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Sue Maberry

TEACHING TIPS - 0 views

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    Excellent set of pedagogy help especially for new faculty
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    Excellent set of pedagogy help especially for new faculty
Sue Maberry

Digital Stories -Georgetown U project - 0 views

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    Great archive about pedagogy of the process. * A "research section" that addresses questions around digital storytelling and student learning in three major sections: Multimedia Distinctive, Social Pedagogy, Affective Learning * A grid as an alternative, condensed representation of our findings from this project * Video interviews with students and faculty as well as student produced digital stories * "Best practices": advice from students and faculty for working with digital stories
Sue Maberry

Faculty Focus | Focused on Today's Higher Education Professional - 0 views

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    This e-publication seems to have good ideas related to pedagogy and teaching tips
Sue Maberry

Producing Audiovisual Knowledge: Documentary Video Production and Student Learning in t... - 0 views

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    interesting article about how to effectively use video/multimedia in LAS courses
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    pedagogy related to multimedia use in the classroom
Sue Maberry

Digital Stories :: Introduction - 0 views

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    This multimedia archive on digital storytelling provides:\n* A "research section" that addresses questions around digital storytelling and student learning in three major sections: Multimedia Distinctive, Social Pedagogy, Affective Learning\n* A grid as an alternative, condensed representation of our findings from this project\n * Video interviews with students and faculty as well as student produced digital stories\n * "Best practices":
Sue Maberry

Introduction to Digital Humanties | Concepts, Methods, and Tutorials for Students and I... - 0 views

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    online text book
Sue Maberry

Trace Evidence: How New Media Can Change What We Know About Student Learning | Academic... - 0 views

  • Seven Types of Discussion Questions
  • Part of moving from novice, to intermediate, to expert learner is understanding the types of questions can be asked and answered. T
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    the first part about clickers is not that relevant, but after that there is a good discussion about TYPES OF DISCUSSION QUESTION Participants were encouraged to think through what might happen to their practice of art history if: --they had easy access to high-quality, copyright-cleared material in all media; --they could share research and teaching with whomever they wanted; --they had unrestricted access to instructional technologists who could assist with technical problems, inspire with teaching ideas and suggest resources they might not otherwise have known about.
Sue Maberry

New Media Technologies and the Scholarship of Teaching and Learning: A Brief Introducti... - 0 views

  • there has been relatively little interaction between those most interested in new technologies and those invested in the scholarship on teaching and learning.
    • Sue Maberry
       
      To what extent is this true at Otis? I wish we had more time to actually talk about these issues...
  • We need, in short, to merge a culture of inquiry into teaching and learning with a culture of experimentation around new media technologies.
  • to understand better the changing nature of learning in new media environments and the potential of new media environments to make learning--and faculty insights into teaching--visible and usable.
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  • synoptic case study of the Visible Knowledge Project (VKP), a five-year project looking at the impact of technology on learning, primarily in the humanities, through the lens of the scholarship of teaching and learning. 
  • Learning for adaptive expertise: the role of new media in making visible the thinking processes intrinsic to the development of expert-like abilities and dispositions in novice learners; Embodied learning: the impact of new media technologies on the expansion of learning strategies that engage affective as well as cognitive dimensions, renewed forms of creativity and the sensory experience of new media, and the importance of identity and experience as the foundation of intellectual engagement; and Socially Situated learning: the role of social dimensions of new media in creating conditions for authentic engagement and high impact learning.
  • As Michael Wesch puts it in his commentary on the meaning of these changes, “Nothing good will come of these technologies if we do not first confront the crisis of significance and bring relevance back into education.
  • ePortfolios
  • A key element in this transformation is shifting the unit of analysis from the learner in a single course to the learner over time, inside and outside the classroom.
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    Introduction to the whole issue which has several excellent essays related to best practices
Sue Maberry

January 2009 | Academic Commons - 0 views

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    issue with many many interesting articles about New Media Technologies and the Scholarship of Teaching and Learning
Sue Maberry

Visible Knowledge Project Home Page - 0 views

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    VKP is a five-year project aimed at improving the quality of college and university teaching through a focus on both student learning and faculty development in technology-enhanced environments.
Sue Maberry

Themes & Findings | Visible Knowledge Project - 0 views

  • n general, faculty have to make room for uncertainty, openness to multiple paths and approaches, reflection, and productive iteration. Additionally, faculty who design for this kind of development in new media environments have found that they have to create new ways to stimulate and capture artifacts of student learning that reflect expert processes that are different from traditional summative assessments.
  • intellectual play
Sue Maberry

Multiple Media for Cultural Analysis and Critique - VKP - 0 views

  • We need to come up with a new set of terms to describe this and other mixed activities that emerge at the point of overlap between print and electronic scholarship.
  • Creating Visual Texts
  • Improvisatory reflective commentary - printed, posted, or performed out loud - is a necessary component of the type of assignment
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  • function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13472&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } archive screenshots + descriptions of student projects: viewI have been examining student work in three different modes (formal argumentative essay with bibliography; Flash movie; informal reflective commentary), performed in the course of a single assignment. The assignment called for students (working in groups) to interpret a literary text that was related to the core subject matter of the course. I drafted the assignment, then refined it following consultation with the class, in the context of the spring 2003 course. I repeated it with slight modifications in the fall 2004 course. function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13471&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } questions working questions1. Do distinct modes of apprehension and interpretive practice become visible when we examine student work in different media?2. If so, what are the relationships between or among these modes? 3. If not , what does that tell us about received notions about the relative efficacy of traditional and emergent forms of scholarly practice? function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13467&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } 472site course website for english 472: view&nbsp; function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13469&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } finally...
Sue Maberry

From Narrative to Database: Multimedia Inquiry in a Cross-Classroom Scholarship of Teac... - 0 views

  • technologies of delivery and “technology protocols.”
  • defines “media as socially realized structures of communication, where structures include both technological forms [technologies of delivery] and their associated protocols.”
  • not merely a technological add-on
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  • This idea is useful for helping scholars of teaching and learning think through the impact of new media technologies on the practice of capturing and representing evidence of student learning and drawing conclusions from it.
  • Thinking with clarity about the role of technology is key when research focuses on the use of technology in the classroom and when the presentation of that research takes advantage of new media technologies.
  • The results of this study are available in print (see AHHE Forum on Digital Storytelling, Vol. 7.2, 2008) and also online at the Digital Storytelling Multimedia Archive.2
  • There is a somewhat familiar relationship between research and writing which underpins student work; however, because students are working towards a digital end, they are already thinking about their work as being different—more visual, more compressed, and more public than traditional writing products.
  • Thus, the grid designates a liminal space between the protocols of database and linear narrative in a multimedia environment.
  • The tension between grid and linear Web site as two related, yet fundamentally different ways to represent evidence of student learning is one of the most challenging aspects of our meta-study.
  • hese publications follow the hermeneutics of linear, hierarchical, cause-and-effect narratives.
  • the database is the privileged narrative of the computer age, and its logic is fundamentally different from that of linear print narratives
  • his absence of hierarchy is symptomatic of the database as “cultural form:”
  • reducing complexity through categorization works well only if certain criteria are met. First, in terms of the domain of knowledge to be organized, classification is dependent on a “small corpus, formal categories, stable and restricted entities, and clear edges.” Second, successful classification assumes “expert catalogers, an authoritative source of judgment,” as well as “coordinated” and “expert users.”8 One of our goals for this study is to make our findings publicly available in an online archive, accessible to the scholarship of teaching community and beyond. For such an environment, Shirky adds, reducing complexity through stable categories is a “bad strategy:”
  • Users have a terrifically hard time guessing how something they want will have been categorized in advance, unless they have been educated about those categories in advance as
  • Through collaborative coding/tagging and the production of further metadata in a collaborative effort with the academic community, we aim to push the limits of analyzing and representing student learning in Web 2.0 environments.
Sue Maberry

Connectivism Recordings for an online course - 0 views

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    Connectivism & Connective Knowledge
Sue Maberry

About viz. | viz. - 0 views

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    visual rhetoric, theory, examples, assignments. Good background related to LAS and media projects.
Gwynne Keathley

Liberal Education | Winter 2009 | Liberal Education & Effective Practice - 0 views

  • The most prominent attempt to introduce practical activity into liberal education is the civic engagement movement, through which students are encouraged to participate in off-campus community service, sometimes in connection with credit-bearing service-learning courses, sometimes outside the formal curriculum. Such programs aim to cultivate habits of “active citizenship” and build problem-solving skills in community settings.
  • Though important in its own right, the civic engagement movement is also a specific instance of the broader effort to link liberal education with action and practice.
  • The Carnegie Foundation has sponsored an effort to enrich the “thinking” orientation of liberal education with the “doing” emphasis of professional studies by incorporating practice-oriented pedagogies, such as simulations and case studies, in liberal arts courses. Many colleges offer interdisciplinary, problem-focused minors like urban studies or international relations through which students learn to think about complex, real-world problems. These programs often provide platforms for community-based research projects, internships and service opportunities, and Model UN–type simulations.
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    AACU example of a call to link liberal education with more practice-based learning.
Sue Maberry

From Looking to Seeing: Student Learning in the Visual Turn | Academic Commons - 0 views

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    incorporating images as key "texts" into their courses
Sue Maberry

The Future of Art History: Roundtable | Academic Commons - 0 views

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    Participants were encouraged to think through what might happen to their practice of art history if: --they had easy access to high-quality, copyright-cleared material in all media; --they could share research and teaching with whomever they wanted; --they had unrestricted access to instructional technologists who could assist with technical problems, inspire with teaching ideas and suggest resources they might not otherwise have known about.
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