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Javier E

Opinion | Our Kids Are Living In a Different Digital World - The New York Times - 0 views

  • You may have seen the tins that contain 15 little white rectangles that look like the desiccant packs labeled “Do Not Eat.” Zyns are filled with nicotine and are meant to be placed under your lip like tobacco dip. No spitting is required, so nicotine pouches are even less visible than vaping. Zyns come in two strengths in the United States, three and six milligrams. A single six-milligram pouch is a dose so high that first-time users on TikTok have said it caused them to vomit or pass out.
  • We worry about bad actors bullying, luring or indoctrinating them online
  • I was stunned by the vast forces that are influencing teenagers. These forces operate largely unhampered by a regulatory system that seems to always be a step behind when it comes to how children can and are being harmed on social media.
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  • Parents need to know that when children go online, they are entering a world of influencers, many of whom are hoping to make money by pushing dangerous products. It’s a world that’s invisible to us
  • when we log on to our social media, we don’t see what they see. Thanks to algorithms and ad targeting, I see videos about the best lawn fertilizer and wrinkle laser masks, while Ian is being fed reviews of flavored vape pens and beautiful women livestreaming themselves gambling crypto and urging him to gamble, too.
  • Smartphones are taking our kids to a different world
  • Greyson Imm, an 18-year-old high school student in Prairie Village, Kan., said he was 17 when Zyn videos started appearing on his TikTok feed. The videos multiplied through the spring, when they were appearing almost daily. “Nobody had heard about Zyn until very early 2023,” he said. Now, a “lot of high schoolers have been using Zyn. It’s really taken off, at least in our community.”
  • all of this is, unfortunately, only part of what makes social media dangerous.
  • The tobacco conglomerate Philip Morris International acquired the Zyn maker Swedish Match in 2022 as part of a strategic push into smokeless products, a category it projects could help drive an expected $2 billion in U.S. revenue in 2024.
  • P.M.I. is also a company that has long denied it markets tobacco products to minors despite decades of research accusing it of just that. One 2022 study alone found its brands advertising near schools and playgrounds around the globe.
  • the ’90s, when magazines ran full-page Absolut Vodka ads in different colors, which my friends and I collected and taped up on our walls next to pictures of a young Leonardo DiCaprio — until our parents tore them down. This was advertising that appealed to me as a teenager but was also visible to my parents, and — crucially — to regulators, who could point to billboards near schools or flavored vodka ads in fashion magazines and say, this is wrong.
  • Even the most committed parent today doesn’t have the same visibility into what her children are seeing online, so it is worth explaining how products like Zyn end up in social feeds
  • influencers. They aren’t traditional pitch people. Think of them more like the coolest kids on the block. They establish a following thanks to their personality, experience or expertise. They share how they’re feeling, they share what they’re thinking about, they share stuff they l
  • With ruthless efficiency, social media can deliver unlimited amounts of the content that influencers create or inspire. That makes the combination of influencers and social-media algorithms perhaps the most powerful form of advertising ever invented.
  • Videos like his operate like a meme: It’s unintelligible to the uninitiated, it’s a hilarious inside joke to those who know, and it encourages the audience to spread the message
  • Enter Tucker Carlson. Mr. Carlson, the former Fox News megastar who recently started his own subscription streaming service, has become a big Zyn influencer. He’s mentioned his love of Zyn in enough podcasts and interviews to earn the nickname Tucker CarlZyn.
  • was Max VanderAarde. You can glimpse him in a video from the event wearing a Santa hat and toasting Mr. Carlson as they each pop Zyns in their mouths. “You can call me king of Zynbabwe, or Tucker CarlZyn’s cousin,” he says in a recent TikTok. “Probably, what, moved 30 mil cans last year?”
  • Freezer Tarps, Mr. VanderAarde’s TikTok account, appears to have been removed after I asked the company about it. Left up are the large number of TikToks by the likes of @lifeofaZyn, @Zynfluencer1 and @Zyntakeover; those hashtagged to #Zynbabwe, one of Freezer Tarps’s favorite terms, have amassed more than 67 million views. So it’s worth breaking down Mr. VanderAarde’s videos.
  • All of these videos would just be jokes (in poor taste) if they were seen by adults only. They aren’t. But we can’t know for sure how many children follow the Nelk Boys or Freezer Tarps — social-media companies generally don’t release granular age-related data to the public. Mr. VanderAarde, who responded to a few of my questions via LinkedIn, said that nearly 95 percent of his followers are over the age of 18.
  • They’re incentivized to increase their following and, in turn, often their bank accounts. Young people are particularly susceptible to this kind of promotion because their relationship with influencers is akin to the intimacy of a close friend.
  • The helicopter video has already been viewed more than one million times on YouTube, and iterations of it have circulated widely on TikTok.
  • YouTube said it eventually determined that four versions of the Carlson Zyn videos were not appropriate for viewers under age 18 under its community guidelines and restricted access to them by age
  • Mr. Carlson declined to comment on the record beyond his two-word statement. The Nelk Boys didn’t respond to requests for comment. Meta declined to comment on the record. TikTok said it does not allow content that promotes tobacco or its alternatives. The company said that it has over 40,000 trust and safety experts who work to keep the platform safe and that it prevented teenagers’ accounts from viewing over two million videos globally that show the consumption of tobacco products by adults. TikTok added that in the third quarter of 2023 it proactively removed 97 percent of videos that violated its alcohol, tobacco and drugs policy.
  • Greyson Imm, the high school student in Prairie Village, Kan., points to Mr. VanderAarde as having brought Zyn “more into the mainstream.” Mr. Imm believes his interest in independent comedy on TikTok perhaps made him a target for Mr. VanderAarde’s videos. “He would create all these funny phrases or things that would make it funny and joke about it and make it relevant to us.”
  • It wasn’t long before Mr. Imm noticed Zyn blowing up among his classmates — so much so that the student, now a senior at Shawnee Mission East High School, decided to write a piece in his school newspaper about it. He conducted an Instagram poll from the newspaper’s account and found that 23 percent of the students who responded used oral nicotine pouches during school.
  • “Upper-decky lip cushions, ferda!” Mr. VanderAarde coos in what was one of his popular TikTok videos, which had been liked more than 40,000 times. The singsong audio sounds like gibberish to most people, but it’s actually a call to action. “Lip cushion” is a nickname for a nicotine pouch, and “ferda” is slang for “the guys.”
  • “I have fun posting silly content that makes fun of pop culture,” Mr. VanderAarde said to me in our LinkedIn exchange.
  • I turned to Influencity, a software program that estimates the ages of social media users by analyzing profile photos and selfies in recent posts. Influencity estimated that roughly 10 percent of the Nelk Boys’ followers on YouTube are ages 13 to 17. That’s more than 800,000 children.
  • I’ve spent the past three years studying media manipulation and memes, and what I see in Freezer Tarps’s silly content is strategy. The use of Zyn slang seems like a way to turn interest in Zyn into a meme that can be monetized through merchandise and other business opportunities.
  • Such as? Freezer Tarps sells his own pouch product, Upperdeckys, which delivers caffeine instead of nicotine and is available in flavors including cotton candy and orange creamsicle. In addition to jockeying for sponsorship, Mr. Carlson may also be trying to establish himself with a younger, more male, more online audience as his new media company begins building its subscriber base
  • This is the kind of viral word-of-mouth marketing that looks like entertainment, functions like culture and can increase sales
  • What’s particularly galling about all of this is that we as a society already agreed that peddling nicotine to kids is not OK. It is illegal to sell nicotine products to anyone under the age of 21 in all 50 states
  • numerous studies have shown that the younger people are when they try nicotine for the first time, the more likely they will become addicted to it. Nearly 90 percent of adults who smoke daily started smoking before they turned 18.
  • Decades later — even after Juul showed the power of influencers to help addict yet another generation of children — the courts, tech companies and regulators still haven’t adequately grappled with the complexities of the influencer economy.
  • Facebook, Instagram and TikTok all have guidelines that prohibit tobacco ads and sponsored, endorsed or partnership-based content that promotes tobacco products. Holding them accountable for maintaining those standards is a bigger question.
  • We need a new definition of advertising that takes into account how the internet actually works. I’d go so far as to propose that the courts broaden the definition of advertising to include all influencer promotion. For a product as dangerous as nicotine, I’d put the bar to be considered an influencer as low as 1,000 followers on a social-media account, and maybe if a video from someone with less of a following goes viral under certain legal definitions, it would become influencer promotion.
  • Laws should require tech companies to share data on what young people are seeing on social media and to prevent any content promoting age-gated products from reaching children’s feeds
  • hose efforts must go hand in hand with social media companies putting real teeth behind their efforts to verify the ages of their users. Government agencies should enforce the rules already on the books to protect children from exposure to addictive products,
  • I refuse to believe there aren’t ways to write laws and regulations that can address these difficult questions over tech company liability and free speech, that there aren’t ways to hold platforms more accountable for advertising that might endanger kids. Let’s stop treating the internet like a monster we can’t control. We built it. We foisted it upon our children. We had better try to protect them from its potential harms as best we can.
Javier E

