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Avid, creator of Protools and Sibelius 6 software gave top honors to Pro Tools 8 in the DAW (Digital Audio Workstation) category, for quality and quantity, and top honors to Sibelius 6 for its tools and support. Has anyone been using the new Pro Tools 8? I know they say quality is better than quantity but what happens if you have both? (but does pro tools 8 really have both?)

As more musicians become producers with the help of their oh so advanced audio software sound quality is actually steadily improving with each update to pro-tools. Pro-tools or no Pro-tools did you know that there is no real correlation between audio quality and music sales. At least this is what this chart is supposed to prove.

Access4Artists is one such tool. In fact, we dare say that a4a may well be the only online tool you need to promote your band, interact with your fans and have a great centralized location online that any talent booker anywhere can access 24 hours a day, 7 days a week. It's like we took the entire process of how to get a gig and made it virtually idiot proof!

"How can i make music when i'm expected to spend all my time on Twitter and Facebook? " - Great music is where it all begins and ends, but in between the path to success is always changing. Facebook, Twitter, iTunes, heck..SongPlacements are all just new aged tools on the path to success.

The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.

Music will thrive in 2010 Jomar, blogger for the musicproducersforum recently wrote a rebuttal to CNETS recent article entitled will recorded music survive in 2010. Kudos to Jomar for getting it right. To sell music this year labels will have to see music as more than just a way get money from the customer. With the record labels struggling for a solution i've never seen so many artists recording music, its as if getting signed is an annoyance for the artists of the future. The leveling is almost here, with every artist gaining access to the same tools, theres never been more of a reason to record music. The less expensive it is for an artist to record music the less money an artist has to make to see a profit.

Power, Path and Performance is a three pronged approach that if maximized could give artists more voice than they could ever need. The approach which centers around breath, open throat and authentic communication of message are three synergetic areas that when mastered can prove to be a dangerous weapon in your industry tool bag.

Explore music has recently published the results of a poll determining the scariest theme songs in film. As a songwriter i find this list as an invaluable tool that you can use to compare songs in your library that you have deemed scary. Take a listen to each song in the list, most can be found on Youtube, and listen carefully to what instruments are being used and how they are being used, then mimmic these styles and sounds in your productions. Music supervisors are constantly basing their selections off of similar sounding songs, so having songs that mimmic the top 5 should definitely help with increased placements. Remember good artists copy, great artists steal. Landing at number 1 by the way, Psycho Theme (Psycho) by Bernard Hermann.

new Reaggae homeweaved tune welcome 4an ear-ing:) merry weekend guys Tom

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