Group items tagged

"Professor Trevor Cox is a British academic and science communicator, a Senior Media fellow for EPSRC, and is President of the Insitute of Acoustics for the 2010-12 period. Cox has presented a range of popular science documentaries for BBC Radio 4, BBC Radio 3 and BBC World Service, including Sounds of Science, Aural Architecture, Life's Soundtrack, Science vs Strad, The Pleasure of Noise, World Musical Instruments, Dragon's Lab, Biomimicry and Save our Sounds. He was co-originator and judge of BBC Radio 4' 'So You Want To Be A Scientist?', a competition to find Britain's best amateur scientist. He has gained worldwide news coverage for stories such as "Does a duck quack echo?" and "The Worst Sound in the World". He has also investigated the World's scariest scream. In addition, he has appeared in features on BBC1, Teachers TV, Discovery and National Geographic channels, and as an expert in news items on a variety of television and radio channels"

These 16,016 BBC Sound Effects are made available by the BBC in WAV format to download for use under the terms of the RemArc Licence. The Sound Effects are BBC copyright, but they may be used for personal, educational or research purposes, as detailed in the license."

A written history of the legendary and groundbreaking BBC Radiophonic Workshop

The historian and radio broadcaster talks about the power of eavesdropping and the roar of the crowd, as heard in Noise: A Human History, his new 30 part series for BBC Radio 4. By Nathan Budzinski.

"It's 200 years since Thomas De Quincey wrote On the Knocking On the Gate in Macbeth, the first serious consideration of the strange and powerful psychological impact of sound effects - sounds which aren't language or music but still carry a level of meaning which seem to elevate them above our everyday sound world. To mark the occasion, composer Sarah Angliss meets some of the world's foremost sound designers to consider the enduring power and ubiquity of the sound effect."

"The McGurk effect is a compelling demonstration of how we all use visual speech information. The effect shows that we can't help but integrate visual speech into what we 'hear'."

"David Hendy, media historian at the University of Sussex, host of the thirty-part BBC Radio series, Noise: A Human History, and the author of Noise: A Human History of Sound and Listening, talks about the social history of noise and kicks off the call-in on the question of sound and creativity. What sounds sparks your creativity or do you need absolute quiet?"

"Acoustic Engineer Trevor Cox takes us on a two-part journey into the world of acoustics research, starting with the sounds we love to hate."

""We bombard ourselves with sound and music… it's everywhere." So says musician, artist and nature recordist Chris Watson who has captured sounds for numerous wildlife TV shows, including Sir David Attenborough's Planet Earth series on the BBC among many others. In this episode our ever-intrepid host Tim Hinman points his microphone at, well… microphones, speaking with Watson and sound artist Jana Winderen about our ever-fascinating natural world and the jungle of sounds it makes."

"Keeners were the women of rural Ireland who were traditionally paid to cry, wail and sing over the bodies of the dead at funerals and wakes. Their role was to help channel the grief of the bereaved and they had an elevated, almost mythical status among their communities. The custom of keening had all but vanished by the 1950's as people began to view it as primitive, old-fashioned and uncivilised."

"Advocates of Electronic Voice Projection (EVP) claim they can use radio equipment to communicate with the dead. But are they just hearing what they want to hear?"

"Artist Jana Winderen transports us underwater, to listen to the sonic wonders of the sea."

"Artist Jana Winderen transports us underwater, to listen to the sonic wonders of the sea."

"Capturing just 20 seconds of a songbird's chirrup, or an elk's bugle, or a kangaroo's chortle often requires hours of stillness and solitude. It's a craft that Birmingham-born sound recordist Martyn Stewart has perfected over the last 55 years. In that time, he's built up one of the largest private collections of natural sound in the world. Comprising 30,000 hours of material, it includes recordings of 3,500 bird species, alongside countless mammals, insects, amphibians and reptiles, as well as soundscapes of the Serengeti, the Arctic and Chernobyl, 10 years after the nuclear reactor meltdown. At least four of the species he's recorded are now extinct in the wild, including the northern white rhinoceros and the Panamanian tree frog."

"Stonehenge is a ruin. Whatever sound it originally had 3,000 years ago has been lost but now, using technology created for video games and architects, Dr Rupert Till of the University of Huddersfield has - with the help of some ancient instruments - created a virtual sound tour of Stonehenge as it would have sounded with all the stones in place."

"The acoustic properties of our houses, offices and public spaces can have a major impact on how comfortable we find them and may even affect the way we behave."

"The oceans are full of noise - both natural and man-made. In this video, researcher Michel Andre explains how he is trying to make sense of how our sounds have such far-reaching effects on the whales sharing our seas."

"Nick Luscombe concludes his personal journey through music and architecture, with a look at past and present visions of the future, including tracks from Yuri Suzuki, Alexandre Desplat and Abdullah Ibrahim. We hear the music choice of architect Kengo Kuma and a brand new work from Scanner, inspired by Kuma's Yudo Pavilion."

"What do you hear when you think of the Arctic and Antarctic? "Singing" ice, a seal that sounds like it is in space, and a seismic airgun thundering like a bomb are some of the noises released by two marine acoustic labs. The project introduces the public to 50 rarely heard sounds recorded underwater in the polar regions. It highlights how noisy oceans are becoming due to increased human activity that also disrupts sea life."