What Was Apple Thinking With Its New iPad Commercial? - The Atlantic - 0 views

  • The notion behind the commercial is fairly obvious. Apple wants to show you that the bulk of human ingenuity and history can be compressed into an iPad, and thereby wants you to believe that the device is a desirable entry point to both the consumption of culture and the creation of it.
  • Most important, it wants you to know that the iPad is powerful and quite thin.
  • But good Lord, Apple, read the room. In its swing for spectacle, the ad lacks so much self-awareness, it’s cringey, even depressing.
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  • This is May 2024: Humanity is in the early stages of a standoff with generative AI, which offers methods through which visual art, writing, music, and computer code can be created by a machine in seconds with the simplest of prompts
  • Most of us are still in the sizing-up phase for generative AI, staring warily at a technology that’s been hyped as world-changing and job-disrupting (even, some proponents argue, potentially civilization-ending), and been foisted on the public in a very short period of time. It’s a weird, exhausting, exciting, even tense moment. Enter: THE CRUSHER.
  • There is about a zero percent chance that the company did not understand the optics of releasing this ad at this moment. Apple is among the most sophisticated and moneyed corporations in all the world.
  • this time, it’s hard to like what the company is showing us. People are angry. One commenter on X called the ad “heartbreaking.
  • Although watching things explode might be fun, it’s less fun when a multitrillion-dollar tech corporation is the one destroying tools, instruments, and other objects of human expression and creativity.
  • Apple is a great technology company, but it is a legendary marketer. Its ads, its slickly produced keynotes, and even its retail stores succeed because they offer a vision of the company’s products as tools that give us, the consumers, power.
  • The third-order annoyance is in the genre. Apple has essentially aped a popular format of “crushing” videos on TikTok, wherein hydraulic presses are employed to obliterate everyday objects for the pleasure of idle scrollers.
  • It’s unclear whether some of the ad might have been created with CGI, but Apple could easily round up tens of thousands of dollars of expensive equipment and destroy it all on a whim. However small, the ad is a symbol of the company’s dominance.
  • The iPad was one of Steve Jobs’s final products, one he believed could become as popular and perhaps as transformative as cars. That vision hasn’t panned out. The iPad hasn’t killed books, televisions, or even the iPhone
  • The iPad is, potentially, a creative tool. It’s also an expensive luxury device whose cheaper iterations, at least, are vessels for letting your kid watch Cocomelon so they don’t melt down in public, reading self-help books on a plane, or opting for more pixels and better resolution whilst consuming content on the toilet.
  • Odds are, people aren’t really furious at Apple on behalf of the trumpeters—they’re mad because the ad says something about the balance of power
  • it is easy to be aghast at the idea that AI will wipe out human creativity with cheap synthetic waste.
  • The fundamental flaw of Apple’s commercial is that it is a display of force that reminds us about this sleight of hand. We are not the powerful entity in this relationship. The creative potential we feel when we pick up one of their shiny devices is actually on loan. At the end of the day, it belongs to Apple, the destroyer.
Javier E

