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Psychoanalysts since Freud thought they passed psychoanalysis alone, and then only in the context of the analytic cure: set of mirrors where the "shrink" was even here the "knowing" possession of knowledge and discourse the man, his mental and psychic life? OR, the analyst, in principle ... is at the heart of the cure being "psychoanalysis" as an issue of transmission. He puts this object, emphasizing this no word could contain the whole truth. "There is no metalanguage". No words can all say anything. Word and things, words and ideas are lame to conjoin. Tinker, tinker, and see: the small screws never find their right ankles ... Why prohibit psychoanalysis, often when we saw outside the inner circle of Schools, to be also affected by this impossible? There had he not, in everyday life as an object of knowledge that few could pass, but contain them all?

This two-day conference, supported by the Pears Institute for the study of Antisemitism (Birkbeck, University of London), Birkbeck College, University of London and the Centre for Psychoanalytic Studies of the University of Essex, will bring together historians, social theorists and psychoanalysts to explore the impact of the Second World War and totalitarianism on psychoanalysis, and of psychoanalysis on the understanding of the war and totalitarian systems

* Because as psychoanalysis works are meant to be read, and not to be piled, stacked, arranged, lined in bookshelves, our ideas are made to be called, published, discussed, proposed, otherwise they do not exist. * Because internet traffic movement, and it is better that our ideas are taken as living in a gangue of silence. * Because of the action as well as supports and validates the decision, I write (and I do not think it could be otherwise, here I assume that the subjective joined the lens, rather than the singular or my gesture joined the collective act of writing) and I can only write in a gesture that is continuous, that does not stop because everyday gestures come to intersect with it. Only there is a natural place for this, which is a space where one is asked to leave his name at the door and where the words flowing. * Because the dynamics of the publication supports the dynamics of writing, confirms, corroborates it.

"... The intention of the Zionist organization in our university create Jerusalem a chair psychoanalysis meets my most fervent wishes. I also expressed my belief that the choice of Dr. Wulff to represent our young science is a good choice. "

There is undoubtedly no other film producer who has devoted such attention to psychoanalysis and psychoanalysts as Woody Allen. The work of this New York film maker is based on a series of formal, narrative, and thematic constants in which issues such as emotional instability and its psychotherapeutic treatment -normally addressed in comic tone- are featured strongly.

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Comment of the original texts from which Freud's texts prove a fertility unprecedented in this area and is far from exhausting itself over time. This is the safest way and most rational p ... View More description University of psychoanalysis aimed at the training of analysts. Currently, there is yet no classes, the initiative is at the beginning, then they are psychoanalysts who spontaneously offer a reflection and form a cartel (eg, psychosis) in multilingual spaces. This is a long-term initiative, everything depends on the quality of teachers and the originality of their articles.

What is psychoanalysis, I asked someone who was hostile? Not teach it not to distinguish conscious from unconscious? - Yes, I replied. So, he concludes, it is a truism as stupid as the others, such as "when one is not great is that we are small." Can we say that the thought is not equal to the reflected consciousness is equal to the unconscious? -

Ne prétendons plus à la neutralité mais tenons compte de l'efficace psychanalytique et de sa résistance, de ses spéculations et stratagèmes, interpellons de façon critique, ouvrons des brèches: c'est oeuvrer à la psychanalyse "en fracas". Faut-il encore soumettre le discours psychanalytique à la rigueur de la preuve, aux chaînes de la conséquences , aux contraintes internes du collectif? Faut-il toujours articuler et surtout ne plus ignorer ce que certains voudraient laisser tomber ou réduire sous les dogmes de diverses chapelles? Faut-il enfin déterminer la spécificité de l'après-coup psychanalytique et de ce qu'elle arraisonne?

