"If soundscape ecologist Bernie Krause's theories are true, then animal song is part of a far more complex and all-encompassing sound world."

"A simple tutorial to do an hydrophone (aquatic microphone), step by step. Do It Yourself following each step below"

"While the acoustic environment and urban soundscapes shape our everyday life, architecture practice usually neglects the experience of acoustic space in its design process. My research addressed the challenge of integrating spatial acoustics and the experience of environmental sound in architecture practice. Drawing from acoustic ecology, creative approaches embody the aural experience of the environment into the design process of architecture. "

"The inner sounds of objects and substances picked up with contact mics or hydrophones never cease to amaze. For Inner Out, Italian sound designer and artist Nicola Giannini uses contact mics frozen in ice, and performs a concert on them by playing the ice. Using different objects and techniques, such as grinding, tapping, hitting the ice, or pouring hot water, he creates the source material which he processes with live electronics to create a surround concert."

"Thought to be lost for years, this playful film combines abstract geometry and textures to create a visible soundtrack, and even features the fingerprints of the director himself."

"Our brains "time-stamp" the order of incoming sounds, allowing us to correctly process the words that we hear, shows a new study by a team of psychology and linguistics researchers. Its findings, which appear in the journal Nature Communications, offer new insights into the intricacies of neurological function. "

"The format of 'Path of Awareness_Elephant and Castle' explores an individual's personal experience of space through walking, particularly the interplay between sound event (footsteps) and surrounding architecture, influenced by the constantly changing interactions in the environment. A route created around the college of communication offers numerous opportunities to engage with the city's dynamics. Walking itself, the sonic character of footwear, the walkability of this urban habitat, as well as its architectural and atmospheric qualities are all major features of this soundwalk. My soundful shoes become instruments, soloists in the space, creating a dialogue with the surroundings and situating us sonically in the places we walk."

"Interview with Paulus Van Horne, a radio producer, audio engineer and noise researcher based in Boulder, CO. Paulus discusses their work researching noise, particularly in relationship to gender, sexuality, and mobilizing a queer approach to sound."

How can sound help us better understand our environment and engage in today's critical ecological issues? The Ear to the Earth festival kicks up the volume of the earth's sonic life with concerts, installations, public art, and panel discussions that explore our interaction with natural and man-made worlds through sound. We speak with sound artists Laurie Spiegel and David Dunn.

"Talking Popcorn is a sound sculpture that evolved out of my interest in language, translation, and Morse Code. A microphone in the cabinet of the popcorn machine picks up sound of popping corn, and a computer hidden in the pedestal runs a custom-written program that translates the popping sounds according to the patterns and dictates of Morse Code. A computer-generated voice provides a simultaneous spoken translation."

"My foreign-born parents who have lived in the United States for over 40 years both have distinctive but hard-to-place accents that I have never been able to imitate correctly (and have not inherited). Inspired by posters advertising courses in "accent elimination," I worked with my parents and professional speech improvement coach Sam Chwat intensively for several weeks in order to "neutralize" my parents' accents and then teach each of them to me. The very existence of these courses points to the complexities of assimilation and self-image, and the tricky maneuvering between the desire to preserve the distinctive marks of one's culture, on one hand, and to decrease them in order to seem less foreign, on the other. In the video, my parents and I struggle to hear and imitate what is so close at hand and yet so difficult to access. The accent is treated very literally, like an heirloom, and the project illustrates the very awkward attempt to concretely transfer this elusive, and ultimately culturally determined, attribute."

"Audio description allows you to enjoy a movie or TV show without the need for any visuals. But how do these narrators strike the right tone for a scene? How do the writers decide what needs to be described? And what's in store for the future of described audio? In honor of Blindness Awareness Month, this is a brand new story about the world of Audio Description. Featuring AD Narrator Roy Samuleson and AD experts Thomas Reid and Melody Goodspeed."

"Shortwave Collective is an international, feminist artist group established in May 2020, interested in the creative use of radio. We meet regularly to discuss feminist approaches to amatuer radio and the radio spectrum as artistic material, sharing resources, considering DIY approaches and inclusive structures. ​"

"For the design of a new facility whose mission is to empower the blind, sound played an unusually prominent role."

"The Weather Warlock tells weather for people who can't see. Musician and electronic instrument inventor Quintron built a device that converts atmospheric conditions into sound, which he uses in his daily broadcast, "Weather for the Blind.""

A great sound-related publication with guest editors that takes on different topics.

QUEER TRASH SYMPOSIUM was an auspicious meeting of some very bright and very queer minds, the evening showcases the myriad ways that queers make sound, make sound queer, or skim around terms that may attempt to contain queer life.

"Percussion is also a discipline that is overwhelmingly considered to be "for boys." I recently began asking myself why I chose drums as a nine-year-old, when I showed an aptitude for just about any kind of instrument. I had wanted to play piano when I was five, but was never given lessons. Why drums, then ? Why not still piano four years later ? Even as I write this, I have some regret that I never became a pianist."

"Sarah Hennies's highly personal explorations of "queer and trans identity, love, intimacy and psychoacoustics" are increasingly played by others."

This is my video from To a Great City, part of the project Stillspotting. This was one of 5 locations visited during the tour. The 60-degree-view from the 46th floor of 7 World Trade Center. The music was playing throughout the empty floor of the building.