There has never been more music made - but most artists go hungry - 0 views

  • “Fifteen years ago,” says Will Burgess, of Practise Music, a management company, “if you wanted to record a song you needed two days in a studio, at £400 a day, plus a sound engineer at £100 a day. That’s the cost of a laptop, on which you can make unlimited amounts of music today.”
  • These days you don’t need to be able to play a musical instrument to be a musician and you don’t need a studio. All you need is a computer. “I’ve created songs that have gone to No 1 in my daughter’s bedroom downstairs,” says Crispin Hunt, former lead singer of the Longpigs and now a songwriter who has worked with Lana Del Rey, Rod Stewart and Ellie Goulding.
  • You can sketch out a musical idea on a laptop, you can add instrumentation, you can record your own vocals. If you want to collaborate with others around the world, no problem: when Luke Sital-Singh, a singer-songwriter who works in London, needs drums, he asks a friend with a studio in Lewes to send the files to his computer. He’s working with a guitarist in Santa Fe, to whom he sends a rough version of the song; his collaborator sends him back a guitar track.
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  • Special effects software can give your music all sorts of subtle vibes. For $299, for instance, you can make your song sound as though it was recorded in Sound City Studios in Los Angeles, on the $20,000 vintage microphones with the $100,000 mixing console that recorded Fleetwood Mac and Nirvana. For $259 you can simulate the Beatles’ Abbey Road Studios
  • In the past, when you assembled all the tracks for a song, it would have to be mixed and mastered in a studio by a sound engineer adjusting the levels. Now an app will do it for you.
  • Now, all you need to do is get the files uploaded to streaming services. If you are signed with a label, they will do that for you, but you don’t need a record deal to do that. There are companies such as DistroKid that act as postmen: for £17.99 a year, you can ensure that the song you created in your bedroom is available on multiple streaming platforms.
  • Some artists thrive on social media. It suits lively, quirky performers like Ryder, and artists who want to experiment with different genres. Mxmtoon, a 23-year-old American YouTuber, singer-songwriter and ukulele player, is also a streamer on Twitch, a platform on which people watch others playing online games, has published graphic novels and made a podcast. Maia — the artist’s name — describes mxmtoon as “a multi-hyphenated project”.
  • More traditional musicians struggle with some aspects of tech. “We get together,” says Sital-Singh of his contemporaries in the business, “and have a little moan about how everyone’s telling us to do TikTok and we can’t bring ourselves to dance and we feel old and decrepit.”
  • Even digital natives struggle sometimes: “I already have nostalgia for a simpler past, even though I’m 23,” says Maia. “It’s exciting but it does put so much pressure on a normal individual to be an entrepreneur to advertise their own personal brand.”
  • Journalists, regrettably, no longer have the power they once did. What matters these days is social media. The A&R (artists and repertoire) people at record companies who would once have hung out in basement clubs scouting for new talent now sit in meetings examining the data on artists’ social media performance.
  • Now that the whole world’s music is available all over the world at the click of a play button, there’s a greater diversity among top-selling artists.
  • People making videos of themselves performing or dancing to the song on TikTok helped propel it to the stratosphere. It has been streamed a billion times. Sethi now plays to packed venues in America and Europe; last year, he performed at Coachella, America’s Glastonbury. “Without digital technology I would be a south Asian indy musician, working on the fringes of Bollywood,” he says from his home in New York.
  • For musicians, it’s more ambiguous. Because the costs of making music are lower, anybody with ambition can have a go. Many more people, as a result, are getting into the music business. According to PPL, the organisation which distributes money to music performers and rights-holders, the number of registered artists has risen from 61,310, when the industry was at its nadir, to 165,039 last year.
  • That makes the business fiercely competitive. As Will Page, former chief economist at Spotify and author of Tarzan Economics, points out, around 100,000 tracks are being uploaded on to Spotify every day: that’s more than were released in an entire calendar year in the 1980s
  • That has cemented the power of the record companies. When the digital revolution started, it was widely expected that record labels would cease to exist, and be replaced by a model in which everybody promoted and distributed their own music. That’s not what has happened: because it’s so difficult to get noticed, embryonic stars need record labels to promote them.
  • A label invests in the production of the music, the styling of the band, video content, interviews, touring and the crucial business of getting a song on a streaming service’s playlist that suggests the song to listeners to suit their tastes. Artists that are signed with major labels get paid more, per stream, than those that aren’t.
  • Three quarters of streamed tracks have one of the major record labels behind them. And even though streaming is booming, it doesn’t contribute much to the incomes of the vast majority of artists.
  • Most artists stay hungry. A single stream will earn a musician anywhere between 0.1p and 2.4p. Crispin Hunt reckons that on average a million streams for a song — a wild ambition for most musicians — will, if you have to pay a cut to a record company, probably make you £1,000
  • If you’ve then got to pay your manager 20 per cent, and divide the rest between the four band members, “it barely pays for a Sainsbury’s shop. That’s why music is dominated by middle-class people called Crispin whose parents can afford to buy them an electric guitar and a laptop.”
  • For Christie Gardner, half of Lilo, a two-woman band, it helps planning gigs. “You can see where your listeners are and you can tell what they’re listening to. We make decisions about shows on that basis.” But for most bands, the economics of live performance are pretty grim.
  • Deathcrash’s manager Joe Taylor says that the band has been offered the opportunity of a European tour supporting a much bigger act. It would be good for their career but not their bank balance. The fees per show would be €200; once the costs of a sound engineer, a tour van, a driver, fuel, hotels and a carnet for importing musical instruments into the EU had been factored in, they would lose £15,000.
  • music has always been an uneconomic business, which people subsidise through other activities. The fiddler in the village pub probably worked in the fields in the daytime and played for money and fun in the evenings and at the weekend, rather as Ryder ran a juice bar and sang at weddings. These days, there is also the wafer-thin chance that they might end up being one of the 1,200 artists who make more than $1 million a year on Spotify
  • There are some signs that in the new musical economy, the balance of power between artists and the big record companies may have tipped slightly in the artists’ favour
  • the share of streaming revenues going to artists increased from 19.7 per cent to 23.3 per cent between 2012 and 2021 and that going to songwriters has risen from 8 per cent in 2008 to 15 per cent in 2021. “Outcomes for consumers, artists and songwriters,” it concludes, “are getting better.”
  • Most of the extra revenues generated by streaming are going to the top earners. But the stars are not the only ones benefiting. Between 2017 and 2022, the number of artists earning over $1 million on Spotify more than doubled, but so did the number earning over $10,000
  • more than two fifths of artists who release their own music aren’t expecting to make a full-time career. They’re in it for fun, for the love of it, or to be able to show their mum that they have released a song on Spotify.
  • It seems likely that the more music is being created, the greater the chance that wonderful tunes are being written, but it’s not necessarily the case. The best stuff might get buried under a mound of mediocrity.
Javier E

