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The reward is that it remains the one kind of time travel that works, where you make a wish and actually become a musketeer in Paris or a used-car salesman in Pennsylvania. That one knows, of course, that the actuality is “fictional” or artificial doesn’t change its reality. The vicarious pleasure of reading is, by the perverse principle of professions, one that is often banished from official discussion, but it remains the core activity.

So: Why should English majors exist? Well, there really are no whys to such things, anymore than there are to why we wear clothes or paint good pictures or live in more than hovels and huts or send flowers to our beloved on their birthday. No sane person proposes or has ever proposed an entirely utilitarian, production-oriented view of human purpose. We cannot merely produce goods and services as efficiently as we can, sell them to each other as cheaply as possible, and die.

realness in hip-hop has a slippery definition, related to the everyday sense of the word but not synonymous with it. 

Artists of all kinds feel obliged to establish authenticity. Bob Dylan was a refugee from middle-class Minnesota, but his gnomic responses to interview questions allowed him to brand himself as a rambling countercultural troubadour. Jean-Michel Basquiat’s reputation as a formerly homeless autodidact helped endear him to gallerists who prized edginess. But the problem of authenticity was particularly acute in early hip-hop, which had a dual mandate—fictional in some ways, journalistic in others. “Rap is CNN for black people,” Chuck D is often alleged to have said. What he actually said was, “Rap is black America’s TV station. It gives a whole perspective of what exists and what black life is all about.”

A few years ago it was revealed that Ross had actually been a correctional officer. No one seemed to mind. If a Jew wrote “White Christmas” and a prep-school graduate wrote “Scarface,” why shouldn’t a former cop make the best narco-trafficking anthems of his generation?

With so many pressing human needs, the logic goes, there's no room for compassionate action toward nonhuman animals. The underlying assumption is that being good is a zero-sum game, with gains for one cause — in this case, animal welfare — coming at the expense of another — in this case human welfare.

The zero-sum assumption may be compelling because it's buoyed by a few features of human psychology.

Doing something is better than doing nothing, even when that something is a small and imperfect step toward a tertiary goal.

In a project funded by the Office of Naval Research and coordinated under the Multidisciplinary University Research Initiative, scientists will explore the challenges of infusing autonomous robots with a sense for right, wrong, and the consequences of both. "Moral competence can be roughly thought about as the ability to learn, reason with, act upon, and talk about the laws and societal conventions on which humans tend to agree," says principal investigator Matthias Scheutz, professor of computer science at Tufts School of Engineering and director of the Human-Robot Interaction Laboratory (HRI Lab) at Tufts. "The question is whether machines -- or any other artificial system, for that matter -- can emulate and exercise these abilities." One scenario is a battlefield, he says. A robot medic responsible for helping wounded soldiers is ordered to transport urgently needed medication to a nearby field hospital. En route, it encounters a Marine with a fractured leg. Should the robot abort the mission to assist the injured? Will it? If the machine stops, a new set of questions arises. The robot assesses the soldier's physical state and determines that unless it applies traction, internal bleeding in the soldier's thigh could prove fatal. However, applying traction will cause intense pain. is the robot morally permitted to cause the soldier pain, even if it's for the soldier's well-being?

The Nonhuman Rights Project is the only organization working toward actual LEGAL rights for members of species other than our own. Our mission is to change the common law status of at least some nonhuman animals from mere “things,” which lack the capacity to possess any legal right, to “persons,” who possess such fundamental rights as bodily integrity and bodily liberty, and those other legal rights to which evolving standards of morality, scientific discovery, and human experience entitle them. Our first cases were filed in 2013.

Practical Ethics Bites is a series of audio podcasts on practical ethics targeted specifically at pupils studying philosophy or religious studies at A level in UK schools. It is produced by the team behind the popular podcast Philosophy Bites, David Edmonds and Nigel Warburton.  Philosophy Bites has had over 21 million downloads.  David Edmonds is a Senior Research Associate at Oxford’s Uehiro Centre for Practical Ethics and all the interviewees are academics linked to the Uehiro Centre. The series aims to be an educational resource for teachers as well as students.  Each interview is around 20 minutes long. The interviews will be posted below and will also be available on iTunesU. They will be released on a weekly basis over September and October 2014.  They are completely free to listen to.

But now experts say a reliance on sat-navs and smartphone map apps is undermining map-reading skills. So here are five reasons why you should love maps and resist the easy attraction of the sat-nav.

hortly before the dreadful crash of Germanwings Flight 9525, I happened to be reading part of “The Second Machine Age,” a book by two academics at M.I.T., Erik Brynjolfsson and Andrew McAfee, about the coming automation of many professions previously thought of as impervious to technological change, such as those of drivers, doctors, market researchers, and soldiers. With the advances being made in robotics, data analysis, and artificial intelligence, Brynjolfsson and McAfee argue, we are on the cusp of a third industrial revolution.

The first steps to answering these questions were taken almost a century ago, at the height of the American Jazz Age. At the time, the new-fangled IQ test was gaining traction, after proving itself in World War One recruitment centres, and in 1926, psychologist Lewis Terman decided to use it to identify and study a group of gifted children. Combing California’s schools for the creme de la creme, he selected 1,500 pupils with an IQ of 140 or more – 80 of whom had IQs above 170. Together, they became known as the “Termites”, and the highs and lows of their lives are still being studied to this day.

Fiction, which I believe suffers most from modern readership, is by definition not factual. It may be about the real world and it may try to illuminate some facts about the real world or how real people behave in it or, as is so often the case in modern literature, it may also be about the impossibility of portraying any such reality since the very nature of art is artifice. Primarily, however, fiction (and biography, essay, history, memoir only perhaps to a lesser degree) is a creative act, an act of the author’s imagination and likewise, ideally, it should be read with imagination.

Tracking retractions as a window into the scientific process

“English is not a language in India,” a friend once told me. “It is a class.” This friend, an aspiring Bollywood actor, knew firsthand what it meant to be from the wrong class. Absurd as it must sound, he was frequently denied work in the Hindi film industry for not knowing English. “They want you to walk in the door speaking English. Then if you switch to Hindi, they like it. Otherwise they say, ‘the look doesn’t fit.’ ” My friend, who comes from a small town in the Hindi-speaking north, knew very well why his look didn’t fit. He knew, too, from the example of dozens of upper-middle class, English-speaking actors, that the industry would rather teach someone with no Hindi the language from scratch than hire someone like him.