesthetics, that incongruity (deviation) can produce a pleasurable degree of arousal.
  • Familiar examples of schematic figures would include rhyme and alliteration, while metaphors and puns would be familiar examples of tropic figures.
  • Schemes can be understood as deviant combinations, as in the headline, "Now Stouffers makes a real fast real mean Lean Cuisine."
  • This headline is excessively regular because of its repetition of sounds and words. It violates the convention that sounds are generally irrelevant to the sense of an utterance, i.e., the expectation held by receivers that the distribution of sounds through an utterance will be essentially unordered except by the grammatical and semantic constraints required to make a well-formed sentence. Soundplay can be used to build up meaning in a wide variety of ways (Ross 1989; van Peer 1986).
  • Many tropes, particularly metaphors and puns effected in a single word, can be understood as deviant selections. Thus, in the Jergens skin care headline (Table 2), "Science you can touch," there is a figurative metaphor, because "touch" does not belong to the set of verbs which can take as their object an abstract collective endeavor such as Science.
  • For example, a rhyme forges extra phonemic links among the headline elements.
  • "Performax protects to the max," the consumer has several encoding possibilities available, including the propositional content, the phonemic equivalence (Performax = max), and the syllable node (other words endin
  • Because they are over-coded, schemes add internal redundancy to advertising messages. Repetition within a text can be expected to enhance recall just as repetition of the entire text does.
  • The memorability of tropes rests on a different mechanism. Because they are under-coded, tropes are incomplete in the sense of lacking closure. Tropes thus invite elaboration by the reader. For example, consider the Ford ad with the headline "Make fun of the road" (Table 2). "Road" is unexpected as a selection from the set of things to mock or belittle. Via
  • This level of the framework distinguishes simple from complex schemes and tropes to yield four rhetorical operations--repetition, reversal, substitution, destabilization.
  • s artful deviation, irregularity, and complexity that explain the effects of a headline such as "Say hello to your child's new bodyguards," and not its assignment to the category 'metaphor.'
  • The rhetorical operation of repetition combines multiple instances of some element of the expression without changing the meaning of that element. In advertising we find repetition applied to sounds so as to create the figures of rhyme, chime, and alliteration or assonance (Table 2). Repetition applied to words creates the figures known as anaphora (beginning words), epistrophe (ending words), epanalepsis (beginning and ending) and anadiplosis (ending and beginning). Repetition applied to phrase structure yields the figure of parison, as in K Mart's tagline: "The price you want. The quality you need." A limiting condition is that repeated words not shift their meaning with each repetition (such a shift would create the trope known as antanaclasis, as shown further down in Table 2).
  • the possibility for a second kind of schematic figure, which would be produced via an operation that we have named reversal. Th
  • rhetorical operation of reversal combines within an expression elements that are mirror images of one another.
  • The rhetorical operation of destabilization selects an expression such that the initial context renders its meaning indeterminate. By "indeterminate" we mean that multiple co-existing meanings are made available, no one of which is the final word. Whereas in a trope of substitution, one says something other than what is meant, and relies on the recipient to make the necessary correction, in a trope of destabilization one means more than is said, and relies on the recipient to develop the implications. Tropes of substitution make a switch while tropes of destabilization unsettle.
  • Stern, Barbara B. (1988), "How Does an Ad Mean? Language in Services Advertising," Journal of Advertising, 17 (Summer), 3-14.
  • "Pleasure and Persuasion in Advertising: Rhetorical Irony as a Humor Technique," Current Issues & Research in Advertising, 12, 25-42.
  • Tanaka, Keiko (1992), "The Pun in Advertising: A Pragmatic Approach," Lingua, 87, 91-102.
  • "The Bridge from Text to Mind: Adapting Reader Response Theory to Consumer Research," Journal of Consumer Research,
  • Gibbs, Raymond W. (1993), "Process and Products in Making Sense of Tropes," in Metaphor and Thought, 2nd ed
  • Grice, Herbert P. (1989), Studies in the Way of Words, Cambridge, MA: Harvard University Press.
  • Leigh, James H. (1994), "The Use of Figures of Speech in Print Ad Headlines," Journal of Advertising, 23(June), 17-34.
  • Mitchell, Andrew A. (1983), "Cognitive Processes Initiated by Exposure to Advertising," in Information Processing Research in Advertising, ed. Richard J. Harris, Hillsdale, NJ: Lawrence Erlbaum, 13-42.
Ryan Catalani

