Group items tagged

backchan.nl is tool for involving audiences in presentations by letting them suggest questions and vote on each other's questions. backchan.nl is intended for conference or event organizers who want a new way to solicit questions from the audience and make better use of question and answer time.

"Discussion design and facilitation has an indispensable role in online education and is dependent on the development of carefully crafted questions."

"LectureTools is a student response system that also allows students to take notes linked with the slides and videos presented in class, answer instructor generated questions and pose questions to the instructor. All notes, questions and activities are instantly synchronized with the LectureTools web application."

Ice breaker questions. Scroll through quickly, stop, answer question under mouse cursor.

Question and answer web-based app that has some nifty features for tracking student questions and who answers

Comments on Google+ but what's more interesting is the initial 3 questions and the rationale behind them. Qns we should consider when proposing edtech and they also explain some of the #diglit stuff we're talking about.

"Answering 10 questions will help guide faculty in adopting digital technology for the classroom"

The great EduBlogs copyright ridiculousness fiasco. "And today, our hosting company, ServerBeach, to whom we pay $6,954.37 every month to host Edublogs, turned off our webservers, without notice, less than 12 hours after issuing us with a DMCA email. Because one of our teachers, in 2007, had shared a copy of Beck's Hopelessness Scale with his class, a 20 question list, totalling some 279 words, published in 1974, that Pearson would like you to pay $120 for."

The nature of the academic lecture has changed with the introduction of wi-fi and cellular technologies. Interacting with personal screens during a lecture or other live event has become commonplace and, as a result, the economy of attention that defines these situations has changed. Is it possible to pay attention when sending a text message or surfing the web? For that matter, does distraction always detract from the learning that takes place in these environments? In this article, we ask questions concerning the texture and shape of this emerging economy of attention. We do not take a position on the efficiency of new technologies for delivering educational content or their efficacy of competing for users' time and attention. Instead, we argue that the emerging social media provide new methods for choreographing attention in line with the performative conventions of any given situation. Rather than banning laptops and phones from the lecture hall and the classroom, we aim to ask what precisely they have on offer for these settings understood as performative sites, as well as for a culture that equates individual attentional behavior with intellectual and moral aptitude.

"The nature of the academic lecture has changed with the introduction of wi-fi and cellular technologies. Interacting with personal screens during a lecture or other live event has become commonplace and, as a result, the economy of attention that defines these situations has changed. Is it possible to pay attention when sending a text message or surfing the web? For that matter, does distraction always detract from the learning that takes place in these environments? In this article, we ask questions concerning the texture and shape of this emerging economy of attention. We do not take a position on the efficiency of new technologies for delivering educational content or their efficacy of competing for users' time and attention. Instead, we argue that the emerging social media provide new methods for choreographing attention in line with the performative conventions of any given situation. Rather than banning laptops and phones from the lecture hall and the classroom, we aim to ask what precisely they have on offer for these settings understood as performative sites, as well as for a culture that equates individual attentional behavior with intellectual and moral aptitude."

"The internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work "open access": digital, online, free of charge, and free of most copyright and licensing restrictions. In this talk, Peter Suber - Director of the Harvard Open Access Project - shares insights from his new concise introduction to open access - what open access is and isn't, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. This event includes questions and responses from Stuart Shieber (School of Engineering and Applied Sciences), Robert Darnton (Harvard University Library), June Casey (Harvard Law School Library), David Weinberger (Berkman Center / Harvard Library Innovation Lab) and more."

This Guide comprises three sections. The first - a summary of the key issues - is presented in the form of a set of 'Frequently Asked Questions'. Its purpose is to provide readers with a quick and user-friendly introduction to Open Educational Resources (OER) and some of the key issues to think about when exploring how to use OER most effectively. The second section is a more comprehensive analysis of these issues, presented in the form of a traditional research paper. For those who have a deeper interest in OER, this section will assist with making the case for OER more substantively. The third section is a set of appendices, containing more detailed information about specific areas of relevance to OER. These are aimed at people who are looking for substantive information regarding a specific area of interest.

"With this feature, educators can use, tweak, or completely redo any video lesson featured on TED-Ed, or create lessons from scratch based on a TEDTalk or any video from YouTube. How? Just plug the video in and start writing questions, comments, even quizzes - then save the lesson as a private link and share with your students. The site allows you to see who's completed the lessons and track individual progress. It's still in beta, but we're so excited about this feature we had to share."

"There are countless author and book production platforms to choose from these days. So why would you want to use a new one like PressBooks? In this TOC interview, I sat down with Hugh McGuire (@hughmcguire), co-author of "Book: A Futurist's Manifesto" and founder of PressBooks to help answer that question. I should point out that I'm a fan of the platform. In fact, that's one of the reasons we agreed to have Hugh create and produce "Book: A Futurist's Manifesto" on PressBooks."

Examination of the Boundless textbooks case by asking the question, 'What is unique in a foundational text book?'

"What factors are most important when evaluating a specific IT collaboration? To answer this question, the authors asked an experienced group of IT leaders to analyze collaborations with which they had direct experience and to identify the most important success factors for those activities. The dozen individuals who agreed to participate in telephone interviews represent more than 300 years of experience in higher education. The authors then reviewed the results of the telephone interviews and consolidated and summarized them to create a list of the 12 most important success factors identified by the participants."

A new Twitter guide published by the LSE Public Policy Group and the LSE Impact of Social Sciences blog  seeks to answer this question, and show academics and researchers how to get the most out of the micro-blogging site. The Guide is designed to lead the novice through the basics of Twitter but also provide tips on how it can aid the teaching and research of the more experienced academic tweeter.

"So what do I tell my kids? Should I urge them to go to university? Should I tell them to jack it all in and run off and join a startup? This is what's occupying my mind now."