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Mustafa Kemal Atatürk, the founder of modern Turkey, was commissioned by the Caliph of the Muslims and the Sultan of the Ottoman Empire as part of a state operation to initiate the Turkish War of Independence in the northern Turkish city of Samsun, a document from 1919, revealed by leading Turkish historian journalist Murat Bardakçı show

Deniz, a student at Galatasaray University, usually supports the secularist Republican People's Party, formed by Mustafa Kemal Atatürk. “This year I’m voting strategically to keep HDP above the threshold,” he says.

this week, let’s talk about his enemy, Vladimir Putin: why he’s a common villain, and why men like him are ubiquitous in human history. They rise and fall with almost metronomic regularity, not just because there are always men who are drawn to absolute power and military glory, but because these men connect with specific human needs and unlock the darkness in human hearts. 

as recently as ten days ago significant figures in the United States and the west obviously and openly admired Putin, including Donald Trump, the former president and frontrunner for the GOP nomination. Days before the Russian Army launched its unprovoked attack on Ukraine, Tucker Carlson, the most popular cable news host in America, was so pro-Putin that his remarks were rebroadcast on Russian state media. 

In 2017 Christopher Caldwell, a senior fellow at the Claremont Institute, delivered an address to the Hillsdale College National Leadership Seminar, entitled “How to Think About Vladimir Putin.” Hillsdale, for those who don’t know, is arguably the premier conservative college in America.

Though Pamuk is playful where Tolstoy is strident, behind all the beautiful descriptions of Mingherian flowers and mountains of rose-colored marble, he is undeniably making an argument. If Tolstoy’s great theme in War and Peace is the powerlessness of humanity to remake the world through acts of will alone, Pamuk’s is the role of accident in shaping history and its writing. Tolstoy’s enemy was Napoleon, the embodiment of modernity’s hubris. Pamuk’s is the historiographic crimes of nationalism.

Mingheria becomes independent not only through the great accident of the plague, but also through thousands of tiny accidents at crucial moments. The problem with nations, the book suggests, is that they take all these small instances in which things could just as well have been otherwise and cast them as a monumental inevitability. Once a nation-state comes into existence, the machinery of education and civic ritual and the instruments of propaganda and state violence are wielded to turn chance into fate. And that fate becomes inexorable.

This is a bold thing to say in Turkey, a country that has gone to great lengths to promulgate a heroic and highly sanitized account of its founding. It is even bolder when one notes that Mingheria’s struggle for independence, and its troubled post-independence history, function very well as an allegory of Turkey itself. Major Kâmil is, like Mustafa Kemal Atatürk, an Ottoman war hero and secularist who tries to found a country divided by ethnic and religious rivalries on a conception of linguistic and ethnic nationalism.