Is a Film About a Transgender Dancer Too 'Dangerous' to Watch? - The New York Times - 0 views
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“Girl” sounds like a film that transgender moviegoers might rally around. It depicts a teenage trans girl, Lara, raised by a single father who supports not only her dreams of becoming a ballerina but also her gender confirmation surgery. It’s set in Belgium, so much of Lara’s health care is paid for and her doctor and therapist are encouraging caregivers. And it’s a prize winner that is up for a best foreign-language Golden Globe on Sunday.
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Yet “Girl,” which has been picked up by Netflix, faces a firestorm, one that pits the director, Lukas Dhont; the trans woman who inspired it, the dancer Nora Monsecour; and the film’s supporters against trans activists and others who consider its scrutiny of a trans character’s body so dangerous that they urge no one to see it
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“Girl” asks a provocative question: Have we gotten to a place where a film can explore dark aspects of an individual trans character without feeling regressive? No one should have the burden of representing a class of people in a film; real people are complicated. But what happens when a movie is both art and a trigger?
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