Do We Have the Courage to Stop This? - NYTimes.com - 1 views

  • The fundamental reason kids are dying in massacres like this one is not that we have lunatics or criminals — all countries have them — but that we suffer from a political failure to regulate guns.
  • Children ages 5 to 14 in America are 13 times as likely to be murdered with guns as children in other industrialized countries
  • American schoolchildren are protected by building codes that govern stairways and windows. School buses must meet safety standards, and the bus drivers have to pass tests. Cafeteria food is regulated for safety. The only things we seem lax about are the things most likely to kill.
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  • I understand: shooting is fun! But so is driving, and we accept that we must wear seat belts, use headlights at night, and fill out forms to buy a car. Why can’t we be equally adult about regulating guns?
  • don’t say that it won’t make a difference because crazies will always be able to get a gun. We’re not going to eliminate gun deaths, any more than we have eliminated auto accidents. But if we could reduce gun deaths by one-third, that would be 10,000 lives saved annually
  • Likewise, don’t bother with the argument that if more people carried guns, they would deter shooters or interrupt them. Mass shooters typically kill themselves or are promptly caught, so it’s hard to see what deterrence would be added by having more people pack heat. There have been few if any cases in the United States in which an ordinary citizen with a gun stopped a mass shooting.
  • The tragedy isn’t one school shooting, it’s the unceasing toll across our country. More Americans die in gun homicides and suicides in six months than have died in the last 25 years in every terrorist attack and the wars in Afghanistan and Iraq combined.
  • Other countries offer a road map. In Australia in 1996, a mass killing of 35 people galvanized the nation’s conservative prime minister to ban certain rapid-fire long guns. The “national firearms agreement,” as it was known, led to the buyback of 650,000 guns and to tighter rules for licensing and safe storage of those remaining in public hands. The law did not end gun ownership in Australia. It reduced the number of firearms in private hands by one-fifth, and they were the kinds most likely to be used in mass shootings. In the 18 years before the law, Australia suffered 13 mass shootings — but not one in the 14 years after the law took full effect. The murder rate with firearms has dropped by more than 40 percent, according to data compiled by the Harvard Injury Control Research Center, and the suicide rate with firearms has dropped by more than half.
  • we can look for inspiration at our own history on auto safety. As with guns, some auto deaths are caused by people who break laws or behave irresponsibly. But we don’t shrug and say, “Cars don’t kill people, drunks do.” Instead, we have required seat belts, air bags, child seats and crash safety standards. We have introduced limited licenses for young drivers and tried to curb the use of mobile phones while driving. All this has reduced America’s traffic fatality rate per mile driven by nearly 90 percent since the 1950s.
Javier E

GOP Attracting Minorities? - The Daily Beast - 0 views

  • The GOP base consists of white people who are terrified of losing their skin privilege in Barack Obama’s America. Even if Priebus and a few other Republicans are sincere in their efforts, the minute they start to take steps that are anything but symbolic and that are aimed specifically at trying to win over blacks or Latinos, the base will howl to the moon. I suppose it’s possible that two or three generations from now, which means 30 to 50 years, white Republicans who grew up in our multicultural era will have different attitudes. But even that is a fairly big question mark—there are always going to be vast sections of the country where the population will be 90 or more percent white.
  • Changing all this can’t be done with some buzzwords and slogans. It is going to be a deeply painful and contentious process for the GOP. I’d say it will be amusing for the rest of us, but it will inject enough poison into the body politic to make it not much fun for anyone.
danthegoodman

US election: Clinton and Trump trade barbs at Al Smith dinner - BBC News - 0 views

  • White House rivals Hillary Clinton and Donald Trump have poked fun at each other at a charity dinner, a day after their bitter duel on the debate stage.
  • She laughed as Mr Trump joked about her well-paid speeches and the FBI investigation into her private email.
  • But the Republican was booed when he joked that his Democratic opponent hated Roman Catholics.
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  • Just four percentage points now separate the candidates, according to the BBC's poll tracker.
  • They did not shake hands or make eye contact but when Mr Trump stood up to speak, he gave her a friendly double-pat on her shoulder.
  • But when he said she was so corrupt she got booted off the Watergate commission, boos rang out.
  • And they resurfaced when, in a reference to emails hacked within her campaign team, he said she was "pretending not to hate Catholics". It was one of the few occasions when the smile left Mrs Clinton's face.
  •  
    These are not presidents.
fischerry

As religion dies out, Halloween becomes more important than ever - The i newspaper onli... - 0 views

  • I no longer feel that Halloween is something negative. It is an amazing opportunity for everyone to have fun and also engage with the possibility that death is not the end to life. It is a powerful connection to the passing of the seasons and the circle of life and one that everyone should be able to enjoy.
rachelramirez

How much do we hate our 2016 options? Mitt Romney would win in a landslide. - The Washi... - 0 views

  • x How much do we hate our 2016 options? Mitt Romney would win in a landslide.
  • “What if President Obama were able to run for a third term?” and “What if Mitt Romney had run?” are fun questions to ask but don’t actually tell us how they would be doing if they had run. The most popular politician, after all, is a politician who is neither seen nor heard from. Absence makes the heart grow fonder and the poll numbers rise, as they say.
  • The poll asked about a hypothetical matchup between Romney and Hillary Clinton, and Romney led by 10 points, 50-40. As our colleague Dave Weigel would say, “Whoa, if true.”
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  • Back in March, Bloomberg pollster Selzer and Company tested Romney’s favorable ratings and found that he was nearly 2-to-1 in the negative: 58 percent unfavorable versus just 32 percent favorable. That's even worse than most of Trump’s numbers this year.
  • Despite being largely out of public view in recent years, you see, Romney is still an unloved figure in American politics
  • This poll will surely lead a few Romney die-hards/NeverTrumpers to pine — or rather, continue pining — for a 2016 campaign in which Romney was the Clinton alternative rather than Trump.
Javier E

