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Rhys Daunic

The Critical Media Project - 0 views

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    "The Critical Media Project is designed to serve high school instructors and other educators who seek to incorporate media literacy into the classroom. The site contains a wide range of media artifacts that explore the politics of identity across issues of race and ethnicity, class, gender and sexuality. "
Rhys Daunic

Kara ClaytonMA - Film Critique Curriculum - 0 views

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    " "
Rhys Daunic

Why Youth (Heart) Social Network Sites: The Role of Networked Publics in Teenage Soci... - 0 views

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    Danah Boyd
Rhys Daunic

Creative Synthesis as Part of the Inquiry Process: Foundational Ideas - 0 views

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    Slideshare powerpoint by Dr. Hiller Spires of NC State University.
Rhys Daunic

Reading Online - Julie Coiro - 1 views

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    Reading Comprehension on the Internet: Expanding Our Understanding of Reading Comprehension to Encompass New Literacies
Rhys Daunic

Meograph: Four-dimensional storytelling - 0 views

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    Educational examples of Meographs. Meograph allows sequencing of content but not editing of content. You can layer content in a formatted way (location, time, annotations, and narration). You can record narration. It plays through like a movie with interactive live links and features.
Rhys Daunic

Storify Example: Why I think it's OK FOR ME to remix online content. - 0 views

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    "My opinion supported by research and my social media friends. "
Rhys Daunic

Learn Touch Typing Free - TypingClub - 0 views

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    Ad free interactive touch typing program that can track student progress. 
Rhys Daunic

Jonathan Franzen: what's wrong with the modern world | Books | The Guardian - 0 views

    • Rhys Daunic
       
      ...of education
  • We're told that, to remain competitive economically, we need to forget about the humanities and teach our children "passion" for digital technology and prepare them to spend their entire lives incessantly re-educating themselves to keep up with it.
  • will be able to laugh even better then
  • ...9 more annotations...
  • now people know the product of two times two so exactly that in a hundred years they won't be able to figure it out.
  • the new infernal machine seems increasingly to obey nothing but its own developmental logic, and it's far more enslavingly addictive, and far more pandering to people's worst impulses, than newspapers ever were.
  • Amazon wants a world in which books are either self-published or published by Amazon itself, with readers dependent on Amazon reviews in choosing books, and with authors responsible for their own promotion
  • The work of yakkers and tweeters and braggers, and of people with the money to pay somebody to churn out hundreds of five-star reviews for them, will flourish in that world. But what happens to the people who became writers because yakking and tweeting and bragging felt to them like intolerably shallow forms of social engagement? What happens to the people who want to communicate in depth, individual to individual, in the quiet and permanence of the printed word, and who were shaped by their love of writers who wrote when publication still assured some kind of quality control and literary reputations were more than a matter of self-promotional decibel levels?
  • (already one-third of all online product reviews are said to be bogus)
  • "dehumanised" doesn't mean "depopulated"
  • And so today, 53 years later, Kraus's signal complaint – that the nexus of technology and media has made people relentlessly focused on the present and forgetful of the past
    • Rhys Daunic
       
      "Present Shock"
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    "If you read Kraus's sentences more than once, you'll find that they have a lot to say to us in our own media-saturated, technology-crazed, apocalypse-haunted historical moment."
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