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Collège d'analyse Sur Facebook : https://www.facebook.com/CollegeAnalyseLaique RUBRIQUES PHOTOS VIDEOS PARTAGER 207 S'ABONNER Samedi, Nov. 10, 2012 Prochaine édition dans environ 6 jours Archives MILLER et Autisme/ La psychanalyse en procès & Pour la défense des droits des autistes Partagé par Frans Tassigny calameo.com - Je crois que la parole, sur la question de la psychanalyse, n'est pas assez donnée aux analysants Je suis venu au fil du temps à m'autoriser à parler et à voir ma vie un peu d'une autre manière. Mo... Minutes autour de Jacques Lacan college-analyse-laique.org college-analyse-laique.org - Minutes autour de Jacques Lacan « »Lacan avait posé la question à la passe de ce qui pouvait se passer dans » la boule de quelqu'un pour s'autoriser d'être analyste « . Il dit en avoir raté la ré... Les vases non communicants, par Jean Bertrand Pontalis. college-analyse-laique.org college-analyse-laique.org - Les vases non communicants, par Jean Bertrand Pontalis. dormirajamais.org - Entre Freud et Breton, c'est peu dire que le principe des vases communicants a mal fonctionné. Breton/Freud: les vases no... La grande aventure de la cure par la parole, à partir du versant père-fille college-analyse-laique.org college-analyse-laique.org - La grande aventure de la cure par la parole, à partir du versant père-fille Les Éditions Fayard ont publié récemment la correspondance entre Freud et sa fille Anna. Environ 300 lettres jusqu'alors ... L'Avocat du Diable ( BHL ), Bernard-Henri Lévy et Jacques Lacan…et Michel Foucault… college-analyse-laique.org college-analyse-laique.org - * Yann Garvoz Je suis dans trop de groupes (reflet de trop d'intérêts, que du coup je ne puis tous qu'effleurer), alors du coup vais quitter celui-ci. Avant cela je vais me faire l'avocat du diable...

Double fate of Anna Freud as a woman and as an analyst is built around the ambiguity of his desire to please - and not offend - the father, but also around the ambiguity of his desire him, Freud, vis-à-vis his daughter. It does not cease to warn, and that very soon, against potential suitors, and first and foremost against Jones, whom he suspects of wanting to woo Anna, then aged nineteen, when it 's is made only in England

Psychoanalysts since Freud thought they passed psychoanalysis alone, and then only in the context of the analytic cure: set of mirrors where the "shrink" was even here the "knowing" possession of knowledge and discourse the man, his mental and psychic life? OR, the analyst, in principle ... is at the heart of the cure being "psychoanalysis" as an issue of transmission. He puts this object, emphasizing this no word could contain the whole truth. "There is no metalanguage". No words can all say anything. Word and things, words and ideas are lame to conjoin. Tinker, tinker, and see: the small screws never find their right ankles ... Why prohibit psychoanalysis, often when we saw outside the inner circle of Schools, to be also affected by this impossible? There had he not, in everyday life as an object of knowledge that few could pass, but contain them all?

REVUE GENERALE DE PSYCHANALYSE PATCHWORK Where is the unconscious? PAGE 2 Charles Bukowski PAGE 14 Riveting talks by remarkable people, free to the worl+ PAGE 18 Sigmund Freud PAGE 26 The Singularity Is Near movie available today PAGE 29 BADIOU or take over from SARTRE? PAGE 40 A virtual space created by a child PAGE 46 AI that Mimics the Human Brain --The Next Revolution in Artificial Intelligence PAGE 65 After the 8th WAP Congress PAGE 68

Why did Freud supplement the Oedipal myth with the mythical narrative of the "primordial father" in Totem and Taboo (T&T)? The lesson of this second myth is the exact obverse of the Oedipus: far from having to deal with the father who, intervening as the Third, prevents direct contact with the incestuous object (thus sustaining the illusion that his annihilation would give us free access to this object), it is the killing of the father, i.e., the very realization of the Oedipal wish, which gives rise to symbolic prohibition (the dead father returns as his Name).

A dystopian film. " THE MASTER" For some time I was occupied by a search for a title for this review of 'The Master'; Paul Thomas Anderson's 70 mm film homage to post war alienation and deceit. Anderson is a student of film history while his being an auteur is essential to understanding his intent. He stands on the shoulders of earlier filmmakers, influenced by them and seeking to relate his version of the "American Dream".