The real winner of the 'Hamilton' scrap - The Washington Post - 1 views

  • My own Twitter feed has been full of triumphant liberals celebrating the theater’s revived ability to effect political change and unmask Trump as a tetchy crybully; and triumphant conservatives celebrating how smug, moralizing and clueless this whole incident revealed liberals to be.
  • Both sides had so much fun patting themselves on the back that they sometimes failed to notice how much attention they drew away from the Trump University fraud settlement, the legalized bribery happening as foreign diplomats book stays at Trump-owned hotels, and rabidly bad administration picks.
  • no matter how unfailingly polite and pointed the production crafted its statement to be, when those words came on the heels of audience jeers, they still unwittingly played directly into Trump’s hands.
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  • This, I fear, will be the central challenge of mounting an effective opposition to Trump in the years ahead. Like Silvio Berlusconi, Trump has an uncanny instinct for setting off a “Pavlovian reaction among his leftist opponents,” as economist Luigi Zingales recently put it, which only strengthens him.
  • Calling out injustice always feels like the righteous thing to do. The uncomfortable question for Trump’s opponents in the years ahead now must be: How do we call out injustice, without unintentionally reinforcing it?
Javier E

Is Everything Wrestling? - The New York Times - 0 views

  • This is how a lot of fields work these days. The audiences and the creators labor alongside each other, building from both ends, to conceive a universe with its own logic: invented worlds that, however false they may be, nevertheless feel good and right and amusing to untangle
  • The process of shaping a story by taking all these layers into account seems dangerously similar to what corporations do when they talk about “telling the story of our brand” — only as applied to real people and real events
  • when I think of how politics and pop culture are often compared to wrestling, this is the element that seems most transferable: not the outlandish characters or the jumbo-size threats, but the insistence on telling a great story with no regard for the facts
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  • You can be dismayed with all of this for reasons that go deeper than taste. When everything becomes a story, the value of concrete truth seems diminished. There’s too much going on in the world to dive this deep into something as frivolous as entertainment, you might say. Worse still, you can begin to treat politics — the hammer and forge of our national reality — as a similar form of “show.
  • If a story is told well, if its history seems consistent, then the machinations putting it into place can be temporarily overlooked or turned into a fun story of their own. And why not? In the end, we’re all marks for a world we want to believe in.
Javier E

The Myth of Cosmopolitanism - The New York Times - 0 views

  • Genuine cosmopolitanism is a rare thing. It requires comfort with real difference, with forms of life that are truly exotic relative to one’s own. It takes its cue from a Roman playwright’s line that “nothing human is alien to me,” and goes outward ready to be transformed by what it finds.
  • The people who consider themselves “cosmopolitan” in today’s West, by contrast, are part of a meritocratic order that transforms difference into similarity, by plucking the best and brightest from everywhere and homogenizing them into the peculiar species that we call “global citizens.”
  • This species is racially diverse (within limits) and eager to assimilate the fun-seeming bits of foreign cultures — food, a touch of exotic spirituality
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  • But no less than Brexit-voting Cornish villagers, our global citizens think and act as members of a tribe.
  • They have their own distinctive worldview (basically liberal Christianity without Christ), their own common educational experience, their own shared values and assumptions (social psychologists call these WEIRD — for Western, Educated, Industrialized, Rich and Democratic)
  • and of course their own outgroups (evangelicals, Little Englanders) to fear, pity and despise.
  • it’s a problem that our tribe of self-styled cosmopolitans doesn’t see itself clearly as a tribe: because that means our leaders can’t see themselves the way the Brexiteers and Trumpistas and Marine Le Pen voters see them.
  • They can’t see that what feels diverse on the inside can still seem like an aristocracy to the excluded, who look at cities like London and see, as Peter Mandler wrote for Dissent after the Brexit vote, “a nearly hereditary professional caste of lawyers, journalists, publicists, and intellectuals, an increasingly hereditary caste of politicians, tight coteries of cultural movers-and-shakers richly sponsored by multinational corporations.”
  • They can’t see that paeans to multicultural openness can sound like self-serving cant coming from open-borders Londoners who love Afghan restaurants but would never live near an immigrant housing project, or American liberals who hail the end of whiteness while doing everything possible to keep their kids out of majority-minority schools.
  • They can’t see that their vision of history’s arc bending inexorably away from tribe and creed and nation-state looks to outsiders like something familiar from eras past: A powerful caste’s self-serving explanation for why it alone deserves to rule the world.
Javier E

'Hamilton' and 'This Is For My Girls': Examples of How the Obamas Have Used Fame Wisely... - 0 views

  • Gopnik argued that Miranda had completed a long-brewing transition in historical interpretation among liberals from aligning themselves with Thomas Jefferson to aligning themselves with Hamilton:
  • ... a Hamiltonian liberal is an ex-revolutionary who believes that the small, detailed procedural efforts of the federal government to seed and promote prosperity are the ideal use of the executive role. Triumphs of this kind, as the show demonstrates, are so subtle and manifold as to often be largely invisible—and are most often as baffling and infuriating to those whom the change is designed to serve as they are to those whom the compromises are meant to placate.
  • Gopnik suggested that Miranda ended up offering this Obama-friendly message less by design than by intuition
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  • If you look around at the major politically themed works of culture in the past seven years, you often find a similar focus on process, competence, and incremental change for the common good. Steven Spielberg’s Lincoln showed one of the most idealized presidents in bargaining mode; Zero Dark Thirty portrayed the defeat of Osama bin Laden as the result of scut work; even the cynical House of Cards has fun imagining a Democratic president murdering ideology in pursuit of concrete policy achievements.
  • If there’s anything that underlines the idea of hip-hop as a newly universal language, it’s Hamilton—both the musical itself and its conquest of the Great White Way and the White House. To say Obama is responsible for the wider shift in America that has enabled Hamilton’s success would be incorrect, of course. He is a beneficiary of that shift, and he has in turn, subtly, helped it progress further.
Javier E

