Skip to main content

Home/ videogamesUniandes/ Group items tagged price

Rss Feed Group items tagged

pfiguero

Gamasutra: Ryan Creighton's Blog - Truth in Advertising: Matching Your Game to Your Pay... - 2 views

  • The way the market actually works is that you catch wind of a game through a friend or a website, and you eventually stumble upon its page on a digital distribution site like Steam or Good Old Games. You watch the trailer, look at the screenshots, maybe double-check its purported quality by reading Metacritic reviews (or just glancing at the game's damnable Metacritic score) ... and you imagine what the game might be like to play, and whether you'll enjoy it. You create a mental picture of that enjoyment you'll get from the game, and then you compare that to the asking price. If the asking price is aligned with the enjoyment you predict you'll get from the game (and everyone's equation for this is different), AND you have that money to fart away on entertainment, THEN you may just complete the purchase.
  • If i were to approach this exercise completely cynically, i would continue to tweak and refine the page until i got the best potential conversion from my respondents, and then release Spellirium without making any changes to it. Because, speaking absolutely cynically, it doesn't actually matter if the game is good or bad - it only matters that people buy it. But that's not how Untold Entertainment rolls!
  • Of course, i desperately do want to make a good game. So i'll use the Steam page mock-up and survey as a funnel to decide on my testers. Those respondents who report the highest interest in playing the game, and the highest likelihood of buying it, will test the game. At that point, it doesn't matter who is a "proper" word gamer and who isn't: what matters is that i have an obligation to the people who are excited about my game and who want to buy it. If those players struggle to make 3-letters words, and if those players expect long words to be rewarded over tricky words, then i will adjust the game for the sake of those players. Because those players are my paying audience - not some mythical "perfect" players that i've hand-picked to enjoy Spellirium the specific way i've configured it. The players choose my game - not the other way around.
Carlos Gomez Burgos

Expectations, Network Effects and Platform Pricing (Andrei Hagiu & Hanna Hała... - 1 views

  •  
    En los mercados con efectos de red, como los sistemas de videojuego, el valor del aumento de los usuarios de las plataformas depende de la cantidad de otros usuarios del mismo tipo que se unen a la misma plataforma (efectos directos de la red) o el número de usuarios de un tipo diferente que se unen (transversal grupo de red efectos).
  •  
    No muy relacionado
sergiodv

PS4 tiene precio definido? - 2 views

  •  
    se habla de 400 dolares según una revista importante japonesa
esneider gonzalez

NeoGeo X Gold entertainment system priced and dated for worldwide distribution - 0 views

  •  
    Nuevo sistema de entretenimiento(NeoGeo X) próximamente distribuido en el mundo.
pfiguero

Gamasutra - Features - Postmortem: Radiangames' Monthly Xbox Live Indie Games Series - 2 views

  • Postmortem: Radiangames' Monthly Xbox Live Indie Games Series
  • 1. Scope Control
  • It's amazingly hard to keep a game simple and not to turn it into something epic, so the smaller and more focused the original idea, the better.
  • ...13 more annotations...
  • 2. Playtesting
  • it essentially guarantees your game will be enjoyed by more people than it would have otherwise.
  • 3. Restricted Art Style
  • 4. Upgrades
  • They want something that rewards them and keeps them invested in playing, something beyond the intrinsic rewards of getting better and competing against your own (and others') best scores.
  • 5. Passion vs. Innovation
  • If the games had some innovation in them (Crossfire, Inferno, and Fluid did, in my opinion) that was a bonus. But I knew that getting a game done is hard, and by making games that I had a passion for, I'd be more motivated to play them, improve them, and most importantly finish them.
  • What Went Wrong
  • 1. Pricing Indecision
  • 2. Mental Beatdown Making games is hard in so many ways. It's hard to choose which idea to work on next. It's hard to hone a prototype into a solid direction. It's hard to bring all the different elements together into a cohesive design. It's hard to write music, create art, and code. It's hard to hear people say your game sucks when you thought it was almost done.
  • 3. Minimal Personality There was a great article in Game Developer magazine this past year about how to inject personality into your games. If you've played my games, you may have guessed that I never read it, but you'd be wrong. I just rarely spent time thinking about it.
  • 4. Branding Baggage
  • 5. Too Many Modes
  •  
    Un buen postmortem sobre desarrollo rápido de videojuegos
  •  
    Interesante articulo, y tienen razon, es dificl no desarrollar mas de lo que se debe...
1 - 8 of 8
Showing 20 items per page