Christopher deCharms looks inside the brain | Video on TED.com - 0 views

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    "What you're seeing here is, we've selected the pathways in the brain of a chronic pain patient. This may shock you, but we're literally reading this person's brain in real time. They're watching their own brain activation, and they're controlling the pathway that produces their pain."
Lisa Stewart

Readers Build Vivid Mental Simulations Of Narrative Situations - 12 views

  • The study, forthcoming in the journal Psychological Science, is one of a series in which Zacks and colleagues use functional magnetic resonance imaging (fMRI) to track real-time brain activity as study participants read and process individual words and short stories.
  • changes in the objects a character interacted with (e.g., "pulled a light cord") were associated with increases in a region in the frontal lobes known to be important for controlling grasping motions. Changes in characters' locations (e.g., "went through the front door into the kitchen") were associated with increases in regions in the temporal lobes that are selectively activate when people view pictures of spatial scenes.
  • readers create vivid mental simulations of the sounds, sights, tastes and movements described in a textual narrative while simultaneously activating brain regions used to process similar experiences in real life.
Ryan Catalani

Language Log » Mapping the Demographics of American English with Twitter - 0 views

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    "The goal of the Lexicalist project is to develop a dictionary that depicts, in real time, the changing demographics of English in the United States, a dictionary that supplements the fundamental meaning of a word or phrase with the current cultural backdrop that's informing its use today."
Ryan Catalani

Students Speak Up in Class, Silently, via Social Media - NYTimes.com - 6 views

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    "With Twitter and other microblogging platforms, teachers from elementary schools to universities are setting up what is known as a "backchannel" in their classes. The real-time digital streams allow students to comment, pose questions (answered either by one another or the teacher) and shed inhibitions about voicing opinions. Perhaps most importantly, if they are texting on-task, they are less likely to be texting about something else."
Alex Hino

Essays, Admission Information, Undergraduate Admission, U.Va. - 16 views

  • Any student who has already learned the basics of showing should think about taking a risk on the college essay. What kind of risk? Think about starting an essay with: "I sat in the back of the police car." Or, as in the example (below): " The woman wanted breasts."
  • People wonder if they will be penalized if they do take a risk in an application. They want to know, in other words, if there is any risk in taking a risk. Yes, there is. I can say, however, that my experience in the admissions field has led me to conclude the great majority of admissions officers are an open-minded lot
    • brad hirayama
       
      The line "a Good essay always shows; a weak essay always tells" is a concept that is true in all real life situations.  we learned and had practice with this in acting class (yes acting), that it means a lot more if you show emotion rather than just saying i'm sad or happy.  i find that this is true for college essays too: in order to stand out you need to be the one that make the reader think and invision what you are saying; that is what would make you stand out.
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    • Alex Hino
       
      Appealing to all of the sense through just words seems like a tricky task.
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    I think the best piece of advice from this is to show, not tell. I also like the idea of taking a risk, as long as the topic of choice isn't offensive or makes someone feel uncomfortable.
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    I thought a piece of good advice was to try to stand-out. Use a "hook" to bring the reader in, take risks, and don't conform to what you think the college would want the essay to be written about (Be yourself and show your voice through the writing).
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    I agree with Stephanie, in that I think the best advice is to show and not tell. It seems we are so used to "telling," because of all the analytical papers and what not we write that we sometimes get stuck telling instead of showing. We need to break this habit and start showing and appealing to all five senses in our writing.
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    "We are not looking for students who all think the same way, believe the same thing, or write the same essay". I found that quote very interesting and it shows just how important it is to take risks while writing the essays. By taking a risk it would show that your writing is different and unique.
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    I agree with Kaylin that being yourself is the best way to catch the reader's attention and show your own voice. Colleges don't want to read essays about the generic stories you think they want to hear. Instead they want to read a story coming from memories and thoughts in your head so they can feel as if they know the "real" you instead of the persona put on the paper.
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    "If we are what we eat, we are also what we write." I liked this article because it was basically saying that you have to display your true self in every way that you can through your writing. Trying to stray from being generic and vague. From this article, I know that what makes a good college essay stand out is to not be afraid to use your sensory but then have reason as to why you're using it and don't just simply "tell", let the reader know exactly what's going on in full specifics as much as possible, use a hook that can work in your favor, and lastly remain original and unique.
Javen Alania

A Human Language Gene Changes the Sound of Mouse Squeaks - 0 views

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    People have a deep desire to communicate with animals, as is evident from the way they converse with their dogs, enjoy myths about talking animals or devote lifetimes to teaching chimpanzees how to speak. A delicate, if tiny, step has now been taken toward the real thing: the creation of a mouse with a human gene for language.
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