Can Megyn Kelly Escape Her Fox News Past? - The Atlantic - 0 views

  • The TV producer in Ailes saw a marketing niche, and the political operative in him saw a direct way of courting voters. Rupert Murdoch owned the network, but Ailes was its intellectual author. In the two decades since, the network has thrived without legitimate competition of any kind. It has proved to be a big tent, sheltering beneath it some excellent reporters but also a collection of blowhards, performance artists, cornballs, and Republican operatives in rehab from political failures and personal embarrassments. With the help of this antic cast, the Fox audience has come to understand something important that it did not know before: The people who make “mainstream” news and entertainment don’t just look down on conservatives and their values—they despise them.
  • Her understanding of the legal aspects of news stories and her tendency to conduct interviews as hostile cross-examinations (“Stay in bounds!” “I’ve already ceded the point!” “Don’t deflect!”) made her a riveting journalist-entertainer
  • Almost as soon as the election ended, Fox News went back to work on the mission, emphasizing a variety of themes, each intended to demonize the left. At the top of the list was the regular suggestion that Barack Obama was an America-hating radical, an elaboration of Glenn Beck’s observation (on Fox) that the president had “a deep-seated hatred for white people.” Other themes included the idea that straight white men were under ever-present threat from progressive policies and attitudes; that Planned Parenthood was a kind of front operation for baby murder; that political correctness had made the utterance of even the most obvious factual statements dangerous; and that the concerns of black America—including, especially, those of the Black Lives Matter movement—were so illogical, and so emotionally expressed, that they revealed millions of Americans to be beyond the reach of reason.
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  • We will never know to what extent Fox created or merely reported on the factor that turned out to be so decisive in the election: that to be white and conscious in America was to be in a constant state of rage.
  • In the middle of all this, feeding clips of ammo into the hot Fox News machine, was Megyn Kelly. To watch her, during one of her interviews on the subject of race and policing, interrupt a black guest to ask her whether she’d ever called white people “crackers” was to see Kelly in action, fired up and ready to go. In some respects, she was an independent actor at Fox, with her own show and ultimate control of its editorial content. But she was also a cog in something turning, and what the great machine ultimately produced was President Donald Trump.
  • As she tells it, one of the first questions Ailes asked her was “how the daughter of a nurse and a college professor understood anything other than left wing dogma.” She replied that although she’d been raised in a Democratic household, she had always been apolitical. She got the job.
  • he wanted people who hadn’t been tainted by the left-wing media machine, so they could be trained in the attitudes and opinions the network had been founded to advance.
  • Kelly is an unbelievably talented broadcaster—smart, funny, quick-witted, and able to handle a bit of fluff with as much zeal as she tackles a serious story. There can’t have been anyone more telegenic in the history of the business.
  • By 2010, the network had become so popular that—according to Gabriel Sherman’s biography, The Loudest Voice in the Room—Ailes added a new goal to the mission: the election of the next president.
  • she evinced her signature political stance: free-market enthusiasm combined with Nixonian law-and-order conservatism. “Enjoy prison!” she would call out after showing a video of an especially inept criminal enterprise.
  • She popped off the screen—fun, sexy, tough—and became popular not just with conservatives but also (in the mode of a guilty pleasure) with many progressives, including her sometime nemesis Jon Stewart, who once said she was his favorite Fox personality.
  • to see her segments on Black Lives Matter—which first aired as the primaries were getting under way and continued until the general election itself—was to see how Fox often stirred up racial anger among its viewers, a kind of anger that was crucial fuel for the Republican outcome Roger Ailes so desired.
  • hen Kelly was a litigator in high-stakes lawsuits, she learned a skill of the trade: taunting her adversaries until they snapped. “I might say something passive-aggressive just to get opposing counsel mad,” she writes. “And then when he got worked up about it, I would say calmly, ‘You seem upset. Do you need a break? We can take a moment if you’d like to step outside and get yourself together.’ ” She became “an expert in making them lose their cool.”
  • n her regular application of it to black activists, she contributed to an ugly mood that was the hallmark of Fox all last year: one of white aggrievement at a country gone mad, led by a radical black president supported by irrational black protesters who were gaining power.
  • , she introduced her TV audience to Malik Shabazz, the president of Black Lawyers for Justice and a former president of the New Black Panthers Party. Shabazz is a radical—an anti-Zionist who believes that Jews dominated the Atlantic slave trade and were involved in the 9/11 attacks, he is in a sense far more radical than Bill Ayers—but Kelly did not tell the audience that. Nor did she tell them that she had had Shabazz on her show in the past. The two proved useful to each other; he got to go deep behind enemy lines to spread his theories, while she got to show her audience members a black man who really does hate them. But to the casual viewer, he seemed like merely another Black Lives Matter supporter, no more or less extreme in his views than D. L. Hughley.
  • This was Fox News last spring and summer and into the fall: a place where black guests were always a few prodding questions away from telling the audience what they really felt about whites, and a place where white hosts were quick to defend other members of their race from unfair accusations of bias. These tactics were integral to the network’s mission: to get conservative ideas out there, to help elect a Republican president, and to make exciting television while doing it. Kelly proved adept on all fronts.
Javier E

