we need to think less about completed products and more about text in process; less about individual authorship and more about collaboration; less about originality and more about remix; less about ownership and more about sharing.
open up the conversation to the public whose support the traditional humanities has lost. If anyone and everyone can join in, if the invitation of open access is widely accepted, appreciation of what humanists do will grow beyond the confines of the university
Professors are also being left out of marketing decisions, personal branding campaigns, and how the intellectual capital of their life’s work get’s disseminated.
In addition to academic prowess, future SuperProfessors will be ranked according to attributes like influence, fame, clout, and name recognition.
Future criteria for winning the FacultyRow SuperProfessor designation will likely include benchmarks for the size of social networks, industry influencer rankings, and gauges for measuring effectiveness of personal branding campaigns.
Currently we are seeing a tremendous duplication of effort. Entry-level courses such as psychology 101, economics 101, and accounting 101 are being taught simultaneously by thousands of professors around the globe. Once a high profile SuperProfessor and brand name University produces one of these courses, what’s the value of a mid-tier school and little-known teacher also creating the same course?
As Ball Corporation executive, Drew Crouch puts it, “Education is definitely moving from a history of scarcity to a future of abundance. Just like Gutenberg freed the written word, the Internet has freed information.”
This seems stuck in the notion of the 'course' as a transferrable, replicable unit of education, without acknowledging all kinds of educational interactions that happen around courses, in one-on-one conversation etc. If a course is a knowledge dump, then it can be replaced with recorded equivalents, it seems to me. But if it is an interactive experience, a conversation among learners with the instructor as lead/expert learner, then reproducing it on a mass scale simply won't work.
All these new tools are incredible for making rapid-fire discoveries and associations, but you need a broad background of knowledge to prime you for those discoveries
this simple, but amazing fact: almost none of this--Twitter, blogs, PDFs, eBooks, Google, Findings--would have been intelligible to a writer fifteen years ago
Lovely mapping of the social development of an idea.
One of his takeaways, point 3, is essentially that one ought to be as liberally educated as possible (though he doesn't use that phrase).
The ethos of THATCamp fits this need in some way. Put together a bunch of like-minded people who meet up at a low-stakes (and low-cost) situation and ask them to come up with their best ideas. Crowdsource those ideas and let the group weigh in on where, when, and how to discuss them. It’s chaotic, but it can work wonders.
How do I start to build a body of information, practical tips, how to’s, etc., that can be passed on from a student that is with me now to the one that will work with me next summer? How do we, at our very small school, start to be good stewards of an upcoming big equipment install, when at larger ones the associated maintenance tasks would be taken on by full-time staff?
Who else out there feels a bit isolated and would like to cultivate a community of like-minded physicists at small schools, so that we can work together on potential grant proposals? How do we actually collaborate on these proposals?
Digital humanists eschew the label "computational" because it draws an uneasy connection to computer science, whereas scientists embrace it because, hey, who doesn't use computation?
the digital humanities more frequently adopt rather than invent their tools
Let's imagine the best scenario. If the humanities are an agency of espionage, then the digital humanities would be its Q Division, the R&D arm that invents and deploys new methods in support of its mission. But we're not there. We're not close. How come?
This is a bittersweet pill. On the one hand, it's encouraging that the digital humanities look to the outside for inspiration and influence—it's one example of a re-orientation of humanistic practice toward the world and its interests. But on the other hand, the rationale for that orientation is somewhat perverted; it is motivated primarily by an inward-looking reformational interest. This is why so much of the talk in digital humanities is about digital humanities. This is institution-building, not world-building.
worst case
techno-liberalism
the digital humanities becomes an organizational-political lever to advance arguments for the reformation of the humanities, but whose means of reformation is primarily self-reflexive, and whose manner of executing on that self-reflexive reformation relies largely on imported materials and methods to bulk up the ramparts that would protect humanism from the world it might otherwise enter
But the lower faculties must resist the temptation to partake of daily life only just enough to mine convenient resources into makeshift parapets