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In discussing the importance of public health anxieties within the birth of modern forms of governmentality, Foucault frequently mentions, but does not develop, the questions that arose about the appropriate disposal of the dead. In this paper, I explore the spatial rationalities of the modern cemetery in England in the mid-nineteenth century. As an illustrative example, I provide a detailed analysis of John Claudius Loudon's proposals for cemeteries. Loudon, a horticultural writer and designer who campaigned vigorously for cemetery reform, became crucial in the reconfiguration of the cemetery. I use Loudon's ideas as a dispositif, a material space that also provides a method of analysis for illuminating the operation of various inter-related governmental spatialisations and techniques. Specifically, I illustrate how the cemetery captures the diversification and widening of dispositional techniques of institutions and, at the same time, integrates hygienic imperatives, aesthetic-moral registers and an array of educational-civic functions. I argue that the cemetery, in real and ideal terms, manifests and intensifies a variety of rural and urban spaces and, paradoxically, generates a model milieu for the living.

In discussing the importance of public health anxieties within the birth of modern forms of governmentality, Foucault frequently mentions, but does not develop, the questions that arose about the appropriate disposal of the dead. In this paper, I explore the spatial rationalities of the modern cemetery in England in the mid-nineteenth century. As an illustrative example, I provide a detailed analysis of John Claudius Loudon's proposals for cemeteries. Loudon, a horticultural writer and designer who campaigned vigorously for cemetery reform, became crucial in the reconfiguration of the cemetery. I use Loudon's ideas as a dispositif, a material space that also provides a method of analysis for illuminating the operation of various inter-related governmental spatialisations and techniques. Specifically, I illustrate how the cemetery captures the diversification and widening of dispositional techniques of institutions and, at the same time, integrates hygienic imperatives, aesthetic-moral registers and an array of educational-civic functions. I argue that the cemetery, in real and ideal terms, manifests and intensifies a variety of rural and urban spaces and, paradoxically, generates a model milieu for the living.

The student protests during the closing months of 2010 were organised online via Facebook, Twitter, university forums, Google Maps and other networks. They came in the wake of a surge of activity on the web that confonted the traditional media channels when Wikileaks and Anonymous disrupted them, creating a New World Order of breaking news. The fluid organisation of the protests showed that the internet and social media were key tools for organising dissent. Then in the Spring 2011, a wave of uprisings broke over North Africa with Tunisia, Egypt and Libya swept up in revolts also galvanised online. Tom Chatfield explores how the internet is re-shaping society and affecting identity in a period of acute political turbulence. BRAIN SHOTS is the pre-eminent source for high quality, short-form digital non-fiction. The Summer of Unrest series brings together stellar writers to explore the issues surrounding the austerity measures in the UK, uprisings in the Middle East and the nature of the protest movements springing up all over the world.

The student protests during the closing months of 2010 were organised online via Facebook, Twitter, university forums, Google Maps and other networks. They came in the wake of a surge of activity on the web that confonted the traditional media channels when Wikileaks and Anonymous disrupted them, creating a New World Order of breaking news. The fluid organisation of the protests showed that the internet and social media were key tools for organising dissent. Then in the Spring 2011, a wave of uprisings broke over North Africa with Tunisia, Egypt and Libya swept up in revolts also galvanised online. Tom Chatfield explores how the internet is re-shaping society and affecting identity in a period of acute political turbulence. BRAIN SHOTS is the pre-eminent source for high quality, short-form digital non-fiction. The Summer of Unrest series brings together stellar writers to explore the issues surrounding the austerity measures in the UK, uprisings in the Middle East and the nature of the protest movements springing up all over the world.

A great deal of material has been written about cemeteries based on the assumption that they constitute a specific type of burial place, but few writers have given close attention to the task of describing the features that may be particular to cemeteries.