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Certainly, experiments do show that a language can have a fascinating effect on how its speakers think. Russian speakers are on average 124 milliseconds faster than English speakers at identifying when dark blue shades into light blue. A French person is a tad more likely than an Anglophone to imagine a table as having a high voice if it were a cartoon character, because the word is marked as feminine in his language.This is cool stuff. But the question is whether such infinitesimal differences, perceptible only in a laboratory, qualify as worldviews — cultural standpoints or ways of thinking that we consider important. I think the answer is no.

Many of our proposed futures contain robots. The present also contains robots, but The Future is said to contain a lot more of them. Is that good or bad? We haven’t made up our minds. And while we’re at it, how about a robotic mind that can be made up more easily than a human one?Sci-fi writers have been exploring robots for decades, but they were far from the first to do so. Humankind has been imagining nonbiological but sentient entities that do our bidding ever since we first set stylus to papyrus.

To understand Homo sapiens’ primary wish list, go back to mythology. We endowed the gods with the abilities we wished we had ourselves: immortality and eternal youth, flight, resplendent beauty, total power, climate control, ultimate weapons, delicious banquets minus the cooking and washing up — and artificial creatures at our beck and call.

Every technology we develop is an extension of one of our own senses or capabilities. It has always been that way. The spear and the arrow extended the arm, the telescope extended the eye, and now the Kissinger kissing device extends the mouth. Every technology we’ve ever made has also altered the way we live. So how different will our lives be if the future we choose is the one with all these robots in it?

LYING may be an age-old part of politics, but it’s becoming easier to spot the fibs, fictions and falsehoods. A growing army of fact-checkers around the world is busy debunking falsehoods from presidents, prime ministers and pundits — and if their results are indicative, 2014 was a banner year. Some of the claims were so absurd that fact-checking groups honored them with awards, like Australia’s Golden Zombie and Italy’s Insane Whopper of the Year.Such lies are fun to read, but identifying them is serious business: Misinformation, unchecked, can turn elections, undermine public health efforts and even lead countries into war.

ARE you responsible for your behavior if your brain “made you do it”?Often we think not. For example, research now suggests that the brain’s frontal lobes, which are crucial for self-control, are not yet mature in adolescents. This finding has helped shape attitudes about whether young people are fully responsible for their actions. In 2005, when the Supreme Court ruled that the death penalty for juveniles was unconstitutional, its decision explicitly took into consideration that “parts of the brain involved in behavior control continue to mature through late adolescence.”

Today, prison design is a civic cause for some architects who specialize in criminal justice and care about humane design. There is a lot of research documenting how the right kinds of design reduce violence inside prisons and even recidivism. Architects can help ensure that prisons don’t succumb to our worst instincts — that they are not about spending the least amount of money to create the most horrendous places possible, in the name of vengeance — but promote rehabilitation and peace.Designing execution chambers is something else. They require their own deathly architecture. If architects refuse to design them, that doesn’t mean that they won’t be built, any more than the refusal by doctors and pharmaceutical companies to participate in executions has stopped executions from happening. But Ms. Dreiling said it herself: “Many, if not most, architects enter this profession because it is a calling. They believe they can make the world a better place, they believe they can enhance the lives of people on a daily basis, where they live, work and play.”

Neil MacGregor, the former director of the British Museum, has bemoaned Britain’s narrow view of its own history, calling it “dangerous and regrettable” for focusing almost exclusively on the “sunny side”. Speaking before the Berlin opening of his highly popular exhibition Germany – Memories of a Nation, MacGregor expressed his admiration for Germany’s rigorous appraisal of its history which he said could not be more different to that of Britain. “In Britain we use our history in order to comfort us to make us feel stronger, to remind ourselves that we were always, always deep down, good people,” he said. “Maybe we mention a little bit of slave trade here and there, a few wars here and there, but the chapters we insist on are the sunny ones,” he said.

What makes one human better at talking about odors than another? Are English speakers flawed smellers, or are the hunter-gatherers of the Malay Peninsula exceptional? Advertisement Continue reading the main story The answer might come down partly to culture, suggests a study published Thursday in Current Biology.

One of Britain’s most respected Tudor historians has expressed concern that prospective students imagine Hilary Mantel’s novels are fact. John Guy told the Hay literary festival in Wales that Mantel’s Thomas Cromwell novels needed to be enjoyed for what they were: fiction. Mantel’s two novels, Wolf Hall and Bring Up the Bodies, have been a literary phenomenon, both winning the Man Booker prize and being adapted for the stage by the Royal Shakespeare Company. But they are novels, said Guy, despite what some applicants he interviews to study history at Cambridge seem to think.

The golden ratio's aesthetic bona fides are an urban legend, a myth, a design unicorn. Many designers don't use it, and if they do, they vastly discount its importance. There's also no science to really back it up.

"Strictly speaking, it's impossible for anything in the real-world to fall into the golden ratio, because it's an irrational number," says Keith Devlin, a professor of mathematics at Stanford University.

You Don't Really Prefer The Golden Ratio In the real world, people don't necessarily prefer the golden ratio.