It is recognized that the personal psychoanalysis by psychoanalysts is necessary for their training and their psychoanalytic practice. most often they are implicit allusions scattered in their theoretical and clinical texts. But sometimes they make explicit stories

Ce document a été rédigé pour l' Beckett et à Londres la conférence qui a eu lieu au Goldsmiths College, Londres en 1998. The ascertainable facts about Beckett's period of psychoanalysis with Wilfred Bion are, like the prayers of the lukewarm soul, faint and few. Beckett was a young man of 27 who had taken the first steps in his literary career, with the publication of `Whoroscope', Proust, Echo's Bones and, shortly after beginning analysis, More Pricks Than Kicks. After his years of promise and freedom at the Ecole Normale, during which time he came to know Joyce and begun to make out a reputation and literary career for himself, Beckett had suffered a series of reverses.

"Etre, c'est éclater dans le monde".Dans l'Etre et le Néant, Sartre repense le cogito cartésien. Ainsi, contre Descartes et son "Je pense donc je suis", Sartre pose la thèse suivante : "Je suis, j'existe". Autrement dit il affirme que la pensée elle-même suppose l'existence qui reste première. L'homme est avant tout sujet, une sorte d'existence impersonnelle, une "existence sans existant Why is the "Doctor Strangelove of psychoanalysis," Master of Hermeticism, remains the darling of the media and publishers France? By a certain propensity of French intellectual world to fall in love pretenses explains Mikkel Borch-Jacobsen in the "books" of March

This paper was presented at the Alfred Hitchcock conference For the Love of Fear convened by the Museum of Contemporary Art, Sydney, held from 31 March to 2 April 2000. * * * Hermia: Methinks I see these things with parted eye, When everything seems double… Demetrius: Are you sure That we are awake? It seems to me That yet we sleep, we dream. A Midsummer Night's Dream, IV, ii, 192-197. Just about everything about Hitchcock's Spellbound (1945) seems double, not least the film's critical reputation. On the one hand, Andrew Britton, not a man to equivocate, declares that "one can make no claim forSpellbound as an achieved work of art," citing, among its shortcomings, "the discrepancy between surface and implication, the grotesque uncertainty of tone (especially noticeable in the wildly clashing conventions of the acting) and the frequent banality of the script" (83). Many, even among Hitchcock's admirers, would agree.Spellbound is, in fact, not spellbinding, not one of Hitchcock's masterworks, not a Rear Window (1954) nor aVertigo (1958). On the other hand, though, it is, as Marshall Deutelbaum and Leland Poague point out, the first of Hitchcock's films in which "questions of visualization and displacement, of guilt conjured up and denied - questions which will eventually inform such films as Rear Window and Vertigo - become overt subject matter"

Abstract: Forty years after the writing of The Stuns Lacan and ten years after the first philological reading of the text, Fierens gives us a new interpretation quite dazzling.

If "death of God" or "the output of religion", these emblems of modern disenchantment, require thinking in terms radically new man in a world robbed of all transcendence, that he must go TODAY ' Today the central question of the subject?

One must absolutely direct oneself from the author towards his work, that is to say: it is because a creator possesses a given personality that he produces a given work. But never, amongst the characteris to say: it is because a creator possesses a given personality that he produces a given work. But never, amongst the characteristic specificities of a text to outline the psychological profile of an author and to draw a series of conclusions, in a dichotomy of various preaching. It would be vain to interpret the verses of Paul Celan "The black milk of dawn is drunk at sunset" as the gruesome representation of Auschwitz, the concentration camp where they were written; as also to call Ezra Pound a fascist as a consequence of a few interviews given during the war on Radio Rome where aesthetics and politics were cleverly blended.

Proposition 1. If there is a slumbering poet in every psychoanalyst and in every poet a psychoanalyst caught unawares it is because they both evoke an articulated language, that of the unconscious. For the first it unfolds in a rigorous closerous closed field and for the second it expands in lyrical and wild romanticism. Proposition 2. Chess masters possess the art of people who have none, psychoanalysts that of healing; poets that of enchanting. All three are confronted with their solitude; often in research sometimes in music and innermost joy. Proposition 3. There are no established poets and no street poets, only poets, full stop. On the other hand, there are no psychoanalysts as such. There are solicitors of the mind, mayors of the unconscious, pedagogues, teachers, doctors or theoreticians, but, they are in good lodgings.

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