The Facebook Illusion - Douthat-NYTimes.com - 0 views

  • Mark Zuckerberg’s social networking site has always struck me as one of the most noxious, dependent for its success on the darker aspects of online life: the zeal for constant self-fashioning and self-promotion, the pursuit of virtual forms of “community” and “friendship” that bear only a passing resemblance to the genuine article, and the relentless diminution of the private sphere in the quest for advertising dollars.
  • the problem is not that Facebook doesn’t make money. It’s that it doesn’t make that much money, and doesn’t have an obvious way to make that much more of it, because (like so many online concerns) it hasn’t figured out how to effectively monetize its million upon millions of users.
  • This “huge reach, limited profitability” problem is characteristic of the digital economy as a whole
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  • the Internet is a wonder when it comes to generating “cheap fun.” But because “so many of its products are free,” and because so much of a typical Web company’s work is “performed more or less automatically by the software and the servers,” the online world is rather less impressive when it comes to generating job growth.
  • the more purely digital a company’s product, the fewer jobs it tends to create and the fewer dollars it can earn per user
  • From the lowbrow to the highbrow, LOLcats to Wikipedia, vast amounts of Internet content are created by people with no expectation of remuneration. The “new economy,” in this sense, isn’t always even a commercial economy at all. Instead, as Slate’s Matthew Yglesias has suggested, it’s a kind of hobbyist’s paradise, one that’s subsidized by surpluses from the old economy it was supposed to gradually replace.
  • Despite nearly two decades of dot-com enthusiasm, the information sector is still quite small relative to other sectors of the economy; it currently has one of the nation’s higher unemployment rates; and it’s one of the few sectors where unemployment has actually risen over the last year.
  • None of this makes the Internet any less revolutionary. But it’s created a cultural revolution more than an economic one.
Javier E

Obama Assures Americans This Will Not Be Another 1456 Ottoman Siege Of Belgrade | The O... - 0 views

  • “I of course realize that many people around the country are concerned that an intervention in Syria would devolve into another Siege of Belgrade, but I can assure you that this operation will be swift, decisive, and will in no way resemble the Ottoman Empire’s ill-advised invasion of Nándorfehérvár,” Obama told the assembled White House Press Corps.
  • “When I heard we were getting involved in Syria, right away I thought, ‘Well, here we go, it’s 1456 Belgrade all over again,’” said Seattle resident Matt Haggerty, 42, who, like millions of Americans, says he “in no way supports the idea” of getting entangled in any military campaign even remotely similar to the Ottoman invasion of the Catholic Balkans.
Javier E

Parental Pity Party - NYTimes.com - 0 views

  • Jennifer Senior’s new book, “All Joy and No Fun: The Paradox of Modern Parenthood,” is an excellent primer on possible explanations for the great parental pity party. It ranges across the problems with family policy in the United States (basically, we don’t have one), the changing role of children (who went, she notes, “from being our employees to our bosses”), the unsettling of gender roles, the “having it all” stresses inherent in the maternal quest for work-life balance, and the way economic uncertainty and technological change make it hard for parents to figure out what kind of world they’re supposed to be preparing their children for.
  • parenthood is “the last binding obligation in a culture that asks for almost no other permanent commitments at all.” In this sense, it isn’t necessarily that family life has changed that dramatically in the last few generations. Rather, it’s stayed the same in crucial ways — because babies still need what babies need — while outside the domestic sphere there’s been an expansion of opportunities, a proliferation of choices and entertainments and immediately available gratifications, that make child rearing seem much more burdensome by comparison.
  • In an earlier column, I described this retreat from childbearing as (in part) a symptom of cultural decadence, in which modern comforts crowd out intergenerational obligations.
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  • I think it’s actually the unacknowledged worldview behind a lot of the parental griping you find online and elsewhere: The “look how impossible my life has become since I had kids” genre is a way of passing judgment, not all that subtly, on people who have opted out of the parental mission altogether.
grayton downing

Chris Christie-Susana Martinez: Is This Your 2016 Republican Ticket? - David A. Graham ... - 0 views

  • three years, one long and bitterly contested GOP primary, and a running-mate-selection process away, but it's fun to speculate. Plus there's already some evidence of their chemistry between Chris Christie and Susana Martinez.
  • “I love his authenticity, I love who he is,” she told the New York Times. “I will support Governor Christie in anything he decides to do in life.”
  • Christie spent the final weeks of the race trying to run up his margin of victory in order to reinforce his case for a 2016 presidential run. Martinez's job was to show up in heavily Hispanic areas like Union City and help turn out the Latino vote.
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  • They're young (for politicians), moderate, blue-state Republicans who have worked with Democratic legislators on some issues (while clashing on others). They're both former prosecutors, too. Whether that makes Martinez good vice-presidential material is a somewhat different question.
  • New Mexico press hasn't failed to notice Martinez's rising star. In fact, the Democrats with whom the governor has supposedly had such a good working relationship unloaded to the Santa Fe New Mexican in a piece Sunday. Their message: She's not the reasonable, pragmatic, moderate figure you might imagine. Now where have we heard that before?
Javier E

Scandals Republicans Like - NYTimes.com - 0 views

  • what if the truth is more pedestrian: that the I.R.S. is simply not adequately funded to do its job and that Republicans are the ones who have kept the agency underfunded?
  • Republican zeal for reducing the size of government, particularly its tax collecting apparatus, has left the I.R.S. ill-equipped to perform its functions, one of which is to review applications for tax-exempt status from groups claiming to be “social welfare” organizations under section 501(c)(4) of the Internal Revenue Code.
  • Was there, Connolly asked, “a triggering event that flooded the I.R.S. with new applications?” Answering his own question, Connolly said “the triggering event is the Supreme Court ruling, Citizens United. The number of applications between 2009 and 2012 for a 501(c)(4) doubled from 1,751 to 3,357.” Citizens United was decided on Jan. 21, 2010.
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  • Under intense pressure to meet I.R.S. production targets, civil servants – including registered Republicans — adopted the practice of flagging phrases like “tea party” to speed identification of applications requiring careful examination.
  • HE I.
  • R.S. appropriation has gone up during periods of Democratic control and down when Republicans have controlled at least one branch of Congress
  • the I.R.S. commissioner, described the effect of these cuts to the Way and Means Committee. “No challenge facing our agency is greater than the significant reduction in funding that has occurred over the last several years,” he said. “I am deeply concerned about the ability of the I.R.S. to continue to fulfill its mission if the agency lacks adequate funding. Our current level of funding is clearly less than what the agency needs.”
  • Koskinen observed that cuts in agency funding have reduced audits of corporations and of wealthy citizens: “Audits of high-income individuals – defined as those with $1 million or more in income – fell 3.7 percent as well last year. The I.R.S. examined approximately 61,000 business returns in FY 2013, down 13 percent from FY 2012.”
  • Republicans are aware of what happens to tax collections from the rich when the I.R.S. budget is cut and seem happy to live with those consequences.
  • imilarly, the House Oversight Committee has been relentless in its efforts to blame the Obama administration for the Sept. 11, 2012 terrorist attack on the American diplomatic mission in Benghazi, when Ambassador Christopher Stevens and three others were killed. Committee Republicans have done so despite their own record of repeatedly voting to cut spending on security for state department personnel.
  • it’s no fun serving on an oversight committee when your own party is running the executive branch. The years when Republicans controlled the House and White House, 2001 to 2007, were a public relations disaster for the Oversight Committee. The panel pointedly avoided taking on the Bush administration despite a plethora of scandals: abuses in the Abu Ghraib prison, evidence that the claim Iraq possessed weapons of mass destruction was false, Jack Abramoff’s illicit lobbying, and the failure of the administration to respond to Hurricane Katrina.By the end of 2005, the committee had issued the Bush administration a total of 3 subpoenas, all on relatively noncontroversial matters.
Javier E

The most expensive lottery ticket in the world | Felix Salmon - 0 views

  • No Exit, the new book from Gideon Lewis-Kraus, should be required reading for anybody who thinks it might be a good idea to found a startup in Silicon Valley. It shows just how miserable the startup founder’s life is
  • Silicon Valley is gripped by a mass delusion, compounded by a deep “fake it til you make it” attitude toward success. Why do so many people in Silicon Valley want to be founders? Because every founder they meet is always killing it, crushing it, having massive success, just about to close a huge round, etc etc
  • people tend to believe the evidence of their own eyes, and what they see is a combination of two things: the founders they know all seemingly doing great, and also a steady stream of headlines showing other founders cashing out for millions or even billions of dollars.
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  • No Exit makes it very clear that the life of a startup founder is a miserable one, and that engineers are invariably happier when they’re working for a big company.
  • Financially, starting up a company in Silicon Valley makes very little sense. You have a very high chance (indeed, a certainty) of having to scrape by on a very low income in a very expensive city. At a time of your life when you should be out enjoying life and meeting friends and generally having lots of fun, you will instead be unhappily tethered to your laptop at all times. In return for sacrificing a six-figure salary elsewhere and general enjoyment of life, you’re given a lottery ticket: you get a minuscule chance of making untold millions of dollars.
  • So where does it come from, this intense Silicon Valley desire to buy the most expensive lottery ticket in the world?
  • The Silicon Valley trade is also pretty close to being zero-sum. Even on a purely financial basis, if you add up all the profits from successful investments, they barely cover the losses on all the unsuccessful ones. A few big-name angels and VCs can do OK for themselves, but in aggregate the industry of investing in startups does not make money.
  • Essentially the way that the startup ecosystem works is by taking the valuable labor of thousands of hopeful founders, and converting it into large amounts of capital for a tiny number of successes
  • On its face, the winners, here, are the people with the big successful exits. But after reading No Exit, a different conclusion presents itself. The real winners are the happy and well-paid engineers, enjoying their lives and their youth while working for great companies like Google. In the world of startups, the only winning move is not to play.
  • Everything in American culture would lead one to think that it is easy to launch a new restaurant, hair salon, company, or fill in the blank. I wouldn’t go so far to say that those who do it have a false sense of entitlement – but there’s seemingly no sense of contentment in being a no. 2 or lower in a company.
  • most of the website or mobile app start-ups that you guys in the general media (I will lazily generalize like you all do and lump you all together) lazily or ignorantly refer to as “tech” or “silicon valley” are not founded by computer engineers. They are started by coders, which are a couple notches below computer engineers on the knowledge and experience scale. They are willing to forego a big steady paycheck because they are short on knowledge and experience, and are not usually “incredibly qualified engineers – in fact, they are mostly just qualified to work on mobile apps and economically unsustainable web start-ups. Their value to established companies that need to develop products that generate revenue and profits is questionable, at best.
  • I don’t know if you have ever worked for a very large multi-national company that compartmentalizes your job into little tasks so that your skills can be exploited for a few years, and then discarded when they are obsolete. Many big companies are poorly managed, and while they may offer stable employment in the short term, when the errors of their executives impose their costs on the company, the employees usually pay the price. And then what do they do? People who avoid working for large companies and seek the excitement of start-ups have a different value system than you and all those who would choose the illusion of job security.
Javier E

In Los Angeles, a Nimby Battle Pits Millionaires vs. Billionaires - NYTimes.com - 0 views

  • the ever-expanding number of houses the size of Hyatt resorts rising in the most expensive precincts of Los Angeles
  • “Twenty-thousand-square-foot homes have become teardowns for people who want to build 70-, 80-, and 90,000-square-foot homes,” Los Angeles City Councilman Paul Koretz said. So long, megamansion. Say hello to the gigamansion.
  • Why are people building houses the size of shopping malls? Because they can. “Why do you see a yacht 500 feet long when you could easily have the same fun in one half the size?”
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  • the market for these Versailles knockoffs is “flight capital.” “It’s oligarchs, oilgarchs, people from Asia, people who came up with the next app for the iPhone,” he said. While global wealth is pouring into other American cities as well, Los Angeles is still a relative bargain, Mr. Hyland said, adding: “Here you can buy the best house for $3,000 a square foot. In Manhattan, you’re looking at $11,000 a square foot and you get a skybox.”
  • In a city traditionally as hostile to architectural preservation as it is hospitable to architectural innovation, the gigamansion trend is accelerating the decimation of residential gems. A midcentury modern home in Bel Air designed by Burton Schutt (best known as the architect of the Hotel Bel-Air) and furnished by the decorator Billy Haines for Earle Jorgensen, a member of President Ronald Reagan’s “kitchen cabinet,” and his wife, Marion, was recently razed
  • In the Sunset Strip area, a geometric hacienda built by the Mexican architect Ricardo Legorreta for the actor Ricardo Montalbán was “remodeled” into a hulking glass spec house.
  • As the number of Los Angeles’s buildable lots dwindles and land values soar, houses that are out of scale with their surroundings are popping up everywhere. (
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