In “Concept Creep: Psychology's Expanding Concepts of Harm and Pathology,” Haslam argues that concepts like abuse, bullying, trauma, mental disorder, addiction, and prejudice, “now encompass a much broader range of phenomena than before,”expanded meanings that reflect “an ever-increasing sensitivity to harm.”

An exhibition at the British Library in London reveals the importance that visualising data has had on the scientific process – from 19th Century ship logs that still influence climate science, to models used to forecast the 2009 influenza pandemic.These images not only aid scientific progress, but also help to change the world.

Michael Sorkin, a globe-trotting sixty-six-year-old architect, urban planner, and critic, has published fourteen books and has designed buildings and public spaces from the Rockaways to Abu Dhabi. Currently, one of his biggest projects is a large urban complex in Xi’an, China. Meanwhile, in New York, where Sorkin lives, he runs Terreform, a non-profit devoted to architecture that is both urban and green. Two years ago, Terreform began a project called New York City (Steady) State, which investigates the possibility of “urban self-reliance”; its goal is to figure out what an optimally self-sufficient N.Y.C. might look like. By concretely imagining an ideal city, the thinking goes, you make a better one more likely. How would such a city function? And what would it be like to live on its leafy and fruitful streets?

Back in 1969, a couple of psychologists from the University of Illinois began studying the way people in different cultures use words. Their conclusion was that whatever their culture, people tended to use positive words more often the negative ones.This finding is now known as the Pollyanna hypothesis, after a 1913 novel by Eleanor Porter about a girl who tries to find something to be glad about in every situation.

And their happy conclusion is that the data backs up the Pollyanna hypothesis. “The words of natural human language possess a universal positivity bias,” they say.

And so that anyone can sample their wares, the team has produced an online tool that allows anybody to interrogate a wide range of major novels to see how the positivity and negativity of words changes throughout. This tool is available at this website. It’s worth a look if you have 20 minutes to spare.

How big do the numbers have to be for insensitivity to begin? Not very, it turns out.

Consider the recent death of the Syrian child Aylan Kurdi when his family braved the choppy seas off the coast of Turkey. The image of Aylan lying face down on the beach captivated the world’s attention and even, in short order, resulted in refugee policy changes in countries as far away as the United States. But 14 Syrian children drowned in the Aegean Sea the next day. Did you notice? Did you care?

“It is morally problematic, because more people are thinking of pets as people … They consider them part of their family, they think of them as their best friend, they wouldn’t sell them for a million dollars,” says Dr Hal Herzog, a professor of psychology at Western Carolina University and one of the founders of the budding field of anthrozoology, which examines human-animal relations. At the same time, research is revealing that the emotional lives of animals, even relatively “simple” animals such as goldfish, are far more complex and rich than we once thought (“dogs are people, too”, according to a 2013 New York Times comment piece by the neuroscientist Gregory Berns). “The logical consequence is that the more we attribute them with these characteristics, the less right we have to control every single aspect of their lives,” says Herzog.

A group of organizations, including Microsoft and the Rembrandthuis museum, have collaborated to produce a new painting by Rembrandt. Or rather, "by" Rembrandt. The team wrote software that analyzed the Dutch master's entire catalog of paintings and used the data to create a 3D-printed Rembrandt-esque painting.

Much of the moral case for bodycams, that they reduce police violence, rests on a single experiment: the 2012 Rialto study

Last month marked six years since the start of the Syrian war, which has forced millions of people to flee their homes in one of the largest humanitarian crises in modern history. Perhaps the artist who has most visibly used his work to draw attention to the conflict is Ai Weiwei, whose political activism has earned him a reputation as China’s foremost creative dissident. Ai has made works focused on the refugee crisis for years, but lately his projects have taken on a greater sense of urgency. His newest exhibit, Law of the Journey, was recently unveiled at the National Gallery in Prague and features a massive inflatable lifeboat with 258 faceless, rubber figures on board—evoking the treacherous journey some refugees make to Europe.

Last month marked six years since the start of the Syrian war, which has forced millions of people to flee their homes in one of the largest humanitarian crises in modern history. Perhaps the artist who has most visibly used his work to draw attention to the conflict is Ai Weiwei, whose political activism has earned him a reputation as China’s foremost creative dissident. Ai has made works focused on the refugee crisis for years, but lately his projects have taken on a greater sense of urgency. His newest exhibit, Law of the Journey, was recently unveiled at the National Gallery in Prague and features a massive inflatable lifeboat with 258 faceless, rubber figures on board—evoking the treacherous journey some refugees make to Europe. Earlier this week, the Public Art Fund announced Ai would build more than 100 fence-themed installations in New York across multiple boroughs, asking the city’s inhabitants to reflect on the ideas of barriers, nationhood, and security.

The researchers culled tens of thousands of photos from an online-dating site, then used an off-the-shelf computer model to extract users’ facial characteristics—both transient ones, like eye makeup and hair color, and more fixed ones, like jaw shape. Then they fed the data into their own model, which classified users by their apparent sexuality. When shown two photos, one of a gay man and one of a straight man, Kosinski and Wang’s model could distinguish between them eighty-one per cent of the time; for women, its accuracy dropped slightly, to seventy-one per cent.