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What attributes make for a successful trader? Is it comprehensive knowledge of an industry? The ability to read the markets? Luck?Or might it be something subtler and seemingly unrelated — namely, an awareness of one’s own heartbeat?

If there is such a thing as real expertise in identifying the properties of a wine, then it must be possible to get it wrong.  If tastes, in general, were entirely subjective there would be no right answer to the question of whether, for instance, chocolate ice cream tastes of chocolate.  No one really thinks that. The fact that expert wine tasters get it wrong so often is evidence that wine tasting is harder than identifying the presence of chocolate in ice cream—not that it is utterly capricious. So tastes are not so entirely subjective that our experiences of them have no relationship to an object.

Furthermore, tasters can strive to eliminate environmental factors that have been shown to influence judgments about wine such as conversations, the style of music being played, and changes in the weather, etc. These are all factors that wine tasters can control by adjusting the environment in which they taste. Wine tasters, if they are to maintain credibility, must taste under the appropriate conditions. But that is no different from any other normative judgment we make. Our ability to make ethical judgments, for instance, is similarly influenced by environmental factors. We know (or should know) better than to make ethical judgments when we are excessively angry, fearful, under the influence of powerful desires, etc. Yet, it does not follow from the fact that ethical judgments can be influenced by irrelevant factors that all ethical judgments are subjective.

So the taste of wine (or anything else) is partly dependent on objective features of the world and partly dependent on how our view of those features has been shaped by past experience. The crucial question then is how much of a distorting lens is that past experience.

realness in hip-hop has a slippery definition, related to the everyday sense of the word but not synonymous with it. 

Artists of all kinds feel obliged to establish authenticity. Bob Dylan was a refugee from middle-class Minnesota, but his gnomic responses to interview questions allowed him to brand himself as a rambling countercultural troubadour. Jean-Michel Basquiat’s reputation as a formerly homeless autodidact helped endear him to gallerists who prized edginess. But the problem of authenticity was particularly acute in early hip-hop, which had a dual mandate—fictional in some ways, journalistic in others. “Rap is CNN for black people,” Chuck D is often alleged to have said. What he actually said was, “Rap is black America’s TV station. It gives a whole perspective of what exists and what black life is all about.”

A few years ago it was revealed that Ross had actually been a correctional officer. No one seemed to mind. If a Jew wrote “White Christmas” and a prep-school graduate wrote “Scarface,” why shouldn’t a former cop make the best narco-trafficking anthems of his generation?

In a project funded by the Office of Naval Research and coordinated under the Multidisciplinary University Research Initiative, scientists will explore the challenges of infusing autonomous robots with a sense for right, wrong, and the consequences of both. "Moral competence can be roughly thought about as the ability to learn, reason with, act upon, and talk about the laws and societal conventions on which humans tend to agree," says principal investigator Matthias Scheutz, professor of computer science at Tufts School of Engineering and director of the Human-Robot Interaction Laboratory (HRI Lab) at Tufts. "The question is whether machines -- or any other artificial system, for that matter -- can emulate and exercise these abilities." One scenario is a battlefield, he says. A robot medic responsible for helping wounded soldiers is ordered to transport urgently needed medication to a nearby field hospital. En route, it encounters a Marine with a fractured leg. Should the robot abort the mission to assist the injured? Will it? If the machine stops, a new set of questions arises. The robot assesses the soldier's physical state and determines that unless it applies traction, internal bleeding in the soldier's thigh could prove fatal. However, applying traction will cause intense pain. Is the robot morally permitted to cause the soldier pain, even if it's for the soldier's well-being?

On the Brain

How large is Africa compared to the United States, or Western Europe? Most inhabitants of the latter places might guess it is a little larger, but few would have any idea of the scale of the difference. This has led German graphics designer Kai Krause to produce this map to shake people's perceptions a little.

Any attempt to map a spherical planet onto a flat map will involve distortions of size, shape or both. There is a passionate debate among cartographers about the best way to hang the world on a wall, but most agree that the most common maps we get our sense of the world from are very bad ways to do it. The problem is that these maps exaggerate the size of the countries at high  latitudes, and shrink places near the equator - leading to a perception that Europe is larger than South America, to pick just one example among many.

Africa, which spans the equator, fares particularly badly on these sorts of projections: Krause says, "Africa is so mind-numbingly immense, that it exceeds the common assumptions by just about anyone I ever met: it contains the entirety of the USA, all of China, India, as well as Japan and pretty much all of Europe as well - all combined!”  Some have argued that since people associate size with importance this encourages the already strong tendency of the world's wealthiest nations to disregard those who live in the tropics. 

Truly new sensory experiences are rare. Perhaps for that reason, a whole genre of YouTube videos is dedicated to them. The videos of babies tasting lemons are merely heartwarming. Others—the ones showing deaf people activating their cochlear implants, for example, or blind people, after surgery, seeing for the first time—have a power that’s hard to overstate. (A video of Sarah Churman, a young woman from Texas, hearing her own voice has been viewed more than twenty-five million times.) That power flows from a number of sources. The videos are often filmed by family members who are themselves deeply moved. They involve us in a private, intimate, and life-changing moment. They are unusually frank documents of emotion: one doesn’t often see such extremes of surprise, fear, and joy flow so undisguised across an adult face. And, at the same time, they tell part of a larger, communal story about science and its possibilities. (Perhaps this is why patients and their families are so willing to share these otherwise private moments